KIRSTEN FLAGSTAD DISCOGRAPHY by Howard C. ,S,, anner, Jr. ! f I >' : I I _,\ ._. Ji i i I ,; > , (' , ,{ ', / 1_ ( ;;( ?. _,J ' - .,I I??\ I (_ _ ? I ! ; ,I Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulti I lment of the requirements for the degree of Master of Music 1981 @ Howard C. Sanner, Jr. 1981 APPROVAL SHEET Title of Thesis: Kirsten FZagstad Discography Name of Candidate: Howard C. Sanner, Jr. Master of Music, 1981 - , Thesis and Abstract Approved: 1---...,Q_0_ 2..._..,L ._i2. ..[ =,_ __)._---l---=---"------ - Ho w a rd J. Associate Music Date Approved: ~ ;/~1a( / f !f / ABSTRACT Title of thesis: Kirsten Flagstad Discography Howard C. Sanner, Jr., Master of Music, 1980 Thesis directed by: Or. Howard Serwer, Associate Professor of Music Kirsten Flagstad, the leading Wagnerian soprano of her generation, left a legacy of more than 900 recordings. In a recording career that spanned 46 years, she recorded for the Scandinavian branches of Odeon, His Master's Voice CHMV), and Columbia, and made records for the inter- national market on the HMV, RCA Victor, and Decca (London Records in the U. S. A.) labels. In addition, recordings exist of many of her frequent broadcast appearances with the Metropolitan, San Francisco, Chicago, and Covent Garden Operas, as wel I as from such then-popular variety programs as the Ford Sunday Evening Hour, General Motors Hour, RCA Magic Key, and Kraft Music Hal I. Company files, record catalogues, and correspondence with private collectors, some of them Flagstad's friends, were used to assemble the information. By such means it was possible in most cases to determine matrix numbers, recording dates, and issue numbers of 78s, LPs, and non- colTITlercial records. A I ist of known interviews and other recordings of her speaking voice is included, as is a list of al I known broadcasts, whether or not a recording of them is known to exist. Although best known as a singer of Wagner's operas, Flagstad's repertoire on records reflects wide-ranging versatility. Besides Wagner, she recorded operas by Beethoven, Gluck, and Purce! I; her concert and recital repertoire Includes Bach, Bax, Delius, Elgar, Grieg, Rossini, Schubert, Schumann, Sibelius, Strauss, and Wolf. She also performed the music of many lesser-known composers, especfally Norwegians, and recorded sone 46 hymns with organ. Her records document the career of one of the twentieth century's leading singers and prevailing performance practice in a large segment of the standard repertoire. To Grace Gosnell Quine consummate Musician, Teacher, Friend ii ACKNOWLEDGEMENTS This discography is as much a collection, an assembly of infor- mation contributed by many people, as it is an original work, and a list of everyone who helped would run many pages. I am grateful to them al I. Keith Butler, whose enthusiasm for Kirsten Flagstad's voice is unparalleled, got me interested in a systematic study o~ her records. Were it not for his influence, I would have never begun what became a six-year project. G. J. Turnbul I, Record Librarian for Decca (London Records in the U. S. A.), supplied me with ful I information on Flagstad's Decca records. E. E. -Lawrence, Leonard Petts, and John Watson supplied similar information on Flagstad's HMV records. Mr. Petts in particular answered repeated queries about gaps in my information, thus supplying many mis- sing data and alerting me to the existence of several unissued records. Lois Fox and Bernadette Moore of the Listings Department of RCA Records kindly al lowed me repeated access to the files in their offices, often on short notice. John Pfeiffer, Executive Producer, Red Seal Ar- tists and Repertoire, ascertained the exact source for RCA's issue of the Ormandy/Phi ladelphia Orchestra Immolation Scene (discography numbers 114-17). The entire staff of the R1ecorded Sound Section of the Library of Congress, especially Samuel Brylawski, Gerald Gibson, Michael Gray (now music librarian for the Voice of America), James Smart, and Dorothy Zei- iii set, were always ready to put their resources at my disposal, and I re- lied on them heavily. In addition, Messrs. Gibson and Gray al lowed me to use their Bibliogz,aphy of Disaographies while it was sti I I on index cards, and James Smart invariably noted Flagstad records new to the Library's collection, tel I ing me about them on my next visit. Don McCormick of the Rodgers and Hammerstein Archive of the New York Public Library wrote me when I had barely started work to tel I me that their holdings contained part of Flagstad 1 s personal collection of her records. Th0ugh uncatalogued and unavailable to the general pub- I ic, he and Gary-Gabriel Gisondi al lowed me to hear any items I wished. Johnathan Angel and Barbara Eick made my visit to the Stanford Archive of Recorded Sound particularly pleasant and fruitful. I was given complete run of the portion of Flagstad's collection in their cus- tody; I was al lowed to hear everything I wanted, examine and photocopy tape boxes, and use the other resources of their collection I needed. I was treated no less royally at the Historical Records collection of Yale University. Both Barbara Eick and Richard Warren gave my project their undivided attention during my stay in New Haven. Arthur Dusenberry, Flagstad's son-in-law, al lowed me access to much valuable material that would have been otherwise unavai I able. My deepest thanks for his help and Interest in the discography. There would be no Flagstad discography without the help of Knud Hegermann-Lindencrone. A longtime friend of Flagstad's and one of the senior members of the record collecting fraternity, he supplied most of the information about Flagstad 1 s Scandinavian records, relayed many con- iv versations he had with Flagstad, and patiently answered my many--and often naive--questions. lvlore than anyone else, he encouraged me throughout the many years it took to compile the discography; he persuaded me to keep at it many times when I was discouraged or thought I could never find the information I needed. Alan Kelly, drawing on his vast researches into EMI 's recording activities, was able to help with details about Flagstad's unissued HMV records. It is largely through the efforts of Wi I liam R. lvloran that disco- graphy has become a serious, scholarly, respected field; his pub I ished work sets the standard to which we al I aspire, and the format he devel- oped--even after my tinkering with it--is the clearest yet devised. For that alone owe him a tremendous debt. He was also always ready with advice, gave me the opportunity to hear several recordings that would have otherwise been inaccessible, corrected many of my inaccuracies, and in general gave me, a novice, the benefit of his decades-long experience as a discographer and collector. And he spent most of his free time during a business trip to Europe verifying, scouting, and checking in- formation about Flagstad and her records for me. The discography is im- measurably better for his help, and he has my boundless appreciation. Torstein Gunnarson and Hans Hansen supplied me with authoritative information about the Flagstad broadcast recordings in the archives of Norsk Rikskringkasting and Danmarks Radio, respectively. My thanks to Andrew Farkas, Joseph Johnson, Wi I liam lvloran, Steven Permut, and Iona Sanner for proofreading the entire typescript. Iona Sanner and Janet Bel I helped compile the index. V CONTENTS Page Acknowledgements iii Introduction . . ? I Table I: Matrix/Broadcast Archive Codes 27 Table I I: Record Numbers and Public Archives 28 Table I I I: Other Abbreviations 31 Chronological Discography 32 Discography Notes .?.. 150 Appendix: Flagstad's Known Broadcasts ~ 171 Bibi iography . 207 Artist Index. ? ? 216 Composer/Title Index 226 vi INTRODUCTION Flagstad's Career on Records This is a discography--a study of Kirsten Flagstad's sound record- ings--not a biography. Because it would be impossible to study the rec- ords with no reference to the events of her life, I shal I discuss impor- tant biographical facts, but only as they relate to her records. I Flagstad was born in Norway July 12, 1895, and died there Decem- ber 7, 1962. She sang professionally for at least 46 of her 67 years, but did not become internationally famous unti I February 2, 1935, the day of her Metropolitan Opera debut. Her career, somewhat unusual because world- wide recognition did not come unti I she was nearly 40, divides convenient- ly into three phases: I. The career as a "house soprano" in Scandinavia, 1913-34 2. The international career, 1935-41, 1947-53 3. The broadcast and recording career, 1954-59. Because no dramatic change of repertoire occurred between parts two and three to para I lei the change between parts one and two, the line of demar- cation between them blurs; I divided the period 1935-59 into two parts be- cause I thought it significant that a singer retired from pub I ic perfo r- mances should continue her career in the recording and broadcast studios. I. For informat ion about her I ife apart f rom records, see Lou is Bianco I Ii, The FZagstad Manuscript (New York: Putnam, 1952); Edwin McArthur, Flag- stad: A Personal Memoir (New York: Alf red A. Knopf, 1964); and As- laug Rein, Kirsten Flagstad (Oslo: Mortensen, 1967). These are the sources for most of my biographical (but not discographical) information. 2 Before 1935 she almost never sang outside Scandinavia, where she was a stalwart in the Oslo and Stockholm opera companies singing lyric soprano roles and musical comedy. While she occasionally during this time sang al I the Wagnerian roles for which she was subsequently to become so famous except the three Brunnhildes, Senta, and Kundry, she was not pri- marily known for them; 2 her performances at the 1933 and 1934 Bayreuth Festivals were her most concentrated excursion into the Wagnerian reper- toire before 1935, and also among her few appearances outside Scandinavia. Flagstad began her recording career shortly after she began to sing in pub I ic. Her earliest records, made for Odeon in 1914, display, in my opinion, a light, somewhat nondescript voice, given to sliding and poor intonation.3 In 1923 she made four sides for the Scandinavian branch of His Master's Voice,(HMV). 4 The last records from this early part of her career, made in 1929 and her first discs using the electrical process, show some changes in her voice. The sliding and poor intonation are gone, never to return, and, for the first time, we begin to hear the character- istic Flagstad timbre.5 Throughout this phase of her career her voice 2. According to Biancol Ii, op. mt., 282-83 (and quoted in McArthur, op. mt., 342-43). In Scandinavia she sang Eva in Die Meistersinger, and at Bayreuth she sang Gutrune, the Third Norn, and Ortl inde, al I roles she dropped from her repertoire after 1935. 3. Discography numbers 1-16. 4. Di s cography numbers 17-20. 5. Discography numbers 21-26. There is always some question about how accurately acoustic records reflect the timbre of a voice. Though it proves nothing about Flagstad, it is my experience with other singers that acoustic records, although of lower fide I ity than el ectr ics, do recognizably capture tone qua! ity. Because of t hese experi ences, I think the change in timbre between Flagstad's 1914 and 1929 recordings too dramatic to attribute to improvements In the recording processes alone; I think the tonal makeup of Flagstad's voice cha nged. 3 was a lyric soprano, with no hint of the vocal power she would develop later. At her Metropolitan Opera debut in 1935 as Sieglinda, Flagstad was a sensation. 6 She burst completely unheralded on the international scene and began, at nearly 40, her 24-year, world-wide career. The odd thing is that this career almost did not happen: Flagstad had married a wealthy lumber executive a few years before and, by the time the Metro- pol itan's management requested an audition in 1934, was contemplating I ife as a homemaker. Her first records from this brand-new career were of the very music she sang to begin it; al I of Act I and parts of Act I I of Flag- stad's debut performance of Die Walkfa>e were recorded. 7 This and the other broadcast recordings from 1935, taken along with the studio record- ings made for RCA in the autumn of the year, show how much power and size her voice had gained since 1929.8 The voice on her prewar records, sti I I sounding youthful and lyrical, was coupled with the consummate tech- nique needed to meet every demand of the music she performed: she could sing loud or soft, high or low, fast or slow; but she could also unleash enough sound to soar over Wagner's heaviest orchestration without sacri- 6. 0 I in Downes, "Kirsten FI agstad Greeted at Debut," New York Tvnes. Feb- ruary 3, 1935, section 11, p. 4, c. 8. 7. Discography numbers 35 and 36. From the day of her Metropolitan de- but unti I the end of her career, Flagstad's voice is documented by re- cordings made fran broadcasts and concerts. Because of this, we can hear how Flagstad sounded in al I the roles for which she was renowned and how her conception of them changed over the years. These records also preserve a variety of repertoire that does not figure in her com- mercial r?cords and that is, in many cases, vastly different from that for which she became world famous. 8. For the broadcast recordings, see discography numbers 35-39; the com- mercial discs from this year comprise discography numbers 40-47. 4 f icing ton a I I ustre. 9 At the end of the Metropol itan's 1941 season, Flagstad returned to Norway at her husband's request. During the war, her performing career came to a virtual standsti I I; she sang only some opera performances in Zurich and a few recitals in Scandinavia during that time. At the war's end there were accusations that her husband had been a Nazi collaborator and some of these accusations rubbed ott on Flagstad herself. She was ultimately cleared of al I charges, however, and resumed her international career--albeit not without demonstrations, particularly in the United States, by those who would not accept the Norwegian court's verdict. 10 Beginning with her first postwar concerts in 1947, Flagstad con- tinued to sing the music, chiefly Wagner, that had made her name world famous. To the old roles she added two new ones, Dido and Alceste; in addition to her usual engagements at Covent Garden, the Metropolitan, Chicago, and San Francisco, she sang for the first time at La Scala in Mi Ian and the Teatro Colon in Buenos Aires. Recording continued una- bated; there are many examples on both commercial and non-commercial records of how Flagstad sounded at this time. After the war, she made her only complete commercial recordings of opera and recorded Lieder 9. Al I this is clearly aud i ble in the Metropolitan's March 9, 1935, broad- cast of Tristan wui Isolde (discography number 37), the "lnflammatus" from Rossini's Stabat Mater (discography number 38), and the commer- c i a I records of "0zean ! du Ungeheuer" from Oberon and "Abscheu Ii cher" from Fidelio (discography numbers 122, 123 and 120, 121, respectively). 10. For a tul I discussion of Flagstad's problems in Norway at this time and in resuming her career, see Bianco! Ii, op. cit., chapters 13- 21 and McArthur, op. ait., chapters 7-12. McArthur quotes a number of important documents relating to the case, including newspa per a r- ticles and parts of his testimony t o the Norwegian court, both in the text and in his Appendix A (pp. 311-99). 5 more extensively than before. 11 Fol lowing her retirement from the opera and concert platforms at the end of 1953, Flagstad continued to sing in the recording and broad- cast studios. Throughout this postwar time her voice changed I ittle. There was a certain mellowing or darkening, a certain richness and depth (I do not refer to pitch) that came with the years. But Flagstad's voice remained exceedingly--one might almost say astonishingly--consis- tent from the time of her New York debut in 1935 ti I I 1959, when she last sang for the phonograph. Previous Discographies Although there have been several previous Flagstad discographies, none is complete. 12 Of these earlier efforts, the best is that of Dennis, pub I ished in The Record CoUector of August 1952. It does, however, have its serious I imitations: it does not list recording dates or matrix num- bers rigorously; in addition, it omits two issued 78s and makes no men- tion of unissued records. It necessarily represents only the recordings made to the pub I ication date, and Flagstad's continuing activity doubt- less prevented both a treatment of unissued discs and a listing of ful I data about matrices, takes, and recording dates of those is s ued. II. See discography numbers 352, 416, 610-21, 659, 911-16 for the com- plete opera recordings and numbers 1-30, 47, 55-58, 60-8 1, 87-89, 98-112, 129, 130, 133, 137-39, 143, 172, 177-85, 935, 936 for the prewar Lieder records. 12. See F. F. Clough and G. J. Cuming, "Diskography," GZ'amophone Record Review, no. 53 (March 1958); James F. E. Dennis, "Kirsten Flagstad," The Record CoZZeator, vol. 7, no. 8 (August 1952); H. Hugh Ha rvey, "The Flagstad Pre-war Records," The Gramophone, no. 366 (November 1953); and Rein, op. ait., 272-77. 6 The other Flagstad discographies do not warrant discussion. Clough and Cuming and Harvey are, like Dennis's work, incomplete owing to their publicat ion dates (and Harvey intentionally I imited his scope); the ones not mentioned above are even more incomplete and inaccurate. 13 Problems and Uncerta inties Compared with some artists, for whose records the written studio logsl4 have disappeared (if they ever existed), Flagstad's discography presents few problems. But it is almost inevitable in the output of so pro! ific a singer that some loose ends wi I I remain. Considering the ex- tent and variety of her recorded output--not to mention the myriad sources involved--it is amazing that so few details are still missing. Of her conmercial records, it is chiefly the earliest, made for Scandinavian Odeon, that present problems. In January 1961, Flagstad her- self inquired at the Odeon offices in Oslo to try to determine the date of her first recordings. She was able to ascertain only that the first two were made in the autumn of 1914; though it is probable that the others were made about the same time, no proof of this has yet been found. l5 13. See bib I iography. 14. The st-udio logs, sometimes cal led session sheets, typically are a list, in order by matrix number, of the selections recorded during a given session. (Matrix numbers are analogous to the plate numbers music pub I ishers give Their scores: they identify a particular mas- ter recording and its place on the shelf.) They usually include data about accompaniment and assisting artists, recording dates , number of takes made (concomitant with the already-mentioned matrix numbers), and often some remarks about the engineering (pitch of the recording lathe, settings of amp I ifiers, etc.). Somet imes there wi I I also be a list of the catalogue numbers under which the records were or igi nal ly issued. 15. Knud Hegermann-Lindencrone, letter to the author. 7 Not surprisingly, efforts in the last five or so years to secure more ac- curate recording dates and to uncover detai Is about lacuna:! in the matrix series have met with even less success than Flagstad 1 s of nearly two dec- ades ago. From 1935 ti I I the end of her career, there are few such prob- lems. In the late 1940s and early 1950s, when tape was introduced, it was HMV's custom for a time to record sessions both on tape and 78 r.p.m. discs; later they recorded only on tape and transferred from tape to 78 matrices; sti I I later, in 1954, they phased out the 78 disc altogether. During the period when 78s were derived from tape masters a new problem arises with recording dates. Is the date in the company's files that of recording or of transfer? In some cases we shal I probably never know. But, uni ike the earlier records, we do know the year of the recording and, by interpolating matrix numbers, can often pin the date down even more closely than that. In addition, there may be some unissued records originally made on tape but never transferred to 78 matrices missing from the I ist. LP reissues of Flagstad 1 s 78s by the companies that made the orig- inal recordings have been adequately identified; even without a disco- graphy to sort out the detai Is, the situation is not too confusing. Flagstad seldom remade the same title with the same assisting artists, so given the recording date along with the name of the work, deciding which version is included on which LP is easy. A few reissues, though, not the products of the original recording companies, have proved harder to identify. In the most confusing cases, the LPs have been compared to the 78s by playing them simultaneously at the same pitch and making an 8 A/8 comparison. In al I cases I have been able to identify just which 78 matrix appears on which LP reissue. Thus, Flagstad's commercial records are, on the whole, reasonably uncomplicated to I ist in chronological order. Unless additional informa- tion should turn up from heretofore unsuspected sources, it is improbable that anyone wi I I be able to confirm when Flagstad made her first record- ings or to differentiate between the recording dates and tape transfer dates of the late HMV 78s. Similarly, unless data not yet unearthed turns up, it is unlikely that the list of commercial recordings wi I I grow longer. The non-commercial or pirate records, however, are quite another story. Most of Flagstad's broadcasts were carried nationwide by one or another network, and even if the network did not record the performance, it is always possible that someone recorded it at home on non-professional equipment or commissioned a studio to record it professionally. For this reason, a list of non-commercial recordings can never be complete; the best anyone can claim is to have listed al I he can find after careful search in pub I ic archives, through the catalogues of private disc pro- ducers, and through the holdings of private collectors with hoards of off-the-air recordings. Just because a recording of a broadcast has not surfaced does not mean it does not exist; one never knows what may lie in someone's basement or attic. 16 16. Since I began to work on this project, several important broadcasts have newly come to light, among them the Recognition Scene from EZek-tra and Flagstad's only known broadcast recordings with Knapperts- busch. In late 1978 or early 1979, NBC donated its collection of I ine checks (for an explanation of 11 1i ne check," see pp. 13-14) to the Mu- seum of Broadcasting in New York, which has, in turn, placed the discs 9 But the uncertainties of pirate recordings do not end with the impossibility of compi I ing a complete I ist of them. Both non-commercial LPs and the tapes of broadcaststhatcirculate privately are frequently mis-label led in one way or another; it is not unusual to find wrong casts, conductors, dates, venues--even wrong works! Though most major record companies have staffs to check label copy, most pirate record producers do not. They are amateurs in the classical sense of the word; they pub- I ish their records out of devotion to the music and artists involved and more mistakes creep into their efforts than those of the major com- panies. Whatever the reasons for inaccurate or incomplete documentation of pirate issues, it is sti I I the discographer's task at least to try to set matters straight. And, in al I fairness to the pirates, they do not (usually) get everything wrong on the label; there is almost always enough correct information--at least in the case of complete operas-- to al low one to identify the issue completely and correctly with a min- imum of effort. The casts and conductors usually changed some between broadcasts, and It is only a minor inconvenience to compare the label credits with the performance annals for the work. By contrast, determining the broadcast from which t he various songs and arias are excerpted often approaches the impossibl e . Vi r tually on deposit at the Library of Congress, where they a r e graduall y bei ng transferred to tape and catalogued. The Library of Congress's taping and cataloguing project is only beginning and NBC' s cata logue cards for the discs are unavailable (they are being photocopied) ; therefore I have been unable to ascertain whether or not NBC' s transcriptions of many Flagstad broadcasts have survived. 10 al I of them come from such then-popular programs as the Ford Sunday Even- ing Hour, General t-liotors Hour, and RCA Magic Key, Although it is not dif- ficult, by combing the broadcast logs of the New York Times, to learn who performed on which show on what date, it is nearly impossible in many cases to discover what works were performed unless a complete re- cording of the program has survived. In several cases record labels and catalogues of private collectors wi I I not list complete or correct data for a recording; just as with complete operas, one hopes there is enough correct information so that, by comparing the record with the .b roadcast I isting, whatever is missing may be divined--be it date, conductor, or anything else. The dates of only two of Flagstad's recordings defy iden- tification by this method. 17 Since the complete programs for the various sorts of variety shows I isted above were so seldom printed in the news- papers, there is no written record of a broadcast performance of them by Flagstad. It wi I I continue to be impossible to identify these records further unti I more information regarding the music performed on each of Flagstad's appearances on these programs comes to I ight. Owing to the imperfect documentation, the uncertainties and downright educated guesses involved in identification, Flagstad's non-corrmercial recorded output 17. See discography numbers 935 and 936. Beca use there is no brea k be- tween selections and Flagstad introduces the Grieg song, it is cl ear that both stem from the same program. It is also clear they are broadcast performances: the original recording medium was, from the sound, obviously some sort of transcription or acetate disc, implying a recording date in the 1930s or 1940s, both too early for a non- broadcast recording. The announcement between t he songs prec ludes them being dubbings from Flagstad's commercial record i ng s of these works. 11 promises to remain more confused and muddled than the rest. Media for Non-Commercial Recordings Non-commercial or pirate recordings fat I into three groups: those dubbed from broadcasts, non-broadcast performances recorded on portable equipment smuggled into the hat I, and those made for the ar- tist's private pleasure. Of these, the third can be discounted: as far as is known, Flagstad made no records for her own amusement. There are several known non-broadcast recordings of Flagstad performances. Perhaps the most important of these are the recordings HMV made at Covent Garden during the 1936 and 1937 seasons. HMV was quite active at this time, re- cording al I or part of many Flagstad performances, presumably with a view to public issue. Fortunately, at least some of this material has come to I ight on private discs. In addition, a section of the Immolation Scene from Die G8ttercli:imneru.n.g was recorded from the catwalk over the stage of the Vienna State Opera in 1936 and her 1955 concert with the Symphony of the Air was recorded by David Sarser, a high fide I ity buff and member of the orchestra. Although lacking the clandestine aspect of most modern "in house" tapes, the result--recordings of non-broadcast performances--is the same. 18 Many of Flagstad's broadcasts were record- ed in one way or another, and it is from these recordings that we get a glimpse of her in action. The history of broadcast recordings begins, for practical pur- poses, in 1934 with the introduction of home disc cutters and aluminum 18. Discography numbers 59, 82, 601-609. 12 blanks. 19 From 1934 on, there are many preserved broadcasts of Saturday matin~es at the Metropolitan Opera, Sunday afternoons at the New York Phi I harmonic, and such programs as the Voice of Firestone and General Motors Hour. During the period before tape was introduced in the late 1940s, virtually the only way to record a broadcast was on disc; as men- tioned before, not only did people record off the air at home, recording studios could also be hired to record broadcasts, and the networks rou- tinely recorded their most important presentations. Home recordings, professionally-made dubs of AM broadcast s, and network transcriptions did not, however, al I yield the same results. Home acetates were usually 25 cm blanks20 at 78 r.p.m. In the earliest days, these blanks were simply bare aluminum discs; aluminum (often glass during the war) discs coated with acetate were introduced late in 1935 and offered somewhat better sound than the uncoated discs. In either case, the discs had a maximum playing time of about three and a half minutes and changing them resulted in gaps in the music; 21 in addition, 19. The earliest Flagstad broadcast recordings known to have survived date from 1935, though there once existed (and may sti I I exist) an excerpt from the last movement of Beethoven's Ninth Symphony from the 1933 Bayreuth Festival (discography number 31) and a 1934 broad- cast on Danish Radio (discography numbers 32-34). Although there are a few broadcasts by other artists from before 1934, there is, by contrast, a plethora of material from that date on--and, of course, much that has not surfaced as wel I. 20. Discs 25, 30, and 41 cm in diameter equal, in the English system, the standard sizes of ten, twelve, and sixteen inches, respect ively. 21. There were some few home recordists who owned two cutting lathes, but the broadcasts recorded on non-professional equipment using two turn- tables form only the smallest percentage of the total material pre- served in this form. (As an example, see the recording of Lohengrin, Act I I, discography number 135, and the notes about it.) 13 the high-frequency response deteriorated markedly as the cutting needle approached the center of the disc. Al I these drawbacks notwithstanding, home acetates, which provide the only known source of many early broad- casts, are important documents of the history of broadcasting and per- formance practice; and when they have not been badly worn by repeated playings with a heavy pickup, they also provide tolerable, if not high fide I ity, sound. Professionally-made dubs of AM broadcasts are at least a notch higher in qua Ii ty. Usua 11 y termed "air checks," they were cut onto b I anks 41 cm in diameter at a speed of 33.33 r.p.m. using high-qua I ity cutting heads and two lathes, thus eliminating gaps at record changes. Owing to their larger diameter, they are not recorded as close to the discs' cen- ter as are home acetates and, as a result, the high-frequency response is more uniform throughout each disc. But they were subject to al I the vagaries of AM broadcasting. The amount of interference and distortion depended on any number of factors, including the weather, and the fre- quency range of AM broadcasts was and is inherently I imited. When they are wel I preserved, though, and when the broadcast conditions were good to start with, air checks can make for pleasant I istening indeed. Related to air checks are the transcriptions the networks made of their programs. These transcriptions were taken from the transmission I ines before broadcast and, as a result, do not suffer from any of the various ii Is that can afflict AM broadcasts. Like air checks, they are 41 cm, turn at 33.33 r.p.m., and, since two lathes were used, disc changes did not result in lacunffi. Because of their provenance, they are usually 14 cal led "I ine checks." Their sound, more or less what we should cal I high fide I ity, compares favorably to early LPs and usually surpasses that of contemporary 78s. Al I else being equal, they are the best-sounding source for early broadcast recordings. After World War I I, tape began to replace transcriptions as the primary medium for recording off the air, but there was some overlap. Neither the networks nor private studios converted to tape immediately; though there are tape sources from the networks, private studios, and home recordists beginning in the late 1940s, discs were sti I I widely used--even by the networks, in some cases--into the 1960s, and perhaps later. In those days, the main attraction of tape over disc was econ- omic: it was far less expensive to record on tape. And though tape had a longer playing time per reel than did transcriptions per side--not to mention potentially better sound quality into the bargain--it was this dollars-and-cents -aspect of tape recording that, at the very outset, caused it to supplant transcription discs as the preferred means of off- the-air recording. Although nowadays the average home tape recorder easily provides better sound than the discs used in the late 1940s, tape recording in its infancy, even on professional equipment, was not what it is today; frequency response, signal-to-noise ratios, and distortion figures were often below today's accepted minima, and the result is that a good I ine check or air check from this changeover period wi I I some- times (though by no means always) sound better than a tape of the same performance. This is especially true if the disc was made on good and the tape on mediocre equipment. (Wire recording was also used for some amateur recording immediately after World War I I, but tape, owing to its 15 inherently superior sound qua I ity, quickly supplanted it. No wire record- ings by Kirsten Flagstad have been traced.) Thus the original sources for non-commercial recordings are a mixed bag. So are the LP issues of them and the privately-circulating tapes that have not been transferred to long-playing discs. Both LPs and tapes are subject to wrong pitching, improper equalization, under- or over-recording, and the use of cheap material, be it vinyl or tape; even a broadcast from wel I-preserved, high-qua I ity I ine checks can turn out practically unendurable. In sum, qua I ity is unpredictable, and although the present trend in non-corrvnercial discs is toward excel lent engineer- ing, silent pressings on top-grade material, and elegant packaging often including I ibretto and notes, fastidious collectors sti I I go to some trouble to find and cultivate sources for we! I-made dubs.22 Corrrnercial vs. Pirate Performances Non-commercial recordings are fundamentally different from studio recordings; the latter are not merely rehashes of actual performances without the mistakes. Although most modern performances (at least of opera), broadcast or otherwise, are routinely recorded, and although broadcast recording was common enough in Flagstad's prime (before tran- sistor miniaturization made it possible to smuggle portable equipment into a performance), artists take a different approach to performing in 22. For a discussion of the world of non-commercial recording and its qua I ity control problems, see Peter G. Davis, "The Musi ca l Un der- ground: A Brief Look at the Tape Scene ," Musical News letter, vol. 6, no. I (Winter 1976). Although the focus is on tapes of present- day performances, Davis does mention t he problems of historical re- cordings, which are often the same as those afflicting modern tapes. 16 pub I ic than to making music only for the microphone. The potential for surreptitious recording notwithstanding, performers think of pub I ic per- formances as one-time affairs; they know even if someone does make a clan- destine recording that the resulting tape wi I I have a I imited circula- tion. By contrast, when they step into the recording studio, they know they are perpetuating their musical thoughts for al I time; and thus they wi I I take greater pains to be sure the resulting record, which wi I I have far wider currency than any pirate's tape, accurately reflects those thoughts. They wi I I use splicing, overdubbing, and al I the other re- sources of the modern studio to ensure a note perfect reading; they wi I I refine any obvious effects used to generate audience excitement, effects that would pal I on repetition, and create electricity by less wearying means. This is not to say that non-commercial recordings are of neces- sity artistically or sonically inferior to commercial records. Although they preserve a pub I ic performance's spontaneity and flaws, the oppor- tunity for reflection commercial recording al lows (ostensibly in the cause of greater artistry) can result in a dul I performance, a recording with no I ife because of too-di I igent attempts to make it as nearly per- fect as possible. Therefore, each kind of recording must be evaluated by its own standards and on its own terms; the two are no more directly comparable than apples and oranges. Owing to the opportunity for del ib- eration they provide, commercial recordings resemble formal portraits in which every detai I of dress, makeup, and coiffure are as impeccable as possible; pirate records, on the other hand, are sonic snapshots, some- times emphasizing warts and blemishes in a way studio recordings seldom do. It is smal I wonder, in an imperfect world, that both photographs 17 and recordings sometimes miss their intended marks. Sources of Information The discographic information comes from many sources, some of them mentioned in the acknowledgements. Rarely does al I the information about a record come from one source; in most cases it has been pieced to- gether from data found in various places. There are two main sources of information about commercial rec- ords: the catalogues of the companies that issued them and the companies' files. In order to compile a I ist of any artist's issued commercial records, it is necessary only to scour the catalogues of the appropriate companies spanning the correct years. It is always a good idea to look at every catalogue, since it is not unusual to find that a record released one year was deleted the next. But this wi I I provide only such data as record numbers and assisting artists, and it wi I I provide it only for is- sued records; there wi I I be no information in the catalogues about record- ing dates, matrix numbers, or unissued records. It is here that the com- pany's files come into play. Most companies keep written records of what they record and in what form, if any, it was issued. These files may be arranged in any order; artist, issue number (in the case of issued records), and recording date are among the more common schemes . . Record catlaogues, being ephemera, are often difficult to secure; since they were often preserved only til I the next supplement appeared, few examples survive. In compi I ing Flagstad's discography, I have not been able to see any catalogues for the records made prior to 1935--re- cordings issued only in Scandinavia. Though al I record catalogues are 18 comparatively scarce, these regional issues, because they did not cir- culate beyond narrow geographical boundaries, are among the rarest disco- graphic sources. In most cases, even long-time collectors and major ar- chives located in the area lack complete collections of them. In the case of those records issued only in Scandinavia, I have had to rely on the previously-mentioned discography in The Reaord CoZZeator,23 a cor- rected and annotated I ist of these same records supplied by Knud Heger- mann-Lindencrone, and a few detai Is from Hans Hansen.24 I have also gleaned many record numbers, especially those of reissues by smaller in- dependent companies, by browsing through record stores. assembled the I ist of non-commercial recordings by combing the catalogues of various record and tape pirates. It was while compiling this I ist that I noticed discrepancies and apparent errors in the list- ings. As a result, f verified such detai Is as performance dates and as- sisting artists by checking broadcast logs and reviews in the appropriate newspapers (usually, but by no means I imited to, the New York Times and The Times of London). In addition, I have fortunately been able to draw 23. Dennis, op. a1,t., 180-81. 24. Hegermann-Lindencrone, letter to the author; Hans Hansen, letter to the author. Near the end of her life, Flagstad had her personal copies of her records transferred to tape; she gave the pr essings to Knud Hegermann-Lindencrone and retained the tapes for herse lf. He has kindly supplied me with details about her private collection of discs, including which of the unissued test pressings sti I I exist. In addition to this, he has written detai Is about the Ormandy/Phila- delphia Orchestra Immolation Scene (discography numbers I 14-17), a record released only on private LP ti I I the Victrola issue many years after Flagstad's death. Several takes of this exist, one owned by Hegermann-Lindencrone himself and others by a collector in Paris. Wi I I iam R. Moran, in a letter to the author, has identified and cor- rected several errors in Hegermann- Lindencrone's list of the Scandi- navian Odeons (discography numbers 1-16). 19 on Edward Wilkinson's index of Flagstad's broadcasts in the United States, compiled through painstaking research in old newspapers, and to which I was able to add several items. 25 Also a great help--if only as a double check--were discographies of artists who performed with Flagstad, chief among them Wi I helm Furtwangler and Lauritz Melchior. 26 From time to time the boxes of tape themselves have also yielded useful information-- when I have been al lowed to consult them. Flagstad's own collection of her records, on tape, is now divided between the Rodgers and Hammerstein Archive of the New York Pub I ic Library (where it remains uncatalogued) and the Stanford Archive of Recorded Sound (where it is imperfectly--but usably--catalogued). have had no problem getting permission to hear any recording in either archive, but only at Stanford was I permitted to examine the tape boxes proper, and this in many cases answered impor- tant questions about their ho Id i ngs. In contrast, I was refused per- miss ion to handle or look at the boxes in the New York Pub I ic Library's collection, and so some of that material is sti I I shrouded in mysteries that might be solved by a simple glance at a box. Beyond the organized research using the primary sources pub I ished by record companies, those sti I I extant in their files, and the more or less standard secondary reference tools, there has been a fair amount of 25. Edward Wilkinson, "Flagstad's Known Broadcasts" (Author's type- script). Since this work is unpublished and otherwise unavailable, it is Included below, with the author's kind permission, as an ap- pendix. 26. Henning Smidth Olsen, WiZheZm Pu.rtwa:nger: A Disaogmphy (Copenhagen: Nationaldiskoteket, 1970); 2nd ed. (San Francisco: Panjandrum Press, 1972). Hans Hansen, Lauz>it2 MeZahior: A Disaography (Copenhagen: Nationaldiskoteket, 1965); 2nd, rev. ed. (Copenhagen: Nationaldisko- teket, 1972). 20 chance and luck. Compared to many other fields, discography is rather disorganized, and so it is not surprising that friends' letters and idle conversation often supply a valuable bit of information--the number of a I ittle-known reissue, a date, the first name of an obscure aorrrprimario singer. Chance plays such a large role because discography is st! I I in its infancy, and, despite the efforts of its best practitioners, it is not an exact science; owing to the differing exigencies of each disco- graphy, it has been impossible to set hard-and-fast, unbendable rules-- and it may remain so. In addition, although bib I iographies of disco- graphies and other secondary sources are listed in Musia Index, the JoUI'- naZ of the Association for Recorded Sound Collections, and. Gray and Gib- son's Bibliography of Disaographies, 27 much primary material (such as the session sheets and other record company files) is crumbling and remains unstudied. Aside from the record catalogues, most of the extant primary sources are in the possession of the record companies; 28 unlike many other primary sources avai Ia ble to scholars, photocopies of them are not readily available, and using them often involves travel I ing long distan- ces, beseeching knowledgeable friends to lend a hand, or both. But by using these various sources and by comparing the recordings to each other, I have resolved most of the problems surrounding Flagstad's re- cordings: of the material now known to exist, the few spurious record- 27. Michael Gray and Gerald Gibson, Bibliography of Discographies, vol. I (New York: R. R. Bowker, 1977). 28. For a fuller discussion of the research, both published and unpub- lished, undertaken to make these data more generally accessi ble and easily understood, seep. 22, note 29. 21 ings have been identified, as have most of the incorrect or missing dates and anci I lary data. Terminology and Markings At first glance, matrix numbers and record numbers may seem to be digits randomly assigned to records, and many do not understand the dif- ference between the two and why it is not redundant to use both. In most cases the numbers are not redundant and are neither arbitrarily nor randomly assigned, but rather fol low certain patterns that, once under- stood, tel I much about a record. At various times and in various places a record may bear many different catalogue numbers, while its matrix number, which serves to identify it unequivocally, never changes. Matrix numbers usually take one of two forms: either a purely numerical sequence (of which there are no examples in Flagstad's discography) in which each new title or each new attempt at the same title is assigned a different number; or a coded combination of letters and numbers (e.g., al I the commercial re- cordings I isted below) that indicate record size, place of recording, the take, and sometimes other factors as we 11. In order to identify a rec- ord unambiguously, it is important to quote each part of the matrix num- ber accurately and to omit nothing; altering any digits or letters only causes confusion. The various codes appearing in Flagstad's?discography and what they mean are listed in Table I on page 27. Leaving aside the purely numerical schemes, since they do not ap- pear in this discography, this is how the systems work in practice. HMV matrix OCS 391-2 (Grieg's "En Dr?m," Op. 48, No. 6, discography number 22 72) denotes a 25 cm record (0), made in Copenhagen (CS), serial number 391 (i.e., the 391st record in the 0CS/2CS series), take 2; similarly, Victor matrix CS 95358-1 (Elsa's Dream from Lohengrin, discography num- ber 44) is a 30 cm record (CS), serial number 95358 (the 95358th disc in the BS/CS series, take I). Often the take number wi I I have a letter ap- pended Indicating, for both 78s and LPs, that two recording machines were running simultaneously. Takes I and IA may differ in engineering, but they are the same performance; takes IA and 2 (or I and 2A, or any similar combination) are different performances. 29 It was (and is) stan- dard practice to make duplicate masters of important sessions so that a recording would not be lost owing to equipment failure or accidents in processing. LPs changed things a I ittle. Uni ike 78s, the number engraved be- tween the last groove and label (cal led the "inner land") of an LP is not the matrix number in the same sense that a number so stamped on a 78 29. A ful I discussion of the various companies' matrix codes, even it such were possible at this stage of research, is beyond the scope of this study; the tables presented explain only those symbols im- portant to Flagstad's discography. Those interested in further de- tai Is about the HMV matrix scheme are advised to read the article by Alan Kelly, John Perkins, and John Ward, "On Gramophone Company Ma- trix Numbers 1898-1921," The Record CoZZector, vol. 23, nos. 3 and 4 (May 1976). Although it emphasizes a period before Flagstad's ap- pearance on the HMV label, it also surveys briefly the matrix sys- tems used from 1922-54, when the 78 disc passed into history. (Their other articles for The Record coiiector, on early Gramophone Company record numbering and the recordings made by pioneer record- ing engineer/producer F. W. Gaisberg are I isted in the bib I iography.) Ted Fagan and Wi I liam R. Moran's Encycwpedia of Recordings, PCII't I: Victor (Westport, Connecticut: Greenwood Press, In press ) ts ready for publication, but there is no comparable published study of Colum- bia and much of Raymond Wile's extensive investigation of Edison's activities remains similarly unpublished. 23 identifies a unique recording; this number on an LP identifies only a specific transfer or disc mastering from the master tape. But in the case of the RCAs and Deccas, there are numbers to identify a unique reel of tape in the company's vaults. Thus, for an RCA recording (number 394 in the discography) of Brahms's "Von ewiger Liebe," Op. 43, No. I, the matrix number E2-RC-0765-I, IA means a recording made in 1952 (E=l95 and 2=2; E2=1952), red seal (R), 30 cm (C), serial number 0765 (i.e., the 765th red seal record of 1952), takes I and IA. As noted above, takes I and IA on LPs, as on 78s, differ only in engineering. Decca records work the same way: Z indicates stereo (E means electronic stereo), V indicates Vienna (for recordings made there), and AR is a general prefix that, standing alone, means the record is monaural (al I ZAR and ZVAR ma- trices have AR or VAR mono equivalents); the serial numbers fol low these prefixes. No take numbers are attached to Decca matrix numbers.30 Table I I explains the detai Is that may be learned from record num- numbers and their prefixes. Since record numbers are more fami I iar to most people than matrix numbers, they require less explanation. Non-commercial LPs, and other LPs containing non-commercial re- cordings require a few more detai Is. EJS (Edward J. Smith; The Golden Age of Opera), UORC (Unique Opera Records Corporation), GAW (Das goldene Ara Richard Wagners), and ANNA are al I prefixes used at one time or an- 30. NBC assigned numbers to their line checks that, because they desig- nate a particular recording, function similarly to matrix numbers. Unfortunately, since I have not been able to determine any NBC record numbers for Flagstad's performances, none appear in the discography. See also p. 8, note 16, for information about the current disposition of NBC discs and their catalogue of them. Since I was able to de- termine the catalogue numbers of Flagstad broadcasts in the Norwegian and Danish Radio Archives, these numbers are included ln the "matrix number" column. 24 other by Edward J. Smith for his various disc series (Anna is his wife's first name); MRF (Mauro R. Fugette), BJR, LR, and MR are also prefixes for pirate record labels. RR, IGI (I Grandi lnterpreti), and BWS de- note records issued by the Bruno Walter Society. Cetra, Everest, Murray Hill (a subsidiary of Publisher's Central Bureau), Orfeo-Sonic, Orpheum, and Turnabout in its historical series (THS) are al I commercial or semi- commercial labels that have, from time to time, issued broadcasts by Flagstad on long-playing discs.31 Format For the discography proper I adapted the forma~ developed by Wi l I i am R. Moran and used in his pub Ii shed discographies. l t consists of t~ree parts: a title I ine, which sets forth detai Is of composer, com- position, poet or I ibrettist, language, and accompaniment; a list below this line of matrix numbers, recording dates and venues, and record num- bers, arranged in seven columns; and, where necessary, comments about the recordings in a notes section. After much deliberation, I have de- parted from Moran's format in some detai Is. Where he prefers to begin each entry with the title, I isting the composer, opus number, and poet afterward in parentheses, I have chosen to begin with the composer's name. The point is moot in a chronological I isting, since any such discography needs especially thorough indexing; in alphabetical schemes there are bound to be endless arguments back and forth, for and aga inst. 31. Recent rev1s1ons of the Italian copyright laws have decl ared broad- casts more than 25 years old to be in the pub I ic domain. Because of this, Cetra has been especially active i ssuing old broadcasts on LP , although their Opera Live series is ma rked "only for Italy." 25 rvbran's system is more common, in general, for singers' discographies, while most discographers of instrumentalists and conductors prefer to see the composer's name first in both alphabetical and chronological arrange- ments. The title line consists of eight items. They are, in order, I. Discography number 2. Composer's last name 3. Title of large work (e.g., an opera) 4. Title of the selection recorded (e.g., an aria) 5. Opus or thematic catalogue number 6. Poet's (I ibrettist's) name, in parentheses 7. Language of performance, in parentheses 8. Accompaniment, in parentheses Note that in the case of Wagner, who wrote al I his own libretti, I have omitted item 6; similarly, if the work recorded is a song or if there is no thematic catalogue for a composer, items 3 and 5, respectively, wi I I not appear. Titles of large works are italicized; titles of arias or songs are not set in quotation marks. Operatic excerpts shorter than an act are cited by scene number, as the opening (and sometimes closing) I ine of the record is sung, or by the beginning and ending measure num- bers, whichever is clearest. Song titles are given in the original lan- guage; songs more familiar by titles other than the originals have these fami I iar titles added in square brackets. In al I cases the language of performance is indicated, whether or not the original. The seven columns of information below the title line comprise, from left to right, I. Matrix and take number 2. Recording venue 3. Recording date (day, month, year) 26 4. U. S. 78 r.p.m. issue numbers 5. European 78 r.p.m. issue numbers 6. U. S. LP issue numbers, including 45 r.p.m; cal I numbers of records in U. S. archives. (Includes Victor, Seraphim, London, and pirate discs.) 7. European LP issue numbers, including 45 r.p.m. If any of items I, 2, or 3 cannot be determined, they are omitted; a blank in any of columns 4 through 7 means the record was not issued in the format corresponding to that column. The month of recording, except for May, has been reduced to a three-letter abbreviation. An asterisk to the left of a discography number indicates there is a discussion of some detai Is about that recording in the notes sec- tion. The notes are keyed to the discography number. The I isting is in strict chronological order by recording date. This usually means that?throughout the discography each company's records wi I I be found in matrix number order, but this is not always so. (See, for example, numbers 224-29 of Wagner's Wesendonck Lieder. 32 > After con- sideration, I have decided to keep the non-commercial records in the same chronology as the cormiercial ones. But, since it is important to assign an unchanging number to each recording, in future editions any additions wi I I be indicated by decimal subdivision between numbers (e.g., 9, 9.2, 10). 32. The recording producer apparently decided what repertoire he wanted to record and how many matrices would be required; at the same time he seems to have planned the order of recording and assigned each title its matrix number. Flagstad apparently took exception to the planned order, and thus 2EA 13076-1 was recorded a day later than its place in the sequence suggests (this also occurred during the 17 Mar 52 RCA session; see numbers 374, 375). Though such happen- ings are not, in general, commonplace, they are also not as exceed- ingly rare as one might expect. As an example of music recorded out of score order but on the same date, see numbers 266-71 (Tristan und IsoZde) and 331-38 (Siegfried). 27 Tab le I MATRIX/BROADCAST ARCHIVE CODES HMV Matrix Code Meaning BN 25 cm electric, Oslo BT 25 cm acoustic, Oslo ocs 25 cm electric, Copenhagen 2CS 30 cm electric, Copenhagen OEA 25 cm electric, England 2EA 30 cm e I ectri c, England RCA BS 25 cm electric cs 30 cm electric PCS 30 cm electric, California EO-RC 30 cm LP, recorded 1950 E2-RC 30 cm LP, recorded 1952 Decca AR LP, mono EAR LP, electronic stereo ZAR LP, stereo VAR LP, mono, Vienna ZVAR LP, stereo, Vienna Odeon NW 25 cm acoustic, Oslo Columbia WN 25 cm electric, Oslo Broadcast Archives NRK Norsk Rlkskringkastlng (Norwegian Radio) DR Danish Radio 28 Table 11 RECORD NUMBERS AND PUBLIC ARCHIVES Archives Abbreviation Meaning LC Library of Congress, Washington, D. C. NYPL-Barbara Stone New York Pub Ii c Library Barbara Stone co I I. NYPL F- .?. New York Pub I ic Library Flagstad collection StARS Stanford Archive of Recorded Sound Yale Historical Records Collection, Yale Decca BR 25 cm LP, mono, u. K. CEP 45 r.p.m., mono, u. K. ECS 30 cm LP, electronic stereo, u. K. GOM/GOS 30 cm LP, mono/stereo, u. K. LL 30 cm LP, mono, u. s. LW 25 cm LP, mono, u. K. LXT 30 cm LP, mono, u. K. OS 30 cm LP, stereo, u. s. MET /SET 30 cm LP, mono/stereo, u. K. R 30 cm "Treasury Serles" mono LP, u. s. RINGS u. K. and U. s. issue of complete Ring RS 30 cm "Richmond" mono LP, u. s. SOD 30 cm LP, stereo, u. K. SEC 45 r.p.m., stereo, U. K. ss 30 cm LP, stereo, u. K. SXL 30 cm LP, stereo, u. K. 5000 series 30 cm LP, mono, u. s. HMV AA Angel 30 cm LP, Japan AB Angel 30 cm LP, Japan AGSA 25 cm 78 r.p.m. special issue, u. s. AL 25 cm 78 r.p.m., Scandinavia ALP 30 cm LP, mono, u. K. BLP 25 cm LP, mono, u. K. DA 25 cm red-label 78 r.p.m. DB 30 cm red-label 78 r.p.m. DN 25 cm Columbia 78 r.p.m., Scandinavia ED 30 cm 78 r.p.m., Aust ralia E/SME 30 cm LP, mono/stereo 29 Table I I (continued) HMV (continued) GR Angel 30 cm LP, Japan HQM/HQS QALP 30 cm LP, mono/stereo, U. K. 30 cm LP, mono, I ta I y SH VALP 30 an "World Record Club" LP 30 cm LP, mono, Germany WALP 30 cm LP, mono, Germany WCLP 30 cm LP, mono, Germany WF 30 cm LP, mono, Japan (EMI/Angel/Toshiba) X XLP 25 cm 78 r.p.m., Scandinavia Angel 30 cm LP, Japan IC 30 cm "Da Capo" LP 7EB ??? 45 r.p.m., mono, U. K. 7EBW ??? 45 r.p.m., mono, Germany 35000 series 30 cm Angel LP, U. S. 60000 series 30 cm "Seraphim" LP, U. S. 60619 25 cm Odeon LP, mono Mlscel laneous Labels CN 1206/SS KO 30 cm BBC Transcription Service LP 30 cm Telefunken LP, stereo LO 30 cm Cetra "Opera Live" LP MET THS Metropolitan Opera special issue 30 cm LP Turnabout Historical Serles 30 cm LP Private Labels ANNA ANNA Records (Edward J. Smith) BJR BJR Records (Santiago Rodriguez) BWS Bruno Walter Society DIS DIS Records EJS ERR Edward J. Smith/The Golden Age of Opera Ed Rosen Records GAW HRE Das goldene Ara Richard Wagners CE. J. Smith) Historical Recordings Enterprises IGI LR I Grandi Interpret! (Bruno Walter Soc.) Legendary Recordings MR MR Records[?] MRF Mauro R. Fugette RR Recital Records (Bruno Walter Society) SD ST Orfeo-Sonic Records UORC Unique Opera Records Corp. CE. J. Smith) 30 Table I I (continued) RCA CAL 30 cm "Camden" LP, mono CRM3- ?.? 30 cm red sea I LP, mono EHA 45 r.p.m. disc HR 30 cm LP, u. K. JAS 30 cm 78r.p.m., Japan LCT 30 cm LP, mono LHMV 30 cm LP, mono, from HMV masters LM 1-LM 999 25 cm red sea I LP, mono LM I 000 and higher 30 cm red seal LP, mono M ) AM) 78 r.p.m. boxed sets OM) RB 30 cm LP, U. K. SP-33-555 30 cm LP, mono, special issue VIC 30 cm "Victrola" LP, mono WCT 45 r.p.m. boxed set WDM 45 r.p.m. boxed set WHMV 45 r.p.m. boxed set, from HMV masters 11- .. . 30 cm 78 r.p.m., red seal 12- .. . 30 cm 78 r.p.m., red seal 26.41399AG 30 cm LP, mono, Germany 49- . .. 4 5 r. p. m. di SC 1000 and 2000 series 25 cm 78 r.p.m., red seal 8000 and higher series 30 cm 78 r.p.m., red seal 31 Tab le 111 OTHER ABBREVIATIONS Accompaniment Abbreviation Meaning c. conductor c. chorus o. orchestra p. piano vie. violoncello Languages D Dani sh E Eng I ish G German I lta I ian L Latin N Norwegian s Swedish Venues Bay Bayreuth Bg Bergen Be Berl in Bo Boston BA Buenos Aires Ch Chicago Ci Cincinnati Co Copenhagen D Detroit H Havana L London LA Los Ange I es M Mi I an NY New York 0 Oslo p Paris Ph Philadelphia R Rome s Sa I zburg SF San Francisco V Vienna z Zurich disc. matrix number venue date 78 number 78 number LP number LP number no. d/m/y_ us Eur US Eur ODEON I. Meyer-Helmund. Jeg lagde mlg saa slldlg (N) (accompaniment?). ? 0 Autumn 1914 3305 2. Meyer-Helmund. Paa Dr?rrrnevlnger fl?j jeg tidt (N) (accompaniment?). ? 0 Autumn 1914 3306 ?3. Thrane. Aagots Fjeldsang (N) (with orchestra). NW 347 0 1914 or 1915 IRCC 3040 5332A Harvest 1004 1775 EJS 198 LR 120 ?4. Folksong. Aa, Ola, Ola min elgen onge (N) (with orchestra). NW 348 0 1914 or 1915 IRCC 3040 5332A Harvest 1004 1775 EJS 198 LR 120 5. Grieg. Varen, Op. 33, No. 2 (Vlnje) CN) (with orchestra). ? 0 1914 or 1915 5348A Harvest 1004 EJS 198 LR 120 6. Rosenfeld. Inga 1111 (N) (with orchestra). ? 0 1914 or 1915 5348A Harvest 1004 EJS 198 LR 120 7. Peaters. Da lyset slukket (N) (accompaniment?). ? 0 1914 or 1915 5346A 8. ThOOl!lesen. Vor sldste kveld (N) (accompaniment?). ? 0 1914 or 1915 5346A 9. Bishop. Hjem, kjcllre hjem (Paine) (N) (with orchestra). NW 542 0 1914 or 1915 5371A Harvest 1004 \Jj EJS 198 N LR 120 10. Backer-Gr?ndahl. Endun et strelf kun av sol CN) (with orchestra). ? 0 1914 or 1915 5371A Harvest I 004 EJS 198 LR 120 I I. Meyer-Helmund. Jeg lagde mig saa sf fdig CN) (Karen Marie Flagstad, sop.; Maja Flagstad, p.). ? 0 1914 or 1915 5373A 12. Folksong. Eg ser deg ut f?r glugjen (N) (Karen Marie Flagstad, sop.; Maja Flagstad, p.J. ? 0 1914 or 1915 5373A 13. Kjeru If. Synn?ves Sang [Suoml 1 s Song]: Nu Tak for Alt (BJ?rnson) (N) (accompaniment?). ? 0 1914 or 1915 5409A 14. Kjeru If. lmgrlds Vise: Og rc1:1ven laa under Blrkerot (Bj?rnson) (N) (accompaniment?). ? 0 1914 or 1915 5409A 15. Kjeru If. Da barnet sov Ind CBjjlSrnson) CN) Caccompan iment?). ? 0 1914 or 1915 5552A 16. Winge. KjcBre Ii I le gutten min (N) (accompaniment?). ? 0 1914 or 1915 5552A HMV SCANDINAVIA 17. Backer-Gr?ndahl. Mot Kveld, Op. 42, No. 7 (Jynge) (N) (with orchestra). BT 172-.!_, 2 0 I Oct 23 X 1946 Harvest I 004 EJS 198 LR 120 I 8. Gr I eg. Peel' Gynt: Solvelg's Song, Op. 23, No. I ( Ibsen) (N) (with orchestra). BT 177-J_, 2 0 2 Oct 23 X 1940 Harvest 1004 EJS 198 LR 120 19. Bui I. ScBterjentens S?ndag (Moe) (N) (with orchestra). BT I 78-1, .?._ 0 2 Oct 23 X 1940 Harvest 1004 EJS 198 LR 120 vi vi 20. Slndlng. Malnat (Krag) (N) (Maja Flagstad, p.). BT 179-.!_, 2 0 2 Oct 23 X 1946 Harvest I 004 EJS 198 LR 120 *21. Lie. Sne e: Ho-yo-to-ho [BrOnnhl lde's Battle Cry] (Gl (with orchestra; Hans Lange, c.l. BS 95357-.!_, IA, 2 NY 9 Oct 35 1726 DA 1460 CAL 462 LM 20144 LM 2574 *44. Wagner. Loher1f!Pin: Einsam In truben Tagen [Elsas Traum] (Gl (with orchestra; Hans Lange, c.). CS 95358-..! .. > I A NY 9 Oct 35 14181 DB 2748 CAL 462 LM 20144 VI CJ) *45. Wagner. Tannhauser: Al lm!cht'ge Jungfrau [El lsabeth 1s Prayer, pt. I] CG) (with orchestra; Hans Lange, c.). CS 95359-.l_, IA NY 9 Oct 35 8920 DB 2747 CAL 462 LM 20144 Top Classic TC-9046 *46. Wagner. Tannhlluaer: Doch, konnt' lch Jeden Fehl [Elisabeth's Prayer, pt. 2] CG) (with orchestra; Hans Lange, c.). CS 95360-.l_, I A NY 9 Oct 35 8920 DB 2747 CAL 462 LM 20144 Top Classic TC-9046 *47, Strauss. Al lerseelen, Op. 10, No. 8 (GI Im) (G) (Edwin tJcArthur, p.). BS 95361-.l_, IA NY 9 Oct 35 1726 DA 1460 LM 20144 NON-COMMERCIAL I 48. Wagner. Tannhl!uae~ CG) CMetropolltan Opera O.; Artur Bodanzky, c.). ~ ? NY 18 Jan 36 EJS 109 ' Tannh!user Lauritz Melchior E 11 sabeth Kirsten Flagstad Venus Margaret Halstead Wol tram Lawrence Tlbbett Landgrave Emanue I LI st Walther Hans Clemens Biterolf Arno Id Gabor Heinrich Giordano Paltrlnlerl Relnmar James Wolfe ~ Shepherd Editha Flelscher RCA VICTOR *49. Weber. Oberon: Ozean! du Ungeheuer, part I (Planch~) CG?) (with orchestra; Alexander Smallens, c.). CS 101157-1, IA NY I Apr 36 *50. Weber. Oberon: Ozean! du Ungeheuer, part 2 (Planche) CG?) (with orchestra; Alexander Smallens, c.). CS IOI 158-1, IA NY I Apr 36 *51. Beethoven. Fidetio, Op. 72: Abscheullcher, part I (Sonnenleltner & Treltschke) CG?) (with orch.; A. Smallens, c.). CS 101159-1, IA NY I Apr 36 *52. Beethoven. Fidetio, Op. 72: Abscheullcher, part 2 (Sonnenleltner & Treltschke) CG?) (with orch.; A. Smallens, c.). CS 101160-1, IA NY I Apr 36 vi -J lf53. Wagner. Lohengrin: Euch LOften, die meln Klagen (G?) (with orchestra; Alexander Smal lens, c.). CS 101161-1, IA, 2 NY I Apr 36 lf54. Wagner. Der fl,iegerui.e Hollander: Traft 1hr das Schiff [Senta's Bal lad] (G?) (with orch.; Alexander Smal lens, c.). CS 101162-1, IA NY I Apr 36 *55. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (N) (Edwin McArthur, p.). BS IO I 163-.!_, IA NY I Apr 36 DA I 520 *56. Backer-Gr~ndahl. Mot Kveld, Op. 42, No. 7 (Jynge) (N) (Edwin McArthur, p.). BS 101164-.!_, IA NY I Apr 36 DA 1520 *57. Grieg. Med en vandll lje, Op. 25, No. 3 (Ibsen) (N) (Edwin McArthur, p.). BS 101165-1, 2, 2A NY I Apr 36 lf58. Grieg. En Dr?m, Op. 48, No. 6 (Bodenstedt) (N) (Edwin McArthur, p.). BS 101166-1, IA NY I Apr 36 StARS 610000 Ml HMV lf59. Wagner. Triatan wui Iaolde CG) (London Philharmonic O.; Fritz Reiner, c.). L May/Jun 36 EJS 465 RR 471 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Sabine Kalter Kurvenal Herbert Janssen King Mark Emanue I LI st Melot Frank Sale Sa I Io r I s vo I ce Roy Devereux Shepherd Octave Dua Steersman Les I i e Horsman 60. Beet hoven. Die Ehre Gottes aus der Natur, Op. 48, No. 4 (Gellert) (G) (Edwin McArthur, p.). OCS 373-1, I Co 23 Jul 36 1815 (M 342) DA 1514 61. Beethoven. lch llebe dlch, WoO 123 (Herrosee) (G) (Edwin McArthur, p.). OCS 374-1, 2 Co 23 Jul 36 1815 CM 342) DA 1514 \..N CP 62. Charles. When I Have Sung My Songs (Charles) (El (Edwin McArthur, p.). OCS 375-1, I Co 23 Jul 36 1817 (M 342) DA 1524 NW 247 *63. Bridge. Love Went a-Riding (Coleridge) (El (Edwin McArthur, p.). OCS 376-1, 2 Co 23 Jul 36 StARS 610000 M3 64. Grieg. En Svane, Op. 25, No. 2 (Ibsen, trans. Henzen) (G) (Edwin McArthur, p.). OCS 377-1, I Co 23 Jul 36 1814 (M 342) DA 1513 HQM 1057 GR 2172 65. Grieg. Im Kahne, Op. 60, No. 3 (~rag) CG) (Edwin McArthur, p. ). OCS 378-1 , I Co 23 Ju I 36 I 813 ( M 342) DA 1513 *66. Strauss. Ach, Lieb, lch muss nun schelden, Op. 21, No. 3 (Dahn) CG) (Edwin McArthur, p.). 2CS 386-1, 2 Co 25 Jul 36 StARS 610000 M4 *67. Strauss. Zuelgnung, Op. 10, No. I (GI Im) (G) (Edwin McArthur, p. ). 2CS 386-1, 2 Co 25 Jul 36 *68. Schubert. Ave Marla, D. 839 (Scott, trans. Storck) CG) (Edwin McArthur, p.l. 2CS 387-1, 2 Co 25 Jul 36 StARS 610000 M5 *69. Strauss. Seltdem deln Aug', Op. 17, No. I (Schack) (GJ (Edwin McArthur, p. J. OCS 388- I, 2 Co 25 Ju/ 36 StARS 610000 M4 *70. Strauss. CBclle, Op. 27, No. 2 (Hart) (G) (Edwin McArthur, p.). OCS 389-1, 2 Co 25 Jul 36 StARS 610000 M4 71. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (G) (Edwin McArthur, p. ). OCS 390- I, ~ Co 25 Ju I 36 I 804 DA 1505 Top Classic TC-9046 72. Grieg. En Dr?m, Op. 48, No. 6 (Bodenstedt) (G) (Edwin McArthur, p.). OCS 391-1, ~ Co 25 Jul 36 1804 DA 1505 Top Classic TC-9046 73. Grieg. Lys Natt, Op. 70, No. 3 (Benzon) (NJ (Edwin McArthur, p.). OCS 392-1, I Co 25 Jul 36 1814 (M 342) DA 1515 HQM 1057 GR 2172 74. Grieg. Der gynger en bat pa b?1ge, Op. 69, No. I (Benzonl (N) (Edwin McArthur, p.). OCS 393-1, I Co 25 Jul 36 1813 (M 342) DA 1515 v,j \[) 75. Alnces. Lykken Mel lem to Mennesker, Op. 26, No. I (Stuckenberg) (N) (Edwin McArthur, p. l. OCS 394-1, ~ Co 25 Jul 36 1816 (M 342l DA 1516 76. Grieg. Et Hab, Op. 26, No. I (Paulsen) (Nl (Edwin McArthur, p.l. OCS 395-1, 2, l Co 25 Jul 36 1816 CM 342) DA 1516 77. Ronald. SwmlePtime: Night [O Lovely Night] (Teschemacherl (El (Edwin McArthur, p.l. ocs 396-1, ~ Co 26 Jul 36 1890 DA 1512 78. Dvorak. Als die alte Mutter, Op. 55, No. 4 [Songs My Mother Taught Me] (Heydukl (El (Edwin McArthur, p.l. OCS 397-1, ~ Co 26 Ju I 36 2009 DA 1524 79. Scott. Lui laby, Op. 57, No. 3 (Rossetti l (El (Edwin McArthur, p. l. OCS 398-1, ~ Co 26 Jul 36 1817 (M 342l DA 1512 *80. Kernochan. We Two Together (El (Edwin McArthur, p.). OCS 399-1, 2 Co 26 Jul 36 StARS 610000 M3 *Bl. Worth. Midsummer (El (Edwin McArthur, p.l. OCS 399-1, 2 Co 26 Jul 36 StARS 610000 M3 NON-COt,,f,.tERC I AL *82. Wagner. Die GljttePdamner>ung: Act 111, mm. 1235-1261 ["Starke Schelte" to "Vol lbringt Brunnhi Ides Wort!"] (Gl (Vienna State Opera O.; Felix Weingartner, c.). V 11 Sep 36 *83. Wagner. Die Walkure: Act II, beginning to "Geh hln, Knecht" [m. 1996] (Gl (San Francisco Opera O.; Fritz Reiner, c.). SF 13 Nov 36 EJS 234 RR 426 BrUnnhl Ide Kirsten Flagstad Siegmund Lauritz Melchior Sieg I I nde Lotte Lehmann Wotan Friedrich Schorr Fricka Kathryn Melsle Hunding Emanuel List ~ 0 *84. Wagner. TPiatan und Isolde CG) (Metropolitan Opera O.; Artur Bodanzky, c.). NY 2 Jan 37 LC T 5174, 18B2 StARS 370102 Ml EJ S 157 Tristan Lauritz Melchior Isolde Kirsten Flagstad BrangMne Kerstin Thorborg Kurvenal Ju 11 us Huehn King Mark Ludwig Hofmann Melot Arno Id Gabor Shepherd Hans Clemens Sal lor's voice Karl Laufkoetter Steersman James Wolfe 85. Wagner. SiegfI'ied CG) (Metropolitan Opera O.; Artur Bodanzky, c.). NY 30 Jan 37 LC T 5174, 33B3 EJS 173 IGI 373 UORC 159 (final duet) Siegfried Lauritz Melchior BrOnnh 11d e Kirsten Flagstad Wanderer Friedrich Schorr Alberich Eduard Hab I ch Fafner Eman ue I LI st Mime Karl Laufkoetter Erda Kerstin Thorborg Forest Bl r d Stella Andreva *86. Wagner. Lohengrin (G) (Metropolitan Opera O.; Maurice de Abravanel, c.). NY 27 Mar 37 LC T 15778-41A UORC 308 EJS 258 (bridal duet) EJS 557 (excerpts) Lohengrin Ren~ Malson Elsa Kirsten Flagstad Telramund Ju I I us Huehn Ortrud Karin Branzel I King Henry Ludw ig Hofmann Herald Arno Id Gabor .t::,. *87. Wagner. Weaendonak Lieder: Tr3ume CWesendonck) CG) (New York Philharmonic; Ern~'Rapee, c.). NY 28 Mar 37 EJS 432 LR 120 *88. Schubert. Die Forel le, D. 550 (Schubart) CG) (Edwin McArthur, p.). NY 28 Mar 37 EJS 432 LR 120 *89. Ronald. Swrmertime: Night [O Lovely Night] (Teschemacher) CE) (New York Phi !harmonic; Ern8'Rapee, c.). NY 28 Mar 37 90. Beethoven. Mlssa Sofemnls, Op. 123: Kyrle, Gloria, and Credo (Greek & L) (Cincinnati May Festival Chorus; Cincinnati Symphony; Eugene Goossens, c.). Cl 5 May 37 EJS 226 Soprano Kirsten Flagstad Alto Kathryn Maisie Tenor Frederick Jagel Bass Ezio Plnza *91. Wagner. Die WalkUre: Ho-yo-to-ho CG) (with orchestra; Wilfred Pelletler, c.). Spring 1937 EJS 238 LR 120 HMY *92. Wagner. Die WalkUre: Act 111 CG) (London Phi lhannonlc; Wi I helm Furtwangler, c.). L 26 May 37 EJS 450 RR 417 StARS 560000 Ml3 BrUnrih I I de Kirsten Flagstad Sieg I inde Marla MUI fer Wotan Rudolf Bockelmann Gerhl Ide Mae Craven Ort I Inda Thelma Bardsley Waltraute LI nda Seymour Schwertlelte Gladys Ripley Helmwlge Elsa Stenning SI egrune Edith Coates Grimgerde Gwladys Garside -"' N Rosswelsse Evelyn Arden ,. *93. Wagner. Die G(}tterd11rrrnerung: excerpts (G) (London Phi I harmonic O.; WI I helm Furtw?ngler, c.). L I Jun 37 StARS 560000 Ml4 EJS 431 RR 429 Br?nnh I Ide Kirsten Flagstad Siegfried Lauritz Melchlor Wa ltraute Kerstin Thorborg Gunther Herbert Janssen Hagen Ludwig Weber Gutrune Marl a Nezeda I *94. Wagner. Der fliegende Hollander: excerpts (G) (London Phi !harmonic O.; Fritz Reiner, c.). L 7, 11 Jun 37 EJS 123 EJS 515 HRE 234 RR 469 Rococo 1008 LR 120 Orpheum 8404 Dutchman Herbert Janssen Senta Kirsten Flagstad Dal and Ludwig Weber Erik Max Lorenz Steersman Ben WI I I I ams Mary Mary Jarred *95. Wagner. Der fliegende Hollander: excerpts (G) (London Phi I harmonic O.; Fritz Reiner, c.). L 16 Jun 37 EJS 123 EJS 515 HRE 234 RR 469 Rococo 1008 LR 120 Orpheum 8404 Dutchman Herbert Janssen Senta Kirsten Flagstad Da land Ado If Vogel Erik Torsten Ralf Steersman Ben WI I I lams .i::,. Mary Mary Jarred I..N *96. Wagner. TPistan und Isolde (G) (London Phi I harmonic O.; Thomas Beecham, c.). L 18 Jun 37 EJS 258 (excerpts) UORC 302 (excerpt) RR 5382 (excerpt) ANNA 1050 (comp.) Tristan Lauritz Melchior I sol de Kirsten Flagstad Brangf'lne Marguerite Klose Kurvenal Herbert Janssen King Mark Sven Ni I sson Melot Booth Hitchen Sailor's voice Parry Jones Shepherd Octave Dua Steersman Les Ii e Horsman *97. Wagner. TPistan und Isolde (G) (London Phi I harmonic O.; Thomas Beecham, c.). L 22 Jun 37 ANNA 1051 (act I I) Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Kar f n Branze 11 Kurvenal Paul SchBffler King Mark Sven NI f sson Melot Booth Hitchen Sailor's voice Parry Jones Shepherd Octave Dua ? Steersman Lesf le Horsman 98. Schubert. Im Abendrot, D. 799 (Lappe) (G) (Edwin McArthur, p.). 2EA 5278-..!_, 2 L 28 Jun 37 15645 DB 3306 99. Franz. Im Herbst, Op. 17, No. 6 (MUI I er) (G) (Edwin McArthur, p.). 2EA 52 79-..!_, 2 L 28 Jun 37 15645 DB 3306 100. Brahms. Melne Liebe 1st grun, Op. 63, No. 5 (F. Schumann) (G) (Edwin McArthur, p.). OEA 5280-..!_, 2 L 28 Jun 37 DA 1586 IOI. Schubert. Lachen und Weinen, D. 777 (Ruckert) (G) (Edwin McArthur, p.). OEA 5280-..!_, 2 L 28 Jun 37 DA l 586 +'> +'> 102. Schubert. Die Forelle, D. 550 (Schubart) CG) (Edwin McArthur, p.). OEA 5281-.!_, 2 L 28 Jun 37 DA 1586 103. Grieg. Med en prlmulaverls, Op. 26, No. 4 (Paulsen) (N) (Edwin McArthur, p. ). 2EA 5282-.!_, 2 L 28 Jun 37 DB 3392 104. Grieg. Og jeg vi I ha' meg en hjertenskjair, Op. 60, No. 5 (Krag) (N) (Edwin McArthur, p.). 2EA 5282-.!_, 2 L 28 Jun 37 DB 3392 105. Hurum. Blonde Naitter (Krag) CN) (Edwin McArthur, p.). 2EA 5283-.!_, 2 L 28 Jun 37 DB 3392 106. Rogers. At Parting (Peterson) CE) (Edwin McArthur, p.). OEA 5284-.!_, 2 L 28 Jun 37 1890 DA 1588 107. Bridge. Love Went a-Riding (Coleridge) CE) (Edwin McArthur, p.). OEA 5285-1, .?_ L 28 Jun 37 DA 1588 * 108. Strauss. Seltdem dein Aug', Op. 17, No. I (Schack) (G) (Edwin McArthur, p.). OEA 5286-_!_, 2 L 28 Jun 37 1967 DA 1587 109. Strauss. C:Jclle, Op. 27, No. 2 (Hart) (G) (Edwin McArthur, p.). OEA 5287-1, 2 L 28 Jun 37 1967 DA 1587 NON-COMMERCIAL *110. OOhm. Still wle die Nacht, Op. 326, No. 27 (Dole) CG) (Jose lturbl, p.). D 3 Oct 37 EJS 432 LR 120 *111. Bridge. Love Went a-Riding (Colerldge) CE) (Jos~ lturbl, p.). D 3 Oct 37 EJS 432 LR 120 *112. Foster. Old Folks at Home (E) (Chorus; Detroit Symphony; Jos~ lturbl, c.). D 3 Oct 37 EJS 432 LR 120 *113. Wagner. Die WaZkure: Du blst der Lenz CG) (Detroit Symphony; Jose lturbi, c.). D 3 Oct 37 EJS 432 LR 120 \"JI' RCA VICTOR *114. Wagner. Die G~tterdi:iJmierung: Starke Schelte CG) (Philadelphia O.; Eugene Ormandy, c.). CS 013069-1, IA, 2, 2A, 3, 3A Ph 17 Oct 37 EJS 432 26.41399AG VIC 1517 * 115. Wagner. Die G -...J NON-COMMERCIAL *128. Wagner. Tl'istan und Isolde: Act I I CG) (San Francisco Opera O.; Fritz Reiner, c.). LA 15 Nov 37 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brang8ne Kathryn Meis le Kurvenal Jul lus Huehn King Mark Emanue I Li st Melot George Cehanovsky *129. Grieg. En Drjllm, Op. 48, No. 6 (Bodenstedt) CN) (with orchestra; Andre Kostelanetz, c.) ? 8 Dec 37 LC T 5109, 1982 *130. McArthur. Spring Came CE) (with orchestra; Andr~ Kostelanetz, c.). ? 8 Dec 37 LC T 5 I 09, I 982 *131. Wagner. Tristan und Isolde: Ml Id und le/se [Liebestod] CG) (with orchestra; Andre Kostelanetz, c. ). ? 8 Dec 37 LC T 5109, 1982 *132. Wagner. Die Walku:t>e: Act I, two excerpts; Acts II & II I CG) (Metropolitan Opera O,; Artur Bodanzky, c. ). NY 18 Dec 37 Sieg I inde Kirsten Flagstad Siegmund Lauritz Melchior Brlinnh 11 de Marjorie Lawrence Wotan Friedrich Schorr Fri cka Kerstin Thorborg Hundlng Ludwig Hofmann Helmwige Dorothee Manski Gerhi Ide The Ima Yot i pka Ortllnde Irene Jessner Rossweisse Luciel le Browning Grimgerde I rra Pet Ina Wa ltraute Doris Doe Siegrune Helen Olhelm Schwertleite Anna Kaskas -t> co *133. Gruber. SI lent Night (El (with chimes and orchestral, NY 24 Dec 37 StARS 560218 Ml EJS 432 LR 120 LR 136 134. Wagner. Tristan und Isolde (Gl (Metropofltan Opera O.; Artur Bodanzky, c.l. NY 29 Jan 38 EJS 258 (duet) Tristan Lauritz Melchior Isolde Kirsten Flagstad Brang8ne Gertrud Wettergren Kurvenaf Julius Huehn King Mark Emanuel List Melot Arno Id Gabor Shepherd Hans Clemens Sal (or's voice Karl Laufkoetter Steersman James Wolfe *135, Wagner, Lohengrin: Act II (G) (Metropolitan Opera O.; Maurice de Abravanel, c.l. NY 19 Feb 38 UORC 194 Lohengrin Lauritz Melchlor Elsa Kirsten Flagstad Telramund Ju 11 us Huehn Ortrud Karin Branzel I King Henry Ludwig Hofmann Herald George Cehanovsky *136. Weber. Der FreisahUtz: Leise, leise (Kindl (Gl (Detroit Symphony; Ernest Macml I Ian, c.l. D 27 Feb 38 Harvest 1005 EJS 141 LR 120 *137. Bull. Solltude on the Mountains (N) (Detroit Symphony; Ernest Macmll Ian, c.). D 27 Feb 38 *138. Grieg. Tak for tit rad, Op. 21, No. 4 (Bj~rnson) (NJ (Detroit Symphony; Ernest Macmll Ian, c.J. D 27 Feb 38 *139. Ronald. Swrmertime: Night [O Lovely Night] (Teschemacherl (El (Detroit Symphony; Ernest Macmillan, c.l. D 27 Feb 38 EJS 432 +:> \0 LR 120 *140. Wagner. ParaifaZ CG) (Metropolltan Opera 0.; Artur Bodanzky [acts I & Ill] and Erich Lelnsdort [act II], c.). NY 15 Apr 38 EJS 484 Parsifal Lauritz Melchior Kundry Kirsten Flagstad Amfortas Friedrich Schorr Gurnemanz Emanuel List Kl lngsor Arno Id Gabor Ti ture I Norman Cordon Voice Doris Doe First Knight George Cehanovsky Second Knight Louis D'Angelo Esquires Nata 11 e Bodanya Helen Olhelm Glordano Paltrlnlerl Karl Laufkoetter Flower Maidens Susanne Fisher I rra Pet Ina Helen Olhelm HI Ida Burke Thelma Votlpka Doris Doe 141. Wagner. TPiBtan und Isolde (G) (Metropolitan Opera O.; Artur Bodanzky, c.). NY 16 Apr 38 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brang!Jne Kar In Branze I I Kurvenal Ju 11 us Huehn King Mark Emanue I LI st Melot Arno Id Gabor Shepherd Karl Lautkoetter Sa I lor' s vol ce Karl Lautkoetter Steersman Louis D'Angelo *142. Wagner. Tannhauser: Dlch, teure Hal le CG) (with piano [Edwin McArthur?]). LA 25 Aug 38 EJS 183 LR 120 *143. Rogers. At Parting (Peterson) CE) (with piano [Edwin McArthur?]). LA 25 Aug 38 IJ1 0 *144. Wagner. Lohengl'in: Act I. [incomplete] (G) (Chicago Opera O.; Edwin t--tArthur, c.). Ch 21 Nov 38 StARS 560220 Ml Lohengrin Rene Malson Elsa Kirsten Flagstad Telramund George Czap I lcki Ortrud EI ea nor LaMance King Henry John Gurney Hera Id Daniel Harris *145. Wagner. Siegfried: "Hell dlr, Sonne" to end of opera (G) (Metropolitan Opera O.; Artur Bodanzky, c.). NY 10 Dec 38 EJS 550 Siegfried Carl Hartmann Br?nnh I I de Kirsten Flagstad * 146. Beethoven. Fidelw, Op. 72 (Sonnenleltner & Treltschke) (G) (Metropol ltan Opera O.; Artur Bodanzky, c.). NY 31 Dec 38 UORC 268 EJS 231 (excerpts) EJS 258 (excerpt) EJS 2/3 (excerpt) StARS 381231 M/-2 Leonore Kirsten Flagstad Florestan Rene Maison Don Pizarro Friedrich Schorr Marze/ I ine Marl ta Fare 11 Rocco Emanue I LI st Jaquino Karl Laufkoetter Don Fernando Arno Id Gabor First Prisoner Nicholas Massue Second Prisoner Arno Id Gabor 147. Wagner. Tristan und Isolde: Act I, mm. 421-1015 ["hBre wohl: delne Dienst wl 11 die Frau" to "ohne Rat In fremdes Land hMtt sle mit dir nlcht entsandt?"] CG) (Metropolitan Opera O.; Artur Bodanzky, c.l. NY 18 Feb 39 StARS 560218 Ml Tristan Lauritz Melchior Isolde Kirsten Flagstad Brang~ne Karin Branzel I Kurvena I Herbert Janssen IJ1 *148. Wagner. TannhauseP: Acts II [& I I I] excerpts CG) (Metropolitan Opera O.; Erich Lelnsdorf, c.). Bo 25 Mar 39 TannhMuser Lauritz Melchior EI i sabeth Kirsten Flagstad Landgrave Emanue I Li st Wol tram Herbert Janssen Venus Kerstin Thorborg Walther Erich Witte Blterol f Arno Id Gabor Heinrich Max Altglass Reinmar Louis D'Angelo Shepherd Marita Fare I I 149. Wagner. Tl'istan und Isolde (G) (Metropolitan Opera O.;? Artur Bodanzky, c.). NY 8 Apr 39 LC T 8944-5 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Kerstin Thorborg Kurvenal Herbert Janssen King Mark Emanue I LI st Melot Arno Id Gabor Shepherd Karl Laufkoetter Sal lor's voice Erich Witte Steersman Louis D' Ange to ?t50. Wagner. Tl'istan und Isolde: Act II (G) (New York Phi I harmonic; John Barblrol I I, c.). NY 16 Apr 39 Yale T 10-84 ~-2002 Tristan Eyvlnd Laholm Isolde Kirsten Flagstad BrangMna Enid Szantho Kurvena I Daniel Harris King Mark John Gurney Melot Daniel Harris IJ1 N * I 5 I. Wagner. Die Gotterdiinrne:rung: Beginning of opera tom. 749 (G) (Metropolitan Opera O.; Artur Bodanzky, c.). NY 12 May 39 EJS 167 BrUnnh 11 de Kirsten Flagstad Siegfried Lauritz Melchior First Norn Doris Doe Second Norn Lucielle Browning Third Norn Dorothee Manski *152. Wagner. Der fliegende Hollander: Spinning Chorus & Santa's Bal lad (Gl (Chorus; Detroit Sym.; John Barbfrof 11, c. ). D 21 May 39 EJS 183 Harvest I 005 Senta Kirsten Flagstad Mary Winnifred Heldt *153. Wagner. Die Walkure: Du bfst der Lenz CG) (Detroit Symphony; John Barbfroilf, c.l. D 21 May 39 *154. Wagner. Tristan und Isolde: MIid und lefse [Liebestod] (Gl (Detroit Symphony; John Barbirol If, c.). D 21 May 39 *155. Wagner. Die Walkure: Act I I, beginning tom. 1914 ["Siegmund! Hal"] (G) (San Francisco Opera O.; E. McArthur, c. ). SF 14 Oct 39 BrOnnh I I de Kirsten Flagstad Siegmund Lauritz Melchior Slegl lnde Marjorie Lawrence Fr I cka Hertha Glaz Wotan Fred Destal Hund Ing Nonnan Cordon *156. Wagner. Tristan und Isolde: Act I, m. 661 to end [" ??? kehre, mit dem Bliek mlch nlcht mehr beschwere!" to end of act I] (Gl (San Francisco Opera O.; Edwin McArthur, c.). SF 20 Oct 39 StARS 391020 Ml Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Kathryn Melsfo Kurvenal Ju I lus Huehn Vl vJ RCA VICTOR * 157. Wagner. Tristan und Isolde: 0 sink' hernleder CG) (San Franc I sco Opera 0.; Edwin McArthur, c.). PCS 042231-1, 3, 4 [sic] SF II Nov 39 M 644 [DB 5771] LM 2618 HR 208 - AM 644 DB 6016 VIC 1681 RB 6517 OM 644 ED 60 CRM3-0308 M 671 OM 671 OM 979 JAS 98 11-8674 Tristan Lauritz Melchior Isolde Kirsten Flagstad * 158. Wagner. Tristan und Isolde: Wonnehehrstes Weben CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042232-_!_, 2 SF I I Nov 39 M 644 [DB 5771] LM 26 18 HR 208 AM 644 DB 6016 VIC 1681 RB 6517 OM 644 ED 60 CRM3-0308 M 671 OM 671 OM 979 JAS 98 11-8674 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Kirsten Flagstad * 159. Wagner. Tristan und Isolde: Doch der Tag CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042233-1 SF II Nov 39 M 644 [DB 5772] LM 2618 HR 208 AM 644 DB 6017 VIC 1681 RB 6517 OM 644 ED 61 CRM3-0308 M 671 LM 6171 DM 671 DM9~ JAS 98 11-8675 VI ..i::,,. Tr I stan Lauritz Melchior Isolde Kirsten Flagstad *160. Wagner. Tristan und Isolde: Sol I der Tag CG) (San Francisco Opera 0.; Edwin McArthur, c.). PCS 042234-1, 2 SF II Nov 39 M 644 [DB 5772] LM 2618 HR 208 - AM 644 DB 6017 VIC 1681 RB 6517 OM 644 ED 61 CRM3-0308 M 671 LM 6171 OM 671 DM 979 JAS 98 11-8675 Tristan Lauritz Melchior Isolde Kirsten Flagstad * 161. Wagner. Tristan imd Isolde: Mi Id und leise [LJebestod, pt. I] CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042235-1 SF 11 Nov 39 M 644 (15840) AM 644 (?) DM 644 (15694) *162. Wagner. Tristan und Isolde: 1-!Bre lch nur [Liebestod, pt 2] CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042236-1 SF 11 Nov 39 *163. Wagner. Tristan imd Isolde: Mi Id und !else [Liebestod, pt. I] CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042235-3 [sia] SF 12 Nov 39 *164. Wagner. Tristan imd Isolde: H~re lch nur [Llebestod, pt. 2] CG) (San Francisco Opera O.; Edwin McArthur, c. ). PCS 042236-2 SF 12 Nov 39 M 644 (15840) AM 644 (?) OM 644 (15964) * 165. Wagner. Die G~tterdllrrmerung: Starke Scheite (Gl (San Francisco Opera O.; Edwin McArthur, c. ). PCS 042240-1, ~ SF 12 Nov 39 M 644 (15841) DB 5844 AM 644 (?) OM 644 (15960) *166. Wagner. ? Die Gotterdiimnel'Ung: Wlsst 1hr, wle das ward? CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042241-~, 3 [sia] SF 12 Nov 39 M 644 (15841) DB 5844 AM 644 (?) OM 644 ( 15961) * 167. Wagner. Die GVtterdiimnel'Ung: Mein Erbe nun CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042242-1 SF 12 Nov 39 M 644 (15842) DB 5845 AM 644 (?) V1 OM 644 (15962) V1 *168. Wagner. Die Gotterdanmel'Wlg: F ? hl I meine Brust auch (G) (San Francisco Opera O.; Edwin McArthur, c.l. PCS 042243-1, I [sic] SF 12 Nov 39 M 644 (15842) DB 5845 AM 644 C?l OM 644 (15963) *169. Wagner. Die G8tterdlirrrnerung: Lass' ich Llebste [Prologue, pt. 2] CG) (San Francisco Opera O.; Edwin McArthur, c.). PCS 042244-_!_, 2 SF 12 Nov 39 M 749 (17729) DB 5885 LM 2763 HR 219 ED 418 RB 6604 BrUnnh 11 de Kirsten Flagstad Siegfried Lauritz Melchior * 170. Wagner. Die G8tterdl1mmerung: Zu neuen Taten [Prologue, pt. I] (G) (San Francisco Opera O.; Edwin McArthur, c.l. PCS 042245-~ [sic] SF 12 Nov 39 M 749 (17729) DB 5885 LM 2763 HR 219 ED 4 I 8 RB 6604 BrUnnh 11 de Kirsten Flagstad Siegfried Lauritz Melchior NON-COMMERCIAL *171. Wagner. Tannhauser (Gl (Metropol I tan Opera O.; Erich Lelnsdorf, c.). NY 16 Dec 39 LC T 5174, 7A3 EJS 258 (excerpt) EJS 145 (excerpt) Tannhauser Eyvlnd Laholm EI I sabeth Kirsten Flagstad Venus Rose Pauly Wol tram Herbert Janssen Landgrave Emanue I LI st Wa I ther John Carter Biterolf Mack Harre I I Hei nr lch Giordano Paltrlnlerl Reinmar John Gurney Shepherd Max I ne Ste I Iman *172. Kjerulf (arr. Black). Synn?ves Sang [Suomi 1 s Song] (BJ?rnson) (N?l (Kirsten Flagstad, Karin Branzell, Lauritz Melchior, Lawrence Tlbbett; NBC Symphony; Eugene Goossens, c.). NY 27 Dec 39 Melo Tone EJS 322 \Jl ?' *173. Wagner. Die WalkUre (G) (Metropolitan Opera O.; Erich Leinsdorf, c.). NY 17 Feb 40 LC T 5174, 16AI StARS 400217 Ml-3 UORC 186 Brunnh i I de Kirsten Flagstad Siegmund Lauritz Melchior S leg Ii nde Marjorie Lawrence Wotan Ju 11 us Huehn Frlcka Karin Branzel I Hundlng Emanue I Li st Helmwige Dorothee Mansk I Gerhilde Thelma Votlpka Ortl inde Maxine Ste I Iman Rossweisse Luclelle Browning Grlmgerde I rra Peti na Waltraute Doris Doe Slegrune Helen Olhelm Schwertleite Anna Kaskas 174. Speech during Intermission of Metropolitan Opera broadcast of Die Walkfa>e (discography no. 173 above) (El. NY 17 Feb 40 LC T 5174, 16AI StARS 400217 Ml-3 UORC 186 *175. Wagner. Tr>iatan und?Iaolde: MIid und !else [Llebestod] (G) (NBC Symphony; Edwin McArthur, c.). NY 25 Feb 40 LR 120 *176. Wagner. Tr>iatan und Isolde (G) (Metropolitan Opera O.; Erich Lelnsdorf, c.). NY 23 Mar 40 UORC 182 Tristan Lauritz Melchior I sol de Kirsten Flagstad Brangane Kerstin Thorborg Kurvenal Jul lus Huehn King Mark Emanue I LI st Melot George Cehanovsky Shepherd Karl Laufkoetter Sa i Io r ' s vo I ce Anthony Marlowe Steersman Douglas Beattle Vl -....J RCA VICTOR 177. Grieg. Haugt;uasa, Op. 67: Det Syng (Garborg) (N) (Edwin McArthur, p.). PCS 055035-J_, IA LA 27 Aug 40 M 714 (17497) DB 5833 178. Grieg. Haugt;ussa, Op. 67: Veslem?y (Garborg) (N) (Edwin McArthur, p.). PCS 055036-J_, IA LA 27 Aug 40 M 714 (17497) DB 5833 179. Grieg. Haugt;ussa, Op. 67: Blabin: Da wol lte ich (G) (RCA Victor Symphony; Edwin McArthur, C ?) ? CS 057531-_!__, IA ? 23 Nov 40 M 897 (I 1-8159) WCT 1105 HR 208 et,1 897 Cl 1-8162) LCT 1105 RB 6517 LM 2618 ALP 1276 VIC 1681 Lohengr In Lauritz Melchior Elsa Kirsten Flagstad * 188. Wagner. Loheng-i>in: WMr' das Gehelmnls (G) (RCA Victor Symphony; Edwin McArthur, c.). CS 057532-.!._, IA ? 23 Nov 40 M 897 (11-8160) WCT 1105 HR 208 OM 897 (I 1-8162) LCT 1105 RB 6517 LM 2618 ALP 1276 VIC 1681 Lohengrl n Lauritz Melchior Elsa Kirsten Flagstad * 189. Wagner. Lohen{Jl'in: Hilt Gott, was muss ich horen (Gl (RCA Victor Symphony, Edwin McArthur, c.). CS 057533-1, IA, 2, 2A ? 23 Nov 40 M 897 (I 1-8160) WCT I 105 HR 208 - OM 897 (I 1-8161) LCT 1105 RB 6517 LM 2618 ALP 1276 VIC 1681 Lohengr In Lauritz Melchior Elsa Kirsten Flagstad *190. Wagner. Parsifal: Dies Alles hab' ich nun getrMumt (Gl (RCA Victor Symphony; Edwin McArthur, c.). CS 057534-1, IA ? 23 Nov 40 M 755 WCT I IO 5 HR 2 I9 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Parsifal Lauritz Melchior Kundry Kirsten Flagstad V1 \D * 191. Wagner. Parsifal: Nur Welnen war sle (G) (RCA Victor Symphony; Edwin McArthur, c.). CS 057535-1, IA,.?_, 2A ? 23 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Parsi ta I Lauritz Melchior Kundry Kirsten Flagstad * 192. Wagner. Parsifal : Die Mutter, die Mutter konnt' CG) (RCA Victor Symphony; Edwin McArthur, c.). CS 057536-1, IA, 2, 2A, 3 ? 24 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Pars Ital Lauritz Melchlor Kundry Kirsten Flagstad *193. Wagner. Pazosifal: Es starrt der Bl lck CG) (RCA Victor Symphony; Edwin McArthur, c.). CS 057537-_!_, IA ? 24 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Parsifal Lauritz Melchlor Kundry Kirsten Flagstad * 194. Wagner. Parsifal: Grausamer! FLlhlst du Im Herzen CG) (RCA Victor Symphony; Edwin McArthur, c.). CS 057538-1, IA,.?_, 2A ? 24 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Kundry Kirsten Flagstad * 195. Wagner. Parsifal: Den lch ersehnt CG) (RCA Victor Symphony; Edwin McArthur. c.). CS 057539-1, IA,.?_, 2A ? 24 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Parsifal Lauritz Melchior OI Kundry Kirsten Flagstad 0 *196. Wagner. Parsifal: seln Fluch--ha! (G) (RCA Victor Symphony; Edwin McArthur, c.). CS 057540-.!_, I A ? 24 Nov 40 M 755 WCT 1105 HR 219 AM 755 LCT 1105 RB 6604 OM 755 LM 2763 ALP 1276 VIC 1681 Pars I fa I Lauritz Melchior Kundry Kirsten Flagstad Kl lngsor Gordon DI I worth NON-COt,t.1ERCIAL *197. Wagner. Tannhauser (G) (Metropolitan Opera O.; Erich Lelnsdorf, c.). NY 4 Jan 41 LC T 12736, 65B GAW 300 Tannhauser Lauritz Melchior EI i sabeth Kirsten Flagstad Venus Kerstin Thorborg Wolfram Herbert Janssen Landgrave Emanue I LI st Walther John Dudley Blterolf Mack Harrel I Heinrich Emery Darcy Relnmar John Gurney Shepherd Maxine Stel Iman *198. Wagner. Tristan wu1 Isolde CG) (Metropolitan Opera O.; Erich Lelnsdorf, c.). NY 8 Feb 41 LC T 12736, 68A MET 3 Tristan Lauritz Melchior Isolde Kirsten Flagstad Brangane Kerstin Thorborg Kurvenal Julius Huehn King Mark Alexander Klpnls Melot Emery Darcy Shepherd Karl Laufkoetter Sa I Io r' s vo Ice Emery Darcy Steersman John Gurney ?' * 199. Beethoven. Fidelio, Op. 72 (Sonnenleitner &T reltschke) (G) (Metropolitan Opera O.; Bruno Walter, c.). NY 22 Feb 41 EJS 126 BWS 712/713 MET 5 Leonore Kirsten Flagstad Florestan Ren~ Malson Don Pizarro Ju I i us Huehn Marze 111 ne Marita Farell Rocco Alexander Klpnls Jaqulno Karl Laufkoetter Don Fernando Herbert Janssen First Prisoner Emery Darcy Second Prisoner John Gurney 200. Wagner. Tristan und Isolde: "Wle lachend sle mfr Lieder singen" to "Tod uns beiden" (G) (London Philharmonic; Karl Rankl, c.>. L 6 Feb 47 ANNA 1025 *201. Wagner. Tristan und Isolde: fragments from each act (G) (La Scaia Orchestra; Victor de Sabata, c.). M Feb or Mar 47 ANNA 1052 Tristan Ejnar Beyron Isolde Kirsten Flagstad Brang1lne Elsa Caveltl King Mark Ferdinand Frantz Kurvenal Pau I Schaff Ie r 202. Wagner. Tristan und Isolde: "Entartet Geschlecht!" to "Todgewelhtes Haupt!" (G) (ZUrlch Tonhalle O.; Hans Knappertsbusch, c.). z 5 Jun 47 ANNA 1025 Isolde Kirsten Flagstad Brang1lne Elsa Cavelti Sai !or's voice ? 203. Wagner. Tristan und Isolde: "Wle sorgt' ich schlecht" to end of Act I (G) (ZOrich Tonhal le O.; Hans Knappertsbusch, c.). z 5 Jun 47 ANNA 1025 Tristan Max Lorenz Isolde Kirsten Flagstad O'> Brang1lne Elsa Caveitl N Kurvenal Andreas OOhm HMV 204. Grieg (orch. Reger). Eros, Op. 70, No. I (Benzon) (N) (Phi lhanoonia O.; Warwick Braithwaite, c.). OEA 12788-_!_, 2 L 10 Mar 48 DA 1879 WDM 1533 (49-3323) LM 99 205. Grieg. En Svane, Op. 25, No. 2 (Ibsen) (N) (Phiiharmonia O.; Warwick Braithwaite, c.). OEA 12789-1, 2 L 10 Mar 48 DA 1879 WDM 1533 (49-3321) IC 147-01 492 M - LM 99 11 206. Grieg. Fra t-'onte Pinelo, Op. 39, No. I (Bj9lrnson) CN) (Phi lharrr,onla O.; Warwick Braithwaite, c.). 2EA 12804-1, 2 L IO Mar 48 \ *207. Wagner. Die G8tterdl1nmeI'W'lg: Starke Scheite (G) (Phiiharroonia O.; WIiheim FurtwMngler, c.). 2EA 12850-1, IA, ~. 2A, 3, 3A L 26 Mar 48 DB 6792 WHMV 1024 FALP 119 DB 9323 LHMV 1024 FALP 194 IC 147-01 492 M *208. Wagner. Die GotterdiimneI'W'lg: Wlsst 1hr, wle das ward? (G) (Phllhannonia O.; WI I helm FurtwMngler, c.). 2EA 12851-_!_, IA, 2, 2A L 26 Mar 48 DB 6792 WHMV I 024 FALP 119 DB 9324 LHMV 1024 FALP 194 I IC 147-01 492 M ~ *209. Wagner. Die GlJtterdiimnel'UYlg: Mein Erbe nun nehm' lch zu elgen (G) (Phi lhanoonia O.; WIiheim FurtwMngier, c.). 2EA 12852-_!_, IA, 2, 2A L 26 Mar 48 DB 6793 WHMV 1024 FALP I 19 DB 9325 LHMV 1024 FALP 194 IC 147-01 492 M *210. Wagner. Die GlJtterdl1mnenmg: Grane, meln Ross! (G) (Philhannonla O.; Wilhelm Furtwangler, c.). 2EA 12853-1, IA, 2, 2A, 3, 3A L 26 Mar 48 DB 6793 WHMV 1024 FALP 119 - DB 9325 LHMV I 024 FALP 194 IC I 47-01 492 M *211. Wagner. Die GlJtterditnmenmg: Immolation Scene, orch. finale [no Flagstad] (Phllharmonla O.; W. Furtwangler, c.). 2EA 12854-1, IA, 2, 2A, 3, 3A L 26 Mar 48 DBS 6794 WHMV 1024 FALP 119 - DB 9324 LHMV 1024 FALP 194 IC 147-01 492 M a, l,,I 212. Wagner. Tristan imd Isolde: Doch nun von Tristan! (G) (Phi lhanoonla O.; lssay Dobrowen, c.). 2EA 12864-_!_, IA, 2, 2A L 31 Mar 48 OM 1435 (12-1359) DB 6748 WDM 1435 (49-1416) HQM 1138 LM 1151 60619 60082 IC 147-01 491 M Isolde Kirsten Flagstad BrangMne El lsabeth HBngen 213. Wagner. Tristan und Isolde: Von selnem Lager bllckt' er (G) (Phllhanoonla 0. ; I ssay Dobrowen, c.). 2EA 12865-_!_, IA, 2, 2A L 31 Mar 48 OM 1435 (12-1360) DB 6748 WDM 1435 (49-1417) H~ 1138 LM 1151 60619 60082 IC 147-01 491 M Isolde Kirsten Flagstad BrangMne E 11 sabeth Hongen 214. Wagner. Tr-istan und Isolde: Da Friede, S0hn 1 und Fre.undschaft (G) (Phllhanoonla O.; lssay Dobrowen, c.). 2EA 12866-_!_, IA, 2, 2A L 31 Mar 48 OM 1435 (12-1360) DB 6749 WDM 1435 (49-1417) HQM I 138 LM I I 5 I 606 I 9 60082 IC 147-01 491 M Isolde Kirsten Flagstad Brang~ne Elisabeth Hongen 215. Wagner. Tristan und Isolde: Llebestod, pt. I (G?) (Phi lharmonla O.; lssay Dobrowen, c.). 2EA 12867-1 , IA, 2, 2A L I Apr 48 216. Wagner. Tristan und Isolde: Llebestod, pt. 2 (G?) (Phi lhanoonla O.; lssay Dobrowen, c.). 2EA 12868-1, IA, 2, 2A L I Apr 48 217. Wagner. Tannhiiuser: Allm~cht 1 ge Jungfrau [Elisabeth's Prayer, pt. I] (G) (Phi lhar. O.; lss9y Dobrowen, c.). 2EA 12869-.!_, IA, 2, 2A L I Apr 48 12-1062 DB 6795 49-0783 IC 147-01 492 M 21 8. Wagner. Tannhltuser: Doch, konnt' lch jeden Fehl [El lsabeth's Prayer, pt. 2] (G) (Phllhar. O.; lssay Dobrowen, c.). 2EA 12870-_!_, IA, 2, 2A L I Apr 48 12-1062 DB 6795 49-0783 IC 147-01 492 M 219. Grieg (orch. Klevln). Ved Rundarne, Op. 33, No. 9 (Vlnje) (N) (Phllharmonla O.; Warwick Braithwaite, c.). OEA 12881-1, IA, 2, 2A L 3 Apr 48 DA 1992 WDM 1533 (49-3324) - LM 99 CJ\ .i:,. 220. Grieg (orch. Klevinl. Den ScErde, Op. 33, No. 3 (Vlnjel (Nl (Phi lharmonla O.; Warwick Braithwaite, c.). 2EA 12882-.!_, IA, 2, 2A L 3 Apr 48 DB 21020 HQM 1057 GR 2172 IC 147-01 492 M 221. Grieg (orch. Klevlnl. En Drjllm, Op. 48, No. 6 (Bodenstedtl (Nl (Phi lharmonla O.; Warwick Braithwaite, c.l. 2EA 12883-J_, IA, 2, 2A L 3 Apr 48 DB 21020 222. Grieg (orch. Klevlnl. Tak for tit rad, Op. 21, No. 4 (Bj?rnsonl (Nl (Phi lharmonla O.; Warwick Braithwaite, c.). 2EA 12883-J_, IA, 2, 2A L 3 Apr 48 DB 21020 HQM 1057 GR 2172 IC 147-01 492 M NON-C0t,.t,1ERCIAL *223, Wagner. Triatan und Iaol-de: Excerpts (Gl (La Scala Orchestra; Victor de Sabata, c.l. M 14 Apr 48 UORC 260 Tristan Max Lorenz Isolde Kirsten Flagstad BrangMne Rosette Anday Kurvena I Pau I Sch~ff I er King Mark Ludwig Weber HMV 224. Wagner. Weaendonck Liede~: Der Engel (Wesendonck) (G) (Gerald Moore, p.). 2EA 13074-J_, 2 L 25 May 48 DB 6841 60046 225. Wagner. Weaendonck Liede~: Stehe Stl II (Wesendonckl (G) (Gerald Moore, p.). 2EA 13075-J_, 2, 3 L 25 May 48 DB 6841 60046 226. Wagner. Weaendonck Liede~: Schmerzen (Wesendonckl (G) (Gerald Moore, p.l. 2EA 13077-1, I L 25 May 48 DB 6842 60046 227. Wagner. Wesendonck Liede~: Trauma (Wesendonckl (G) (Gerald Moore, p.). 2EA 13078-J_, 2 L 25 May 48 DB 6842 60046 60274 0\ Vl 228. Wagner. Wesendonak LiedeP: Im Treibhaus (Wesendonck) (G) (Gerald Moore, p.). 2EA 13076-.!_, 2 L 26 May 48 r::t-1 1435 (12-1359) DB 6749 WDM 1435 (49-1416) 60046 229 . Wagner. Weaendonak LiedeP: TrMume (Wesendonck) (G) (Gera Id Moore, p.). 2EA 13078-3, 4 L 26 May 48 230. Grieg. Med en Vandll lje, Op. 25, No. 3 (Ibsen) (N) (Gerald Moore, p. ) . OEA 13079-.!_, 2 L 26 May 48 DA 1957 HQM 1057 GR 2172 231. Grieg. Prlnsessln CBJ?rnson) (N) (Gerald Moore, p.). OEA 13080-.!_, 2 L 26 May 48 DA 1957 HQM 1057 GR 2172 232. Grieg. Varen, Op . 33, No. 2, pt. I (Vlnje) (N) (Phllharmonla O.; Walter Sussklnd, c.>. OEA 13070-1, 2 L 27 May 48 DA 1904 WOM 1533 (49-3324) ,..... LM 99 233. Grieg. Varen, Op. 33, No. 2, pt. 2 (Vlnje) (N) (Philhannonla O. ; Walter Sussklnd, c.). OEA 13071-1, 2 . L 27 May 48 DA 1904 WOM 1533 (49-3323) - LM 99 234. Gluck. Orfeo ed Euridiae: Che faro senza Eurldlce (Calzablgl) (I) (Phi lharmonla 0.; Walter Sussklnd, c.). 2EA 13072-.!_, 2 L 27 May 48 DB 6913 IC 147-01 492 M 235. Grieg. Fra Monte Pinelo, Op. 39, No. I, pt. I CBj?rnson) (N) (Phi lharmonla O.; Warwick Braithwaite, c.). OEA 13085-1, 2 L 29 May 48 DA 1905 WDM 1550 - ~~ 236. Grieg. Fra Monte Pinelo, Op. 39, No. I, pt. 2 (Bj?rnson) (N) (Phi lharmonla 0.; Warwick Braithwaite, c.). OEA 13086-1 , 2 L 29 May 48 DA 1905 WOM I 550 - LM 99 237. Purce I I ? Dido and /En.eaa, Z. 626: Thy Hand, Bel Inda; When I Am Laid In Earth (Tate) (E) (Phllharmonla O.; Warwick Braithwaite, c.). 2EA 13087-.!_, 2 L 29 May 48 DB 6913 HQM 1057 GR 2172 IC 147-01 492 M (J'\ (J'\ 238. Grieg (orch. Gunstrom). Guten, Op. 33, No. I (Vlnje) (Nl (Phi lhannonla O.; Warwick Braithwaite, c.l. OEA I 3088-_!__, 2 L 29 May 48 DA 1992 WDM 1533 LM 99 239. Grieg. Mens Jeg ti I vlnter, Op. 60, No. 3 (Krag) (Nl (Gerald Moore, p. l. OEA 13089-_!_, 2 L 30 May 48 60046 7E8 6007 240. Grieg. Langsel ft., Op. 33, No. 5 (Vlnjel (N) (Gerald Moore, p.l. OEA I 3090-1 , I L 30 May 48 60046 7EB 6007 241. Grieg. Efteraarsstormen, Op. 18, No. 4 (Richardt) (Nl (Gerald Moore, p.l. OEA 13091-_!_, 2 L 30 May 48 60046 7EB 6007 242. Grieg. Fyremal, Op. 33, No. 12 (Vlnjel (Nl (Gerald Moore, p.l. OEA 13092-_.!._, 2 L 30 May 48 60046 7EB 6007 243. Bizet. Agnus Del (Ll (G. Thalben Ball, organ; Phllharmonta O.; Warwick Braithwaite, c.l. 2EA 13203-1, I, 3 L 3 Jul 48 DB 6791 244. Handel. Serse: Ombra ma! fu (Stamplgllal (I) (G. Thalben Ball, organ; Phi lharmonla O.; Warwick Braithwaite, c.l. 2EA 13204-_.!._, 2 L 3 Jul 48 DB 6791 IC 147-01 492 M *245. Ochs. Dank set dtr, Herr (G) (G. Thalben Ball, organ; Phllharmonta O.; Warwi'ck Braithwaite, c.l. 2EA I 3205-1 , 2 L 3 Ju I 48 NON-COt+1ERCIAL *246. Schubert. Dem Unendl lchen, D. 291 (Klopstockl CG) (Ernest Lush, p. l. L 5 Jul 48 EJS 197 ANNA 1016 *247. Schubert. Die Liebe hat gelogen, D. 751 (Platen) CG) (Ernest Lush, p.l. . L 5 Jul 48 Rubin! *248. Schubert. Sahi,Janengesang, 'D. 957: Der Atlas (Heine) (Gl (Ernest Lush, p.l. L 5 Jul 48 EJS 197 ANNA 1016 LR 120 CJ\ -...J *249. Schubert. Die Winterreise, D. 91 I: Die Krahe (Mui ler) CG) (Ernest Lush, p. ). L 5 Ju I 48 EJ S 197 ANNA 1016 *250. Schubert. Die Junge Nonne, D. 828 (Cralgher) CG) (Ernest Lush, p.). L 5 Jul 48 ANNA 1016 LR 120 *251. Schubert. Der Musensohn, D. 764 (Goethe) CG) (Ernest Lush, p.). L 5 Jul 48 EJS 170 LR 120 *252. Schubert. Die Allmacht, D. 852 (Pyrker) CG) (Ernest Lush, p.). L 5 Jul 48 ANNA 1016 LR 120 *253. Wagner. Ti>istan und Isolde CG) CTeatro Colon O.; Erich Kleiber, c.). BA 13 Aug 48 Tristan Set Svanholm I so Ide Kirsten Flagstad BrangMne Vlorlca Ursuleac King Mark Ludwig Weber Kurvenal Hans Hotter Melot V. Bacclato Shepherd R. Magglolo Sa I )or's vol ce Humberto di Toto Steersman Tul I lo Gagl lardo 254. Beethoven. Ah, Perfldo, Op. 65 (first part: Metastasfo; second part: Anon.) (I) (Havana Sym.; Clemens Krauss, c.). H 24 Oct 48 255. Wagner. Der fliegende Hollander: Traft 1hr das Schiff [Santa's Bal lad] CG) (Havana Symphony; Clemens Krauss, c.). H 24 Oct 48 256. Wagner. Wesendonak Lieder: Der Engel (Wesendonck) CG) (Havana Symphony; Clemens Krauss, c.). H 24 Oct 48 257. Wagner. Wesendonck Lieder: Stehe Stl I I (Wesendonck) CG) (Havana Symphony; Clemens Krauss, c.). H 24 Oct 48 ?(X'l 258. Wagner. Wesendonck LiedeP: Im Trelbhaus (Wesendonckl (G) (Havana Symphony; Clemens Krauss, c.l. H 24 Oct 48 259. Wagner. Wesendonck LiedeP: Schmerzen (Wesendonckl (G) (Havana Symphony; Clemens Krauss, c.). H 24 Oct 48 260. Wagner. Wesendonck LiedeP: TrMume (Wesendonck) (G) (Havana Symphony; Clemens Krauss, c.). H 24 Oct 48 261. Wagner. Siegfned: "Heil dlr, Sonne" to end of opera (Gl (Covent Garden O.; Karl Rankl, c.l. [, L 2 Jun 49 11 Siegfried Set Svanholm f Brunnh I I de Kirsten Flagstad t! ) HMV 262. Wagner. Die Walkure: Siegmund! Sleh' auf mlch! (Gl (Phllharmonla O.; Karl BBhm, c.l. 2EA 13919-_!_, 2, 3 L 4 Jun 49 DB 6962 60082 60619 HOM 1138 IC 147-01 491 M t BrUnnh 11 de Kirsten Flagstad f Siegmund Set Svanholm ~ *263. Wagner. Die Walkure: Der dlr nun folgt (G) (Philharmonia O.; Karl BBhm, c.). 2EA 13920-1, 2, 3 [1B] L 4 Jun 49 DB 6962 60082 60619 HQM 1138 IC 147-01 491 M BrUnnh i I de Kirsten Flagstad Siegmund Set Svanholm 264. Wagner. Die Walkia>e: So grUsse mfr Walhall (Gl (Phllharmonla O.; Karl BBhm, c.). 2EA 13921-1, 2 L 4 Jun 49 DB 6963 60082 60619 HQM 1138 IC 147-01 491 M BrUnnh 11 de Kirsten Flagstad Siegmund Set Svanholm 0\ \() 265. Wagner. Die Walkure: So wen lg achtest du ewlge Wonne? (G) (Phi lharmonla O.; Karl Bohm, c.). 2EA 13922-1, 2 L 4 Jun 49 DB 6963 60082 60619 HQM 1138 IC 147-01 491 M Brunnhllde Kirsten Flagstad Siegmund Set Svanholm *266. Wagner. TPistan und Isolde: 0 sink' hernleder (G) (Phi lharmonla O.; Karl Bohm, c. ). 2EA 13923-1, 2 [28] L 5 Jun 49 DB 21 I 12 WDM 1550 (49-3421) IC 147-01 491 M - DB 9521 LM I 151 Tristan Set Svanholm Isolde Kirsten Flagstad *267. Wagner. TPistan und Isolde: Nie wleder erwachens wahnlos (G) (Phllharmonla O.; Karl B6hm, c. ). 2EA 13924-1, IA[~] L 5 Jun 49 DB 21112 WDM 1550 (49-3422) IC 147-01 491 M DB 9522 LM I 151 Tristan Set Svanholm Isolde Kirsten Flagstad BrangMne Constance Shacklock *268. Wagner. TPistan und Isolde: So starben wir (G) (Phllharmonla O.; Karl Bahm, c.). 2EA 13925-1 , IA , 2, 3 [2C] L 5 Jun 49 DB 21114 WDM 1550 (49-3422) IC 147-01 491 M DB 9522 LM 1151 Tristan Set Svanholm Isolde Kirsten Flagstad BrangMne Constance Shackiock *269. Wagner. Tristan und Isolde: Sol I der Tag noch Tristan wecken? (G) (Phi lhannonla O.; Karl Bahm, c.). 2EA 13926-1, IA[~] L 5 Jun 49 DB 21 I 14 WDM 1550 (49-3421) IC 147-01 491 M DB 9521 LM 1151 Tristan Set Svanholm Isolde Kirsten Flagstad --.J 0 *270. Wagner. TPiatan und Isolde: Lausch', Geliebter! (G) (Phi lharmonla O.; Karl Bohm, c.). 2EA 13927-1, IA [.!i_] L 5 Jun 49 DB 21 I 13 WDM 1550 (49-3423) IC 147-01 491 M DB 9523 LM I 151 Tristan Set Svanholm Isolde KI rsten FI agstad *271. Wagner. TPistan und Isolde: Doch uns're Liebe (G) (Phllharmonla O.; Karl Bl\hm, c.). 2EA 13928-1, IA [_!I] L 5 Jun 49 DB 21 I 13 WDM 1550 (49-3423) IC 147-01 491 M DB 9523 LM 1151 Tristan Set Svanholm Isolde Kirsten Flagstad 272. Brahms. Gesti I lte Sehnsucht, Op. 91, No. I, pt. I (R?ckert) (G) (Herbert Downes, viola; Gerald Moore, p. ). OEA 14017-1, 2, 3 L 20 Jun 49 DA 1932 EHA 18 - 60046 273. Brahms. Gestl lite Sehnsucht, Op. 91, No. I, pt. 2 (Ruckert) CG) (Herbert Downes, viola; Gerald Moore, p.). OEA 14018-1, 2, 3 L 20 Jun 49 DA 1932 EHA 18 - 60046 274. Brahms. Gelstllches Wiegenlled, Op. 91, No. 2, pt. I (Giebel, after Vega) CG) (Herbert Downes, viola; G. Moore, p.). OEA 14019-1, 2 L 20 Jun 49 DA 1933 EHA 18 - 60046 275. Brahms. Geist I iches Wlegenlied, Op. 91, No. 2, pt. 2 (Glebel, after Vega) CG) (Herbert Downes, viola; G. Moore, p.). OEA 14020-1, 2 L 20 Jun 49 DA 1933 EHA 18 - 60046 -..J NON-COM-IERCIAL *276. Beethoven. Fidelio, Op. 72 (Sonnenleltner & Treltschke) (Gl (Vienna Phi !harmonic; WI !helm FurtwMngler, c.l. S 3 Aug 49 I I I Leonore Kirsten Flagstad I Florestan Julius Patzak :l Don Pizarro Pau I SchBff I er Marze 111 ne I nngard See fr Ie d Jaqulno Richard Holm I Rocco Josef Grelndl Don Fernando Hans Braun ~ First Prisoner Hermann Ga I I os Second Prisoner Karl OOnch *277. Wagner. DeP fliegende HolllfndeP: Traft 1hr das Schiff (G) (San Francisco Opera O.; Gaetano Merola, c.). SF 9 Oct 49 EJS 258 *278. Wagner. TPistan wui Isolde: 0 sink' hernleder (G) (San Francisco Opera O.; Gaetano Merola, c.). SF 9 Oct 49 Tristan Set Svanholm I so l de Kirsten Flagstad *279. Wagner. TPiatan wui Isolde: MIid und !else [Llebestod] (G) (San Francisco Opera O.; Gaetano Merola, c.). SF 9 Oct 49 --..J N *280. Wagner. Die WalkUX'e (G) (La Scala O.; WI I helm Furtwangler, c.). M 9 Mar 50 EJS 534 RR 420 Everest 474/3 Murray Hf I I 940477 EJS 327 (excerpts) Brunnh ff de Kirsten Flagstad Wotan Ferdinand Frantz Siegmund Gunther Treptow Sieg I fnde Hl I de Konetzn I Hunding Ludwig Weber Frlcka Elisabeth HBngen Helmwlge I Iona Stelngruber Gerhl I de Walburga Wegener ~ Ortl lnde Karen Marie Cerkal I Waltraute Dagmar Schmedes Slegrune Margherita Kenney ~ Rosswefsse Margret Weth-Falke Grimgerde Sleglfnde Wagner Schwertfelte Polly Batie \ 'I *281. Wagner. Siegfr>i.ed (G) (La Scala O.; WI I helm Furtw~ngler, c.). ' M 22 Mar 50 RR 420 UORC 123 Everest 475/3 Murray Hi II 940477 EJS 390 (final duet) Siegfried Set Svanholm Brunnhllde Kirsten Flagstad Wanderer Josef Hermann Erda Elisabeth Hengen Alberich Alois Pernerstorfer Mime Eml f Markwort Fafner Ludwig Weber Forest Bird JuflaMoor --.J vi *282. Wagner. Die (R}tterdarrrnerung CG) (La Scala 0.; WI I helm Furtwangler, c. ). M 2 Apr 50 RR 420 EJS 538 Everest 476/3 Murray HI I I 940477 EJS 318 (excerpts) Brunnhl Ide Kirsten Flagstad Siegfried Max Lorenz Gunther Josef Hemiann Gutrune Hi I de Konetzn i Hagen Ludwig Weber Alberich Alois Pernerstorfer Waltraute Elisabeth Hongen First Norn Margret Weth-Fa Ike Second Norn Margherita Kenney Thi rd Norn Hi Ide Konetzni We 11 gun de Margherita Kenney Wogl inde Magda Gabory Flosshl Ide Siegiinde Wagner RCA VICTOR 283. Grieg. Haugtusaa, Op. 67: Oet Syng (Garborg) (Nl (Edwin McArthur, p. l. EO-RC-342-1, IA, IC LA 26 Apr 50 OM 1405 (12-1246) WOM 1405 (49-1283) LM 1094 LM 2825 284. Grieg. HaugtuBaa, Op. 67: VeslSllllZly (Garborg) (N) (Edwin McArthur, p.). EO-RC-343-1, IA_ LA 26 Apr 50 OM 1405 (12-1247) WOM 1405 (49-1284) LM 1094 LM 2825 285. Grieg. Haugtussa, Op. 67: Blabffirli (Garborg) (N) (Edwin McArthur, p.l. EO-RC-344-..!_, IA LA 26 Apr 50 OM 1405 (12-1248) WOM 1405 (49-1285) LM 1094 LM 2825 286. Grieg. Haugtuaaa, Op. 67: M?te (Garborg) (Nl (Edwin McArthur, p.l. EO-RC-345- I , IA LA 26 Apr 50 OM 1405 (12-1249) WDM 1405 (49-1286) LM 1094 -.I .i:,,. LM 2825 287. Grieg. Haugtussa, Op. 67: Elsk (Garborg) (N) (Edwln McArthur, p. ). EO-RC-346-.!_, I A LA 26 Apr 50 OM 1405 (12-1249) WOM 1405 (49-1286) LM 1094 LM 2825 288, Grieg. Haugtusaa, Op. 67: Kl I I lngdans (Garborg) (N) (Edwin McArthur, p.>. EO-RC-34 7-_!_. I A LA 26 Apr 50 OM 1405 (12-1248) WOM 1405 (49-1285) LM 1094 LM 2825 289. Grieg. Haugtussa, Op. 67: Vond Dag (Garborg) (N) (Edwin McArthur, p.). EO-RC-348-_!_, I A LA 26 Apr 50 OM 1405 (12-1247) WOM 1405 149-1284) LM 1094 LM 2825 290. Grieg. Haugtusaa, Op. 67: Ved GJ~tlebekken, pt. I (Garborg) (N) (Edwin McArthur, p. ). EO-RC-348-.!_, I A LA 26 Apr 50 OM 1405 (12-1247) WDM 1405 (49-1284) LM 1094 LM 2825 291. Grieg. Haugtussa, Op. 67: Ved Gjcetlebekken, pt. 2 (Garborg) (N) {Edwin McArthur, p.). EO-RC-349-.!_, IA LA 26 Apr 50 OM 1405 (12-1246) WOM 1405 (49-1283) LM 1094 LM 2825 NON-COr+lERCIAL *292. Strauss. Vier letzte Lieder: Belm Schlafengehen, A. V. 150, No. 3 (Hesse) CG) (Phi lhar. 0.; WI I helm Furtwangler, c. ). L 22 May 50 EJS 432 THS 65116 LO 501 *293. Strauss. Vier letzte Lieder: September, A. V. 150, No. 2 (Hesse) (G) (Phi lharmonla O.; WI I helm Furtw3ngler, c.). L 22 May 50 EJS 432 THS 65116 LO 501 -.J V1 *294. Strauss. Vier letzte Lieder: Fruhling, A. V. 150, No. I (Hesse) (G) (Phi lharmonla O.; Wi I helm Furtw3ngler, c.). L 22 May 50 EJS 432 THS 65116 LO 501 *295. Strauss. Vier letzte Lieder: Im Abendrot, A. V. 150, No. 4 (Eichendorff) (G) (Phllhar. O.; W. Furtwangler, c.>. L 22 May 50 EJS 432 THS 65116 LO 501 HMV 296. Bach. Matthlius Passion, B. W. V. 2 44: Erbarme dlch, pt. I (Henrlcl) (G) (Phllharmonla O.; Walter Sussklnd, c.). 2EA 14845-.!_, 2 L 25 Jun 50 DB 21237 Hc,-1 1057 GR 2172 IC 147-01 492 M 297. Bach. Matthaus Passion, B. W. V. 244: Erbanne dlch, pt. 2 (Henrlcl) (G) (Phllharmonla O.; Walter Sussklnd, c.). 2EA 14846-.!_, 2 L 25 Jun 50 DB 21237 HQM 1057 GR 2172 IC 147-01 492 M NON-CO~ERC I AL 298. Wagner. Die Gotterdl1nrnerung: Act 11, "BrUnnhl Ide, die hehrste Frau" to end of act [starts m. 765] (G) (Covent Garden O.; Karl Rank!, c.). L 26 Jun 50 BrUnnh i I de Kirsten Flagstad Siegfried Set Svanholm Gunther Paul SchBff !er Hagen Ludwig Weber Gutrune Doris Doree *299. "On Singing Wagner" (E) BBC interview. L 28 Jun 50 ___, ?' *300. Wagner. Tristan und Isolde: Act I [minus prelude] (G) (Covent Garden O.; Karl Rankl, c.). L 29 Jun 50 UORC 228 Tristan Set Svanholm Isolde Kirsten Flagstad Brangl:lne Constance Shacklock Kurvena I Paul SchBffler Sa i I or' s vo Ice ? ;' ' ~ HMV l I *301. C. P. E. Bach-~rumsgaard. 8usslled, H. 687 [W. 194/46] (Gellert) (G) (Gerald Moore, p.). I L 30 Jun 50 LHMV 1070 *302. C. P. E. 8ach-D~rumsgaard. Die GUte Gottes, H. 687 [W. 194/34] (Gellert) (G) (Gerald Moore, p.). L 30 Jun 50 LHMV 1070 *303. C. P. E. Bach-D~rumsgaard. Passlonslled, H. 722 [W. 202/c/13] (Scriba) (G) (Gerald Moore, p.). L 30 Jun 50 LHMV 1070 I?, *304. C. P. E. 8ach-D?rumsgaard. Preis sel dem Gotta, H. 733/41 [W. 196/41] (Ps. 148, versified Cramer) (G) (G. Moore, p.). L 30 Jun 50 LHMV 1070 *305. J. S. 8ach-0?rumsgaard. Dir, dlr, Jehova, 8. W. V. 452 (G) (Gerald Moore, p. ). L 30 Jun 50 LHMV 1070 *306. J. S. 8ach-0?rumsgaard. Llebster herr Jesu, 8. W. V. 484 (G) (Gerald Moore, p.). L 30 Jun 50 l:.HMV 1070 *307. J. S. Bach-D?rumsgaard. 0 flnstre Nacht, 8. W. V. 492 (G) (Gerald Moore, p.). L 30 Jun 50 LHMV 1070 *308. J. S. Bach-D?rumsgaard. Verglss main nlcht, 8. W. V. 505 (G) (Gerald Moore, p.). L 30 Jun 50 LHMV 1070 *309. 85hm-Dj!lrumsgaard. Geh' ein, meln Leib, In delne Kamner (G) (Gerald Moore, p.>. . L 30 Jun 50 LHMV 1070 *310. Cruger-D?rumsgaard. Auf, auf meln Herz mit Freude (G) (Gerald Moore, p.). L 30 Jun 50 LHMV I 070 -..J -..J *31 I. J. W. Franck-0?rumsgaard. Wle seh' lch dlch, meln Jesu, bluten (G) (Gerald Moore, p.). l 30 Jun 50 LHMV 1070 *312. Frey I lnghausen Gesangbuch-0?rumsgaard. Es 1st vollbracht (G) (Gerald Moore, p.). l 30 Jun 50 LHMV 1070 *313. Schemell I Gesangbuch-D?rumsgaard. lch lass dich nlcht (G) (Gerald Moore, p.). l 30 Jun 50 LHMV 1070 *314. J. S. Bach-D?rumsgaard. Komm, sUsser Tod, B. W. V. 478 CG) (Gerald Moore, p.). 2EA 14856-.!_, 2 l 30 Jun 50 DB 21490 LHMV 1070 *315. lohner-D?rumsgaard. 0 Ewlgkelt! (G) (Gerald Moore, p.). 2EA 1485 7-.!_, 2 l 30 Jun 50 DB 21490 Rococo 5385 *316. Carlsslml-D?rumsgaard. Soccorreteml ch'lo moro (I) (Gerald Moore, p.). OEA 14860-1 l 30 Jun 50 DA 2008 Rococo 5385 *317. J. W. Franck-D?rumsgaard. Auf, auf zu Gottes lob (G) (Gerald Moore, p. ). OEA 14861-1, 2 [IA, ~] l 30 Jun 50 DA 2008 LHMV 1070 *318. J. W. Franck-~rumsgaard. Sel nur stf I I CG) (Gerald Moore, p. ). OEA 14861-1, 2 [IA, 18] l 30 Jun 50 DA 2008 LHMV 1070 Rococo 5385 NON-illMMERC I Al 319. Beethoven. Fidelio, Op. 72 (Sonnenleltner & Treltschkel (G) (Vienna Phi lhannonlc; WI I helm Furtwangler, c.). S 22 Aug 50 BJR I 12 MRF 50 IGI 328 Leonore Kirsten Flagstad Florestan Jul lus Patzak Don Pizarro Paul Schoff ler Rocco Josef Gre Ind I Marzel I lne El lsabeth Schwarzkopf Jaquino Anton Dennota Don Fernando Hans Braun First Prisoner Hermann Ga 11 os Second Prisoner ljubomlr Pantscheff --.J OJ *320. Strauss. Befrelt, Op. 39, No. 4 (Dehmel} CG} (San Francisco Opera O.; Gaetano Merola, c.}. SF 8 Oct 50 Rococo 5380 *321. Strauss. Al lerseelen, Op. 10, No. 8 (GI Im} CG} (San Francisco Opera O.; Gaetano Merola, c.}. SF 8 Oct 50 Rococo 5380 *322. Strauss. CMcl le, Op. 27, No. 2 (Hart} CG} (San Francisco Opera O.; Gaetano Merola, c.}. SF 8 Oct 50 Rococo 5380 *323. Wagner. Die G~tterdamner>ung: Starke Schelte (G} (San Francisco Opera O.; Gaetano Merola, c.}. SF 8 Oct 50 Rococo 5382 324. Beethoven. Ah, Perfldo, Op. 65 (first part: Metastaslo; second part: Anonymous} (1) (Los Angeles Phllharmonlc; Alfred Wal lensteln, c.}. LA 16 Nov 50 StARS 501116 Ml-3 325. Wagner. Die GBtterdlimner>ung: Starke Schelte (G} (Los Angeles Phi I harmonic; Alfred Wal lensteln, c.}. ~ 16 Nov 50 NYPL F-XXVIII StARS 501 I 16 Ml-3 326. Wagner. Tristan und Isolde: Mild und !else CG) (Los Angeles Philharmonic; Alfred Wallenstein, c.). LA 16 Nov 50 StARS 501116 Ml-3 327. Interview with Thomas Cassidy (E}. ~ 16 Nov 50 StARS 501116 SI 328. Wagner. Die Walkure CG} (Metropolitan Opera O.; Fritz Stledry, c.}. NY 3 Feb 51 LC VOA 0-2; ncp 2075-2088 Brilnnh 11 de Kirsten Flagstad Siegmund Gunther Treptow SI eg 11 nde Astrid Varnay Hundlng Ljubomlr Vlchegonov Wotan Ferdinand Frantz Fricka Blanche Thebom Helmwlge Regina Resnik Gerhl Ide The Ima Votf pka Ort I lnde Irene Jessner Rossweisse Luclelle Browning Grlmgerde Martha LI pton Waltraute Jeanne Palmer Slegrune Hertha Glaz -..J \() Schwertlelte Jean Madlera , 329. Beethoven. Fidelio, Op. 72 (Sonnenleltner &T reltschke) (G) (Metropolitan Opera O.; Bruno Walter, c.). NY 10 Mar 51 StARS 510310 Ml-2 LC VOA 0-5; ncp 2106-2115 BWS 804 Leonore Kirsten Flagstad F lorestan Set Svanholm Don Pizarro Pau I SchlH f Ie r Marze 11 i ne Nadine Conner Rocco Dezs8' Ernster Jaqulno Peter Klein Don Fernando Jerome Hines First Prisoner Brian Sul I Ivan Second Prisoner George Cehanovsky *330. Beethoven. Fidelio, Op. 72: Act I excerpts (Sonnenleltner & Treltschke) CG & E) (Covent Garden O.; Karl Rank I, c. ). L 21 May 51 EJS 390 Leonore Kirsten Flagstad Rocco Howel I Glynne Marze! I lne Elisabeth Schwarzkopf Jaqulno Dennis Stevenson HMV *331. Wagner. Siegfr>ied: Hel I dlr, Sonne CG) (Phi lharmonla O.; Georges Seba st I an, c. ) . 2EA I 5694-1 , 2 L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HQM 1138 60082 IC 047-01 149 ML E 60545 Siegfrl ed Set Svanholm Brlinnh 11 de Kirsten Flagstad O:J 0 *332. Wagner. Siegfried: Hel I euch, GBtter! CG) (Phi lharmonia O.; Georges Sebastian, c. ). 2EA 15695-1, 2, 3 L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HQM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm Briinnh 11 de Kirsten Flagstad *333. Wagner. Siegfried: Du selbst bin ich CG) (Phi lhannonia O. ; Georges Sebastian, c. ). 2EA 15696-1, 2 L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HOM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm Brilnnhi Ide Kirsten Flagstad *334. Wagner. Siegfried: Dort seh' lch Grane CG) (Phi lharmonla O.; Georges Sebastian, c. ). 2EA 15697- I , ~ L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HQM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm Brilnnh 11 de Kirsten Flagstad *335. Wagner. Siegfried: Ewig war lch CG) (Phi lharmonla O.; Georges Sebastian, c.). 2EA 15700-1, 2 L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HOM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm Briinnh i I de Kirsten Flagstad co *336. Wagner. Siegfr>ied: Ob jetzt lch deln CG) (Phi lharmonla O.; Georges Sebastian, c.). 2EA 15702-1, .?_ L 12-13 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HOM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm Brunnh 11 de Kirsten Flagstad *337. Wagner. Siegfried: Der Jungfrau nelgten scheu CG) (Phllhanoonla O. ; Georges Sebastian, c.). 2EA 15698-1, 2 [2B] L 14 Jun 51 WHMV 1024 BLP I 035 LHMV 1024 HQM 1138 60082 IC 047-01 149 ML E 60545 Siegfried Set Svanholm BrUnnhl I de Kirsten Flagstad *338. Wagner. Siegfr>ied: Dlch lleb' lch CG) (Phllharmonla O.; Georges Sebastian, c . J. 2EA 15699-1, 2, l L 14 Jun 51 WHMV 1024 BLP 1035 LHMV 1024 HOM 1138 60082 IC 047-01 149 ML E 60545 IC 181-30 669/78 Siegfried Set Svanholm Brunnh I Ide Kirsten Flagstad 339. Wagner. Die ~tte'I'dibrmer>ung: Zu neuen Taten CG> (Phllhanoonia O.; Georges Sebastian, c.l. 2EA 15701-1, 2 L 14 Jun 51 Brunnh 11 de Kirsten Flagstad Siegfried Set Svanholm 340. Wagner. Die m>tterdiirrmerung: Gedenk 1 der beschf ldeten Frau (G) (Phllharmonla O.; Georges Sebastian, c.J. 2EA 15715-1, 2 L 14 Jun 51 BrUnnh 11 de Kirsten Flagstad Siegfried Set Svanholm Cl) N 341. Wagner. Die ~tterdiinme!'Wlg: 0 ware Brunnhl Ide (G) (Phllhannonla O.; Georges Sebastian, c.). 2EA 15716-1, 2 L 14 Jun 51 Bri.innh 11 de Kirsten Flagstad Siegfried Set Svanholm NON-COt-'MERCIAL *342. Wagner. Parsifal: Acts I & II, not complete (G) (Covent Garden O.; Karl Rankl, c.). L 22 Jun 51 EJS 257 (act I I) Parsifal Franz Lechleltner Kundry Kirsten Flagstad Amtortas Sigurd Bjorl lng ~ Gurnemanz Ludwig Weber Tlturel Michael Langdon Kl i ngsor Otakar Kraus HMV I 343. Wagner.? Die ~tterdiimne:rung: Zu neuen Taten CG) (Phllhannonla O.; Hannan Weigert, c.). 2EA 15701-3, 4 L 29 Jun 51 Brunnh I Ide Kirsten Flagstad Siegfried Set Svanholm 344. Wagner. Die ~tterdiimnerung: Gedenk' der beschl ldeten Frau (G) (Phi lhannonla O.; Herman Weigert, c.). 2EA 15715-3, 4 L 29 Jun 51 Brunnhllde Kirsten Flagstad Siegfried Set Svanholm 345. Wagner. Die Cl}tterdiimnerung: Helle Wehr (G) (Phi lhannonla O.; Herman Weigert, c. ). 2EA 15750-1 L 29 Jun 51 BrUnnh 11 de Kirsten Flagstad Siegfried Set Svanholm OJ vl NON-COM'-1ERCI AL 346. Grieg. Ved Rundarne, Op. 33, No. 9 (Vlnje) (N) (Fllhanoonlsk Selskaps O., Oslo; Odde Gruner-Hegge, c.). 0 5 Sep 51 347. Grieg. Den Sillrde, Op. 33, No. 3 (Vlnje) (N) (Fllharmonisk Selskaps 0., Oslo; Odde Gruner-Hegge, c.l. 0 5 Sep 51 348. Grieg. Fyremal, Op. 33, No. 12 CVinje) (Nl CFllharmonlsk Selskaps O., Oslo; Odde Gruner-Hegge, c.l. 0 5 Sep 51 349. Wagner. TPiatan und Isolde: Ml Id und ielse CG) (Filharmonlsk Selskaps 0., Oslo; Odde Gruner-Hegge, c.). 0 5 Sep 51 350. Wagner. Die Gi1tterdltmne1'W1g: Starke Schelte CG) (Fllhannonlsk Selskaps 0., Oslo; Odde Gruner-Hegge, c.). 0 5 Sep 51 ll351. Purcell. Dido and JFneaa, Z. 626 (Tate) (El (Mermaid Orchestra; Geralnt Jones, c.). L I Oct 51 EJS 546 EJS 183 (excerpt) DI do Kirsten Flagstad /Eneas Thomas Hemsley Bel Inda Maggie Teyte Sorceress Edith Coates First Witch Arda Mandlklan Second Witch I Isa Steinora Fl rst Lady Eilidh McNab Second Lady Ann Dowda 11 Spl r l t Murray Dickie Sailor Powe 11 Lloyd Concertmaster Reginald Morley Violoncello contlnuo Ambrose Gauntlett ()) .i:,. ?. 'al'\.,:,.,.__l nl HMV 352. Purce I I. Dido and /E'neaa, Z. 626 (Tate) (El (Mermaid Singers and Orchestra; Geralnt Jones, c. ) . L 15, 16 Oct, WHMV 1007 ALP 1026 30 Nov , LHMV 1007 E 90 031 I, 2 Dec 51; EHA 16 SH 117 15, 27, 28 Mar 52 LM 2019 60346 Dido Kirsten Flagstad /Eneas Thomas Hems I ey Bel 1n da Elisabeth Schwarzkopf Fl rst Lady El I ldh McNab Second Lady Elisabeth Schwarzkopf Sorceress Arda Mandlkian First Witch Shel la Rex Second Witch Anna Pollak Attendant Spirit El lsabeth Schwarzkopf Sal lor David Lloyd NON-CO~ERCIAL *353. Flagstad talking to children about her youth (N). NRK 3109/4 0 10 Dec 51 *354. Wi nge. Lllleguts vuggevlse (N) (Kirsten Flagstad, p.). NRK 3109/4 0 10 Dec 51 355. Wagner. Weaendonck Lieder : Der Engel (Wesendonck) (G) (Fl lharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.). 0 16 Dec 51 Acanta BB 23.189 356. Wagner. Weaendonck Lieder: Stehe Stl I I (Wesendonck) (G) (Ff lharmonlsk Selskaps 0., Oslo; 01vfn Fjeldstad, c . ). 0 16 Dec 51 Acanta BB 23.189 357. Wagner. Weaendonck Lieder: Im Trefbhaus (Wesendonck) (G) (Fl lharmonlsk Selskaps 0., Oslo; 0fvln Fjeldstad, c.). 0 16 Dec 51 Acanta BB 23.189 en V1 -- ---- _____. ._,.... -- .... ~,?-ui.\ ? .. li\.l'rl\Jl !fl l W~11i\\if! l -... ,.,,.. "?"- ,. n.u '11. ~ ,,<::. za. "1 'i.~ ~=~-: - ?- ,r-:'!-::::::c= =--= ==-----=='=- 358. Wagner. Wesendonck Lieder: Schmerzen (Wesendonckl CG) (Fllharmonlsk Selskaps 0., Oslo; 01vln FJeldstad, c.l. 0 16 Dec 51 Acanta BB 23. 189 359. Wagner. Wesendonck Lieder: Traume (Wesendonckl (Gl (Fllharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.l. 0 16 Dec 51 Acanta BB 23. 189 360. Wagner. Tristan und Isoide: Mild und lelse (Gl (Fl lharmonlsk Selskaps 0., Oslo; 01vln FJeldstad, c.). 0 16 Dec 51 361. Wagner. Die G~tterdalrmerung: Starke Schelte CG) (Fl lharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.l. 0 16 Dec 51 RCA VICTOR ?352, Schumann. Fraueniiebe und Leben, Op. 42: Seit lch lhn gesehen (Chamlssol (Gl (Edwin McArthur, p.l. E2-RC-0460-I, IA NY 17 Mar 52 W[)',1 1738 ALP 1191 LM 1738 ?353, Schumann. Fraueniiebe und Leben, Op. 42: Er, der Herrllchstevonallen (Chamlssol CG) (Edwin McArthur, p.). E2-RC-0460- I , I A NY I 7 Mar 52 WDM 1738 ALP 1191 LM 1738 ?354, Schumann. Fraueniiebe wui Leben, Op. 42: lch kann 1 s nlcht fassen (Chamlssol (Gl (Edwin McArthur, p.l. E2-RC-0461-I, IA NY 17 Mar 52 WDM 1738 ALP 1191 LM 1738 ?365. Schumann. Fraueniiebe wui Leben, Op. 42: Du Ring an melnem Finger (Chamlsso) CG) (Edwin McArthur, p.l. E2-RC-0461-I, IA NY 17 Mar 52 WDM 1738 ALP 1191 LM 1738 ?366. Schumann. Fraueniiebe und Leben, Op. 42: Helft mlr, 1hr Schwestern (Chamissol CG) (Edwin McArthur, p.l. E2-RC-0462-I, IA NY 17 Mar 52 W[)',1 1738 ALP 1191 LM 1738 ?367. Schumann. Fraueniiebe wui Leben, Op. 42: SOsser Freund (Chamlssol CG) (Edwin McArthur, p. l. E2-RC-0462-I, IA NY 17 Mar 52 WDM 1738 ALP 1191 LM 1738 *368. Schumann. Fraueniiebe wui Leben, Op. 42: An meinem Herzen (Chamlssol CG) (Edwin McArthur, p.l. E2-RC-0463-_!_, IA NY 17 Mar 52 W[)',1 1738 ALP 1191 LM 1738 (X) O'I 11 369. Schumann. Frauenliebe und Leben, Op. 42: Nun hast du mir den ersten Schmerz getan (Chamlsso) CG) CE. McArthur, p.). E2-RC-0463-.!_, IA NY 17 Mar 52 WOM 1738 ALP I 191 LM 1738 11 370. Schubert. Ganymed, D. 544 (Goethe) (G) (Edwin McArthur, p.). E2-RC-0464-1, IA NY 17 Mar 52 WOM 1738 ALP 1191 LM 1738 *371. Schubert. An die Muslk, O. 547 (Schobert) CG) (Edwin McArthur, p.). E2-RC-0465-I, IA NY 17 Mar 52 WOM 1738 ALP 1191 LM 1738 ,' 11 372. Schubert. Die Winterreiae, D. 911: Die Post (MUiier) (G) (Edwin McArthur, p.). E2-RC-0466-I, IA NY 17 Mar 52 LM 1870 ALP 1309 11 373. Schubert. Die Winterreiae, D. 911: Der Wegweiser (Muller) CG) (Edwin McArthur, p.l. E2-RC-0467-I, IA NY 17 Mar 52 LM 1870 ALP 1309 11 374. Schubert. Ole Liebe hat gelogen, 0. 751 (Platen) (G) (Edwin McArthur, p.). E2-RC-0476-I, IA NY 17 Mar 52 LM 1870 ALP 1309 11 375. Schubert. Die junge Nonna, O. 828 (Cralgher) CG) (Edwin McArthur, p.). E2-RC-0477-I, IA NY 17 Mar 52 LM 1870 ALP 1309 11 376. Charles. When I Have Sung My Songs (Charles) (E) (Edwin McArthur, p.). E2-RC-0468- I, I A NY 18 Mar 52 WD\1 1738 ALP 1191 LM 1738 11 377. Speaks. Morning (Stanton) (E) (Edwin McArthur, p. ) ?. E2-RC-0469- I , IA NY 18 Mar 52 WOM I 738 ALP 1191 LM 1738 378. Kramer. Now Like a Lantern, Op. 44, No. 5 (Raphael) CE) (Edwin McArthur, p. l. E2-RC-04 70-.!._, I A NY 18 Mar 52 LM 2825 379. Carpenter. Gitanjali: When I Bring to You Colored Toys (Tagore) (E) (Edwin McArthur, p.). E2-RC-047I-.!_, IA NY 18 Mar 52 LM 2825 380. Carpenter. Gitanjali: The Sleep That Flits on Baby's Eyes (Tagore) (E) (Edwin McArthur, p.). E2-RC-0472-J_, IA NY 18 Mar 52 LM 2825 {)) --..J *381. Rogers. At Parting (Peterson) CE) (Edwin McArthur, p.) E2-RC-0473-I, IA NY 18 Mar 52 WDM 1738 ALP 1191 LM 1738 *382. McArthur. We Have Turned Again Home (Towne) (E) (Edwin McArthur, p.). E2-RC-0474-I, IA NY 18 Mar 52 WDM 1738 ALP 1191 LM 1738 *383. Tyson. Sea Moods (Benham) (E) (Edwin McArthur, p.). E2-RC-0475-I, IA NY 18 Mar 52 LM 1870 ALP 1309 NON-CQt.t.1ERCIAL 384. Wagner. Die G~tterdlirrme1'U.nfl: Starke Scheite CG) (New York Phl-lharmonic; Bruno Walter, c.). NY 23 Mar 52 EJS 167 IGI 328 385. Wagner. Weaendonck Liedel': Der Engel (Wesendonck) CG) (Bruno Walter, p.). NY 23 Mar 52 DIS 3700 IGI 328 BWS 707 386 ? Wagner. Weaendonck Lieder: Stehe Sti I I (Wesendonck) (G) (Bruno Walter, p.). NY 23 Mar 52 DIS 3700 IGI 328 BWS 707 387. Wagner. Weaendonck Lieder: Im Treibhaus (Wesendonck) (G) (Bruno Walter, p.). NY 23 Mar 52 DIS 3700 IGI 328 BWS 707 388. Wagner. Weaendonck Lieder: Schmerzen (Wesendonck) CG) (Bruno Walter, p.). NY 23 Mar 52 DIS 3700 IGI 328 BWS 707 389. Wagner. Weaendonck Lieder: Tr~ume (Wesendonck) (G) (Bruno Walter, p.). NY 23 Mar 52 DIS 3700 IGI 328 BWS 707 OJ OJ 390. Gluck. Alaeste [Paris Version] (Le Blanc du Roul let, trans. Gutman) (El (Metropolitan Opera O.; Alberto Erede, c.). NY 29 Mar 52 Alceste Kirsten Flagstad Admetus Brian Sull Ivan High Priest Francesco Valentino Apo I lo Alols Pernerstorfer Herald Norman Scott Evander Emery Darcy Woman Ann Bel I Inger Leaders of the People Luc I ne Arna ra Margaret Roggero Thomas Hayward Ljubomlr Vichegonov RCA VICTOR *391. Brahms. Magelone: Slnd es Schmerzen, sind es Freuden, Op. 33, No. 3 (Tieck) (G) (Edwin McArthur, p.l. E2-RC-0762- I, IA NY 10 Apr 52 LM 1870 ALP 1309 *392. Brahms. Magelone: Muss es elne Trennung geben, Op. 33, No. 12 (Tieck) (G) (Edwin McArthur, p.). E2-RC-0763-I, IA NY 10 Apr 52 LM 2825 *393. Brahms. Mage lone: Wle froh und frisch, Op. 33, No. 14 (Tieck) (G) (Edwin McArthur, p.). E2-RC-0764-I, IA NY 10 Apr 52 LM 2825 *394. Brahms. Von ewiger Liebe, Op. 43, No. I (Wenzlgl (G) (Edwin McArthur, p.). E2-RC-0765- I, I A NY IO Apr 52 WDM 1738 ALP 1191 LM 1738 *395. Brahms. 0 wUsst' ich doch den Weg zuruck, Op. 63, No. 8 (Groth) (Gl (Edwin McArthur, p.l. E2-RC-0766-I, IA NY 10 Apr 52 WDM 1738 ALP 1191 LM 1738 *396. Brahms. Llebestreu, Op. 3, No. I CE) (Edwin McArthur, p.). E2-RC-0774-I, IA NY 10 Apr 52 LM 1870 ALP 1309 *407. McArthur. Night (Towne) CE) (Edwin McArthur, p.). E2-RC-0775-I, IA NY 10 Apr 52 LM 1870 ALP 1309 HMV 408. Schubert. Die Al lmacht, D. 852 (Pyrker) CG) (Gerald Moore, p.). 2EA 16513-2A L 28 Apr 52 DB 21596 *409. Schubert. Der Tod und das MMdchen, D. 531 (Claudius) CG) (Gerald Moore, p.). OEA I6 514-4A L 28 Apr 52 '0? .. .m l \- .,;\~.~='u:. .~ :.:.:::.--:-:.:.'" Ir,_ I ;.,-.tiUSS. ?:. 410. Schubert. Du blst die Ruh', D. 776 istan und Isolde (G) (Phi lharmonla O.; WI I helm Furtw?ngler, c.). L 10-22 Jun 52 complete: LM 6700 ALP 1030-1035 35706-35710 (E 3588) HQM/HQS 1001-1005 Tristan Ludwig Suthaus WALP 1030-1035 Isolde Kirsten Flagstad E 90032-90037 BrangMne Blanche Thebom E 9 I 170-91174 Kl ng Mark Josef Gre Ind I WALP 574-578 Kurvenal Dietrich Fischer-Dleskau SME 91 I 70-91 I 7 4 Sal lor's voice Rudo If Schock VALP 521-526 Shepherd Rudo If Schock FALP 221-226 Melot Edgar Evans FALP 30331-30335 Steersman Rhoderick Davies XLP 5038-5042 AB 9148-9152 AA 9301-9305 AB 9435-9439 excerpts: LM 1829 E/SME 80712-80713 60145 WCLP 746-747 LHMV I 072 ave 2015c LM 1909 HQM 1235 80990 WCLP 967 7EB 6018 7EBW 6018 E 40202 IC 147-01 491 M XLP 5012 AB 9408-941 I AB 8032 'N? *417. Wagner. Die G. 2EA I7666-6A, 6B ? ? 426. D?rumsgaard. Blaa kveld, Op. 16, No. 3 (Vaa) (N) (Gerald Moore, p.). L 13, I 8, 19 Dec 52 35573 ALP 1140 427. 0?rumsgaard. Gudrid stod ved stoveglas, Op. II, No. 2 (Vaage) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 428. 0?rumsgaard. Konn og guld, Op. 16, No. I (Vaa) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 429. Dl/lrumsgaard. Kvelding, Op. I, No. I (Garborg) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 430. 0?rumsgaard. Natt, Op. 4, No. I (Vaage) (N) (Gerald Moore, p. ). L 13, 18, 19 Dec 52 35573 ALP 1140 431. D?rumsgaard. Regn, Op. 6, No. 2 (Obstfelder) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 432. Dl/lrumsgaard. Salme, Op. 5, No. 2 (Obstfelder) (N) (Gerald Moore, p.). L I 3, I 8, 19 Dec 52 35573 ALP 1140 433. 0?rumsgaa rd. Sanger under stjernene, Op. 17: Var lnte radd f6r m6rkret (Blomberg) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 434. Dl/lrumsgaa rd. Sanger under stjernene, Op. 17: Nu ar det natt over Jorden (Blomberg) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 435. 0?rumsgaard. Sanger under stjernene, Op. 17: G&n mfg, bf Inda mBrker (Blomberg) (N) (Gerald Moore, p.). L 13, I 8, 19 Dec 52 35573 ALP 1140 436. Olllrumsgaard. Sanger under stjernene, Op. 17: Var stllla, hjarta (Blomberg) (N) (Gerald Moore, p.>. L 13, 18, 19 Dec 52 35573 ALP 1140 '-D +>- ~ 437. 0?rumsgaard. Baansull, Op. II, No. I (Sveen) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 438. D?rumsgaard. Et Barn, Op. 7, No. I C0verland) (N) (Gerald Moore, p. ). L 13, I8 , 19 Dec 52 35573 ALP 1140 439. D?rumsgaard. Deter fjord 1ml I lorn fredar, Op. 8, No. 3 (Holm) CN) (Gerald Moore, p. ). L 13, 18, 19 Dec 52 35573 ALP 1140 440. D\llrumsgaard. Hjurlng-lokk, Op. 8, No. 5 (Holm) (N) (Gerald M:Jore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 441. D?rumsgaard. En Hustavle, Op. 5, No. I (0verland) (N) (Gerald Moore, p. ). L 13, 18, 19 Dec 52 35573 ALP 1140 442. D\llrumsgaard. Kvltvels I sudrona, Op. 12, No. I (Holm) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 443. D?rumsgaard. SnBlyse, Op. 12, No. 5 (Holm) (N) (Gerald Moore, p. ). L 13, 18, 19 Dec 52 35573 ALP 1140 444. D\llrumsgaard. savnen, Op. 6, No. I C0verland) (N) (Gerald Moore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 445. D\llrumsgaard. Splnnvettlr, Op. 10, No. I (Holm) (N) (Gerald Moore, p. ). L 13, 18, 19 Dec 52 35573 ALP 1140 446. D?rumsgaard. To noreke folkviaer, Op. 2: Al le mann hadde fota (N) (Gerald M:Jore, p.). L 13, 18, 19 Dec 52 35573 ALP 1140 447. D?rumsgaard. To norake folkviaer, Op. 2: Jeg lagde mlg saa sf ldlg (N) iatan wui Isolde: Mild und lelse (G) (Fl lharmonlsk Selskaps 0., Oslo; Odde Gruner-Hegge, c.l. Bg 13 Jun 53 466. Wagner. Die GottePdiimne1'W'lg: Starke Schelte (Gl (Fl lharmonisk Selskaps 0., Oslo; Odde Gruner-Hegge, c.l. Bg 13Jun53 11 467. Purcell. Dido and IEneaa, z. 626: Thy Hand, Belinda; When I Am Laid In Earth (Tatel (El (Mermaid O.; G. Jones, c.l. L 5 Jul 53 LR 120 468. Klei land. Mot Blasn? H!llgdom (Nl (Fl lharmonlsk Selskaps 0., Oslo; Hugo Krarrm, c.). NRK 50652/1 Bg 27 Sep 53 NYPL Barbara Stone StARS 531015 Ml 469. D!llrumsgaard. SangeP undeP atjePnene, Op. 17: Var lnte r!!dd rnr morkret (Blomberg) (Nl (Fllh. Sais. O.; H. Krarrm, c.). NRK 50295/2 Bg 27 Sep 53 StARS 531015 Ml Rococo 5385 470. D!llrumsgaa rd. SangeP undeP atjePnene, Op. 17: Nu ar det natt over Jorden (Blomberg) (Nl (FIi. Sel. O.; H. Krarrm, c.l. NRK 50295/2 Bg 27 Sep 53 StARS 531015 Ml Rococo 5385 '-?..J ., , ...... , ' 471. D?rumsgaard. Sanger under atjernene, Op. 17: Gorn mfg, bl Inda marker . P 2 Oct 53 NYPL F-XXIX '(?)) 483. Wolf. Ober Nacht (Sturm) (G) (Hans WI 11 I Hausleim, p.). P 2 Oct 53 NYPL F-XXIX 484. Wolf. Italienisches Liederbuch: Heb' auf deln blondes Haupt (Heyse) (G) (Hans WI I II Haus Ie lm, p.). p 2 Oct 53 NYPL F-XXIX 485. Wolf. Morgensti11111ung (Rel nick) (G) (Hans WI I II Hausieim, p.). P 2 Oct 53 NYPL F-XXIX 486. Strauss. Mein Herz 1st stumm, Op. 19, No. 6 (Schack) (G) (Hans WI I II Hauslelm, p.). P 2 Oct 53 NYPL F-XXIX 487. Strauss. Sle wlssen's nlcht, Op. 49, No. 5 (Panlzza) (G) (Hans WIIII Hauslelm, p.). P 2 Oct 53 NYPL F-XXIX 488. Strauss. lch trage melne Minne, Op. 32, No. I (Henckell) (G) (Hans WIiii Hausleim, p.l. P 2 Oct 53 NYPL F-XXIX 489. Strauss. Helmllche Aufforderung, Op. 27, No. 3 (Mackay) (G) (Hans WIiii Hauslelm, p.). P 2 Oct 53 NYPL F-XXIX 490. Strauss. Wiegenlled, Op. 41, No. I (Dehmel) (G) (Hans WIIII Hauslelm, p.). P 2 Oct 53 NYPL F-XXIX 491. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (N) (Hans WIiii Hauslefm, p.). P 2 Oct 53 NYPL F-XXIX 492. Grieg. En Dr~m. Op. 48, No. 6 (Bodenstedt) (N) (Hans WII II Hauslelm, p.). P 2 Oct 53 NYPL F-XXIX 493. Wagner. Weaendonak Lieder: Der Engel (Wesendonck) (G) (BBC Symphony; Malcolm Sargent, c.). L 14 Oct 53 494. Wagner. Wesendonck Lieder: Stehe Stl I I (Wesendonck) (G) (BBC Symphony; Malcolm Sargent, c.). L 14 Oct 53 495. Wagner. Wesendonck Lieder: Im Trelbhaus (Wesendonck) (G) (BBC Symphony; Malcolm Sargent, c.). L 14 Oct 53 496. Wagner. Weaendonck Lieder: Schmerzen (Wesendon~k) (G) (BBC Symphony; Malcolm Sargent, c.). L 14 Oct 53 ''?? 497. Wagner. Wesendonak Liede~: Tr8ume (Wesendonck) CG> (BBC Symphony; Malco lm Sargent, c . >. L 14 Oct 53 498. Wagner. TPista:n und Isolde: Ml Id und I else [Liebestod] CG) (BBC Symphony; Malcolm Sargent , c.>. L 14 Oct 53 499. Personen og Personllgheten [Flagstad In a program about her career] (N). NRK 3 113/2 0 3 Dec 53 StARS 531212 SI 500. Grieg. Fyremal, Op. 33, No. 12 (Vlnje) (N) (Fllharmonisk Seiskaps 0., Oslo; Olav Kiel land, c.). NRK 50272/l O 12 Dec 53 NYPL F-IV 501. Grieg. Guten, Op. 33, No. I (Vlnj e) (N) CFllharmonlsk Selskaps 0., Oslo; Olav Kiel land, c.). NRK 50272/ I O 12 Dec 53 NYPL F-1 V 502. Grieg. Eros, Op. 70, No. I (Benzon) (N) (f ll harmonlsk Seiskaps 0., Oslo; Olav Klei land, c.). NRK 50272/1 0 12 Dec 53 NYPL F- IV 503. Grieg. Lys Natt, Op. 70, No. 3 (Benzon) (N) (Ft l harmonisk Selskaps 0., Oslo; Olav Klei land, c.). NRK 50272/1 0 12 Dec 53 NYPL F-IV 504. Grieg. Tak for tit rad, Op. 21, No. 4 (Bjl'rnson) (N) CFllharmonisk Selskaps 0., Oslo; Olav Kiel land, c.). NRK 50272/ I O 12 Dec 53 NYPL F-1 V 505. Grieg, En Drjilm, Op. 48, No. 6 (Bodenstedt) (N) (Fllhannonisk Selskaps 0., Oslo; Olav Klei land, c.). NRK 50272/ I O 12 Dec 53 NYPL F-1 V 506. Wagner. TPista:n und Isolde: Ml Id und !else [llebestod] (G) . NRK 3606 0 29 May 54 NYPL F-XI StARS 560000 M5 552. Grieg. Der gynger en bat pa b9!lge, Op. 69, No. I RC 243 561. Kiel land. Oen fy rste songen (Sivie) (N) (Waldemar Alme, p.). NRK 3607 0 31 May 54 NYPL F-V StARS 550520 Ml UORC 243 0 ?' 562. Gjerstr?m. Nocturne (Anonymous) CN) (Waldemar Alme, p.l. NRK 3607 0 31 May 54 NYPL F-V StARS 550520 Ml IJJRC 243 563. Aarsnes. Her vi I eg kvl le (Setrom) (Nl (Waldemar Alme, p. l. NRK 3607 0 31 May 54 NYPL F-V StARS 550520 Ml UORC 243 564. Backer-Gr~ndahl. Der ~r vackrast nMr sky1M1er (Lagerkvlst) (N) (Waldemar Alme, p.). NRK 3607 0 31 May 54 NYPL F-V StARS 550520 Ml IJJRC 243 565. Backer-Gr?ndah I . Det tredje tottrinn (Nordahl Grieg) (N) (Waldemar Alme, p.). NRK 3607 0 31 May 54 NYPL F-V StARS 550520 Ml UORC 243 566. Hurum. Hymne ti I solen ung: Watfen durch's Land (G) (Norwegian Opera C.; Norwegian Opera O.; Fllharmonlsk Selskaps 0., Oslo; 0ivln Fjeldstad, c.l. AR 21833 [NRK 51066-67] 0 8 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as tor no. 610 above. excerpts: RS 62019 BR 3040 GOM 579-580 vi *617. Wagner. Die GlJttePdiinrnerung: Schutt 1hr mfr Schmach CG) (Norwegian Opera C.; Norwegian Opera O.; Filharmonisk Selskaps 0., Oslo; 0ivln Fjeldstad, c. ). AR 21834 [NRK 51066-67] 0 8 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as for no. 610 above. excerpts: RS 62019 BR 3040 GOM 579-580 *618. Wagner. Die GlJtterdiimnel'Wlg: Frau Sonne sendet Lichte (G) (Norwegian Opera C.; Norwegian Opera O.; Fllharmonlsk Selskaps 0., Oslo; 0ivin Fjeldstad, c.l. AR 21835 [NRK 51068-70] 0 10 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as for no. 610 above. excerpts: RS 62019 BR 3040 GOM 579-580 *619. Wagner. Die GlJttePdlirrmerung: Der uns das WIid verscheuchte (Gl (Norwegian Opera C.; Norwegian Opera O.; Fl lharmonlsk Selskaps 0., Oslo; 01vin Fjeldstad, c.). AR 21836 [NRK 51068-70] 0 10 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as for no. 610 above. excerpts: RS 62019 BR 3040 GOM 579-580 *620. Wagner. Die GlJttePdlirrmePUng: War das seln Horn (G) (Norwegian Opera C.; Norwegian Opera O.; Fiiharmonisk Selskaps 0., Oslo; 0ivin Fjeldstad, c.). AR 21837 [NRK 51068-70] 0 10 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as tor no. 610 above. excerpts: RS 62019 BR 3040 GOM 579-580 *621. Wagner. Die Gi}tterdiimnerung: Starke Scheite (G) (Norwegian Opera C.; Norwegian Opera O.; Fllharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c. ). AR 21838 [NRK 51068-70] 0 10 Jan 56 complete: LL 1469-1474 LXT 5205-5210 5243-5248 Cast as for no. 610 above. excerpts: RS 62019 BR 3040 GQ',1 579-580 .t:,. 622, Schubert. Dem Unendllchen, D. 291 (Klopstockl (Gl (Edwin McArthur, p.l. AR 22199 ? Mar-Apr 56 LL 1546 LXT 5263 5262 623. Schubert. Der Erlk5nlg, D. 328 (Goethe) (Gl (Edwin McArthur, p.l. AR 22200 ? Mar-Apr 56 LL 1546 LXT 5263 5262 624. Schubert. An Grabe Anselmos, D. 504 (Claudius) (Gl (Edwin McArthur, p.). AR 22201 ? Mar-Apr 56 LL 1546 LXT 5263 5262 625, Schubert. Des Mlidchens Klage, D. 191b (Schiller) (G) (Edwin McArthur, p.l. AR 22202 ? Mar-Apr 56 LL 1546 LXT 5263 5262 626. Schubert. Ave Maria, D. 839 (Scott, trans. Storck) (Gl (Edwin McArthur, p.). AR 22203 ? Mar-Apr 56 LL 1546 LXT 5263 5262 627. Schumann. Der Nussbaum, Op. 25, No. 3 (Mosen) (Gl (Edwin McArthur, p.l. AR 22204 ? Mar-Apr 56 LL 1546 LXT 5263 5262 628, Schumann. Soldatenbraut, Op. 64, No. I (M?5rlkel (G) (Edwin McArthur, p.l. AR 22205 ? Mar-Apr 56 LL 1546 LXT 5263 5262 629. Schumann. Maine Rose, Op. 90, No. 2 (Lenau) (Gl (Edwin McArthur, p.). AR 22206 ? Mar-Apr 56 LL 1546 LXT 5263 5262 630. Schumann. Lfebeslled, Op. 51, No. 5 (Goethe) (Gl (Edwin McArthur, p.l. AR 22207 ? Mar-Apr 56 LL 1546 LXT 5263 5262 631. Schumann. Lotosblume, Op. 25, No. 7 (Heine) (Gl (Edwin McArthur, p.l. AR 22208 ? Mar-Apr 56 LL 1546 LXT 5263 5262 V1 632. Schumann. Widmung, Op. 25, No. I (Riickert) CG) (Edwin McArthur, p.). AR 22209 ? Mar-Apr 56 LL 1546 LXT 5263 5262 633. Schumann. Erstes Gr? n, Op. 35, No. 4 (Kerner) CG) (Edwin McArthur, p.). AR 22210 ? Mar-Apr 56 LL 1546 LXT 5263 5262 634. Schumann. Liederkreis: In der Fremde, Op. 39, No. I (Efchendorff) CG) (Edwin McArthur, p.). AR 22211 ? Mar-Apr 56 LL 1546 LXT 5263 5262 635. Schumann. Zurn Schluss, Op. 25, No. 26 CRUckert) CG) (Edwin McArthur, p.). AR 22212 ? Mar-Apr 56 LL 1546 LXT 5263 5262 636. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (N) (Edwin McArthur, p.). CE)AR 22213 ? Mar-Apr 56 LL 1547 LXT 5264 5263 ECS 622 R 23220 CEP 563 637. Grieg. Eros, Op. 70, No. I CBenzon) (N) (Edwin McArthur, p.). CE)AR 22214 ? Mar-Apr 56 LL 1547 LXT 5264 5263 ECS 622 R 23220 BR 3059 638. Grieg. MlllomRosor, Op. 39, No. 4 (Janson) (N) (Edwin McArthur, p.). CE)AR 22215 ? Mar-Apr 56 LL 1547 LXT 5264 5263 ECS 622 R 23220 639. Grieg. Der gynger en bit pi b?1ge, Op. 69, No. I (Benzon) (N) (Edwin McArthur, p.). CE)AR 22216 ? Mar-Apr 56 LL 1547 LXT 5264 5263 ECS 622 R 23220 CEP 563 640- Grieg. Hytten, Op. 18, No. 2 (Andersen) (N) (Edwin McArthur, p.). CE )AR 22217 ? Mar-Apr 56 LL 1547 LXT 5264 5263 ECS 622 R 23220 ?' 641. Grieg. Det f?rste m?de, Op. 21, No. I VAR 858 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 LW 5302 KD II 041/1-2 652. Wagner. Weaendonak LiedeP: Im Trelbhaus (Wesendonck) (G) (Vienna Philharmonic; Hans Knappertsbusch, c.). (Z)VAR 859 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 5778 LW 5302 OS 25778 KD II 041/1-2 LXT 6042 SXL 6042 653. Wagner. Wesendonak LiedeP: Schmerzen (Wesendonck) (G) (Vienna Philharmonic; Hans Knappertsbusch, c.). (Z)VAR 860 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 LW 5302 KD 11 041/1-2 CD 654. Wagner. Wesendonak LiedeP: Traume (Wesendonck) (G) (Vienna Phi I harmonic; Hans Knappertsbusch, c.). (Z)VAR 861 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 5778 LW 5302 OS 25778 KO II 041/1-2 LXT 6042 SXL 6042 655. Wagner. Iohengrin: Elnsam In trUben Tagen (G) (Vienna Phi lhannonic; Hans Knappertsbusch, c.). (Z)VAR 862 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 CEP 573 656. Wagner. Parsifal: \ch sah das Kind (G) (Vienna Phi I harmonic; Hans Knappertsbusch, c.). (Z)VAR 863 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 CEP 573 657. Wagner. Die WalkUre: Der Manner Slppe (G) (Vienna Phi I harmonic; Hans Knappertsbusch, c.). (Z)VAR 864 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 5778 LXT 6042 OS 25778 SXL 6042 *658. Wagner. Die Walkia'e: Du blst der Lenz (G) (Vienna Phi I harmonic; Hans Knappertsbusch, c.). (Z)VAR 865 V Jun 56 LL 1533 LXT 5249 5259 SOD 212 OS 25101 SXL 2148 5778 LXT 6042 OS 25778 SXL 6042 Orpheum 8404 I.O 659. Gluck. Alceste [Vienna Version] (Calzablgl) (I) (Geralnt Jones Singers; Geralnt Jones O.; Geralnt Jones, c.). CZ)AR 22253-(Z)AR 22261 L Jul 56 complete: LL 542-545 LXT 5273-5276 OS 25026-25029 GOS 574-576 SR 33109-33111 SRS 63512 excerpts: 5566 OS 25204 Alceste Kirsten Flagstad Admetus Raoul Jobin Evander Alexander Young lsmene Marlon Lowe High Priest Thomas Hemsley Apo I lo Thomas Hemsley Internal Dlety Thomas Hemsley Eumelus Joan Clark Aspasla Rosemary Clark Herald James Atkins Oracle? James Atkins 660. Brahms. Deln blaues Auge, Op. 59, No. 8 (Groth) (G) (Edwin McArthur, p.). AR 22280 7 Aug 56 LL 1727 LXT 5345 5319 66\. Brahms. Treue Liebe, Op. 7, No. I (Ferrand) (G) (Edwin McArthur, p. ). AR 22281 ? Aug 56 LL 1727 LXT 5345 5319 662. Brahms. Am Sonntag 1-'orgen, Op. 49, No. I (Heyse) (G) (Edwin McArthur, p. ). AR 22282 ?" Aug 56 LL 1727 LXT 5345 5319 663. Brahms. Auf dam Klrchhofe, Op. 105, No. 4 (Llllencron) (G) (Edwin McArthur, p.). AR 22283 ? Aug 56 LL 1727 LXT 5345 5319 664. Brahms. Wle Melodlen zleht es mlr, Op. 105, No. I (Groth) (G) (Edwin McArthur, p.). AR 22284 ? Aug 56 LL 1727 LXT 5345 5319 N 0 665. Brahms. Bel dlr slnd melne Gedanken, Op. 95, No. 2 (Halm) (G) (Edwin McArthur, p.). AR 22285 ? Aug 56 LL 1727 LXT 5345 5319 666. Brahms. Alte Liebe, Op. 72, No. I (Candldus) CG) (Edwin McArthur, p.). AR 22286 ? Aug 56 LL 1727 LXT 5345 5319 667. Brahms, Wlr Wandelten, Op. 96, No. 2 (Daumer) (G) (Edwin McArthur, p.). AR 22287 ? Aug 56 LL 1727 LXT 5345 5319 NON-COMMERCIAL *668. Anonymous. Lover den Herre (Neander) (N) (Slgvart Fotland, organ). NRK 3617 0 Sep 56 *669. Nicolai. Av h~yheten oprunnen er (Nlcolal/Landstad) (N) (Slgvart Fotland, organ). NRK 3617, take I O Sep 56 *670. Weyse. Den slgnede dag som vi nu ser (Grundtvlg) (N) (Slgvart Fotland, organ). NRK 3617 0 Sep 56 *671. Weyse. Gud slgne vart dyre fedreland (Bllx) (N) (Slgvart Fotland, organ). NRK 3617, take I O Sep 56 *672. Weyse. Gud slgne vart dyre fedreland (Blix) (N) (Slgvart Fotland, organ). NRK 3617, take 2 0 Sep 56 *673. Folksong. Del Ilg er jorden (N) (Slgvart Fotland, organ). NRK 3617, take I O Sep 56 *674. Folksong. Del Ilg er jorden (N) (Slgvart Fotland, organ). NRK 3617, take 2 0 Sep 56 *675. Weyse. Alltid fridig nar du gar (Richardt) (N) (Slgvart Fotland, organ). NRK 36 I 6 0 IO Sep 56 *676. Nicolai. Av h~yheten oprunnen er (Nlcolai/Landstad) (N) (Slgvart Fotland, organ). NRK 3616, take 2 0 10 Sep 56 N *677. Folksong. Del Ilg er jorden (N) (Slgvart Fotland, organ). NRK 3616, take 3 0 10 Sep 56 *678. Weyse. Den slgnede dag som vi nu ser (Grundtvig) (N) (Slgvart Fotland, organ). NRK 3616, take 2 0 10 Sep 56 *679. Weyse. Gud slgne vart dyre tedreland (Bllx) (N) (Sigvart Fotland, organ). NRK 3616, take 3 0 10 Sep 56 *680. Folksong. Den store hvite tlokk (Brorson) (N) (Slgvart Fotland, organ). NRK 3616, take I O 10 Sep 56 *681. Hartmann. Fred tll bot tor blttert savn (Grundtvlg) (N) (Slgvart Fotland, organ). NRK 3616, take I O 10 Sep 56 *682. Hartmann. Fred tll bot tor blttert savn (Grundtvlg) (N) (Slgvart Fotland, organ). NRK 3616, take 2 0 10 Sep 56 . *683. Lindeman. Gud skal all ting lage (Stockmann/Brorson) (N) (Slgvart Fotland, organ). NRK 3616 0 10 Sep 56 *684. Folksong. Herre Gud, ditt dyre navn og cBre (Dass) (N) (Slgvart Fotland, organ). NRK 3615 0 11 Sep 56 *685. Lindeman. Dype, stllle, sterke, ml Ide (Oldenberg) (N) (Slgvart Fotland, organ). NRK 3615, take I O I I Sep 56 *686. Li ndeman. Dype, stllle, sterke, ml Ide (Oldenberg) (N) (Slgvart Fotland, organ). NRK 3615, take 2 0 II Sep 56 *687. Neumarck . Hvo ene lader Herren rade (Neumarck/Rostgaard) (N) (Slgvart Fotland, organ). NRK 36 15, take I O II Sep 56 *688. Neumarck. Hvo ene lader Herren rade (Neumarck/Rostgaard) (N) (Slgvart Fotland, organ). NRK 3615, ta ke 2 0 II Sep 56 *689. Fo lksong . lngen vlnner trem ti I den evlge ro (Llnderot/Jensen) (N) (Sigvart Fotland, organ). NRK 36 15 0 11 Sep 56 *690. Li ndema n. I prektlge h lmler og Jorderlks hcBre (Brorson) (N) (Slgvart Fotland, organ). NRK 3615 0 11 Sep 56 N N *691. Folksong. Jeg ser deg, o Guds Lam (Brorson) (N) (Sigvart Fotland, organ). NRK 3615 0 11 Sep 56 *692. Lindeman. Klrken den er et gammelt hus (Grundtvlg) (Nl (Slgvart Fotland. organ). NRK 3615, take I O I I Sep 56 *693. Lindeman. KjcBrl lghet er lysets kl Ide (Grundtvlg) (N) (Slgvart Foti and, organ). NRK 3618 0 11 Sep 56 *694. Purday. Leid mi Ide ljos (Newman/Hognestad) (N) (Slgvart Fotland, organ). NRK 3618, take I O II Sep 56 *695. Purday. Leid ml Ide ljos (Newman/Hognestad) (N) (Sigvart Fotland, organ). NRK 3618, take 2 0 II Sep 56 *696. Folksong. Den store hvite tlokk (Brorson) (N) (Slgvart Fotland, organ). NRK 3618, take 2 0 II Sep 56 *697. Weyse. Gud signe vart dyre fedreland (Bllx) (N) (Slgvart Fotland, organ). NRK 3618, take 4 0 II Sep 56 *698. Weyse. Gud slgne vart dyre fedreland (Bllx) (N) (Slgvart Fotland, organ). NRK 3618, take 5 0 II Sep 56 *699. Folksong. Oellig er jorden (N) (Slgvart Fotland, organ). NRK 3618, take 4 0 II Sep 56 *700. Lie. Nykelln (N) (Fi lhannonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.). NRK 3658 0 14 Sep 56 *701. Lie. Bal lade (N) (Fllharmonlsk Selskaps 0., Oslo; 0ivln Fjeldstad, c.). NRK 3658, take I O 14 Sep 56 *702. Lie. Ballade (N) (Fl lharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.). NRK 3658, take 2 0 14 Sep 56 *703. Li e. Sklnnvengbrev (Nl (Fl lhannonlsk Selskaps O., Oslo; 01vln Fjeldstad, c.l. NRK 3658 0 14 Sep 56 *704. LI ndeman. Sji!rg o kj. NRK 3613 0 18 Sep 56 N 1...,,1 *705. Nicolai. Sions vekter hever r?sten (Nlcolai/Landstad) (Nl (Slgvart Fotland, organ). NRK 3613 0 18 Sep 56 *706. Beethoven. Kjc1Jrl lghet fra Gud (Sch~rrlngl (N) (Slgvart Fotland, organ>. NRK 3613 0 18 Sep 56 *707. Luther. Var Gud han er sa fast en borg (Luther/Landstadl (Nl (Slgvart Fotland, organ). NRK 3613 0 18 Sep 56 *108. Anonyrrous. Alene Gud I hlrrvnerlk (Nl (Slgvart Fotland, or?ganl. NRK 361 3 0 I 8 Sep 56 *709. Grieg. Ou Herre san er stark og stor (Runeberg/Rolfsen) (Nl (Slgvart Fotland, organ). NRK 3613 0 18 Sep 56 *710. Dykes. Heilig, hell lg, hellig (Heber/Jensen) (N) (Slgvart Fotland, organ). NRK 3613 0 18 Sep 56 *111. Huguenot Melody. Jesus, dine dype vunder (Heermann/Arctanderl (Nl (Slgvart Fotland, organ). NRK 3614, take l O 18 Sep 56 *712. Huguenot Melody. Jesus, dlne dype vunder: last verse (Heermann/Arctander) (Nl (Slgvart Fotland, organ). NRK 3614, take 2 0 18 Sep 56 *713. Folksong. Jesus, din s~te forenlng a smake (Hygoml (Nl (Sigvart Fotland, organ). NRK 3614 0 18 Sep 56 *714. Hassler. Veit alle dine vale (Gerhardt/Landstadl (Nl (Slgvart Fotland, organ). NRK 3614 0 I 8 Sep 56 *715. Folksong. Eg lyfter upp ti I Gud min song (Landstad/St~lyenl (Nl (Slgvart Fotland, organ). NRK 3614 0 18 Sep 56 *716. Anonymous. Overmade fullt av nade (Brorsonl (Nl (Sigvart Fotland, organ). NRK 3614 0 18 Sep 56 *717. Zinck. Pa Gud alene (Nl (Slgvart Fotland, organ). NRK 3614, take I 0 18 Sep 56 *718. Zinck. Pa Gud alene (Nl (Sigvart Fotland, organ). NRK 3614, take 2 0 18 Sep 56 N _p,. *719. Lindeman. Hvor sallg er den If lie flokk (Holm> (N) (Slgvart Fotland, organ). NRK 3611, take I O 19 Sep 56 *720. Lindeman. Nar mitt ?le, tret av 1119lle (Brorson) (N) (Sigvart Fotland, organ). NRK 3611, take I O 19 Sep 56 *721. Lindeman. Klrken den er et garrmelt hus (Grundtvlg) (N) (Slgvart Fotland, organ). NRK 3611, take 2 0 19 Sep 56 ?722. Kugelmann. Min sjel, min sjel, lov Herren (Landstad) (N) (Slgvart Fotland, organ). NRK 3611, take I O 19 Sep 56 *723. Vulplus. fagerter landet du ass gav (Hovden) (N) (Sigvart Fotland, organ). NRK 3611, take I O 19 Sep 56 *724. Lindeman. Paskemorgen slukker sorgen (Grundtvlg) (N) (Slgvart fotland, organ). NRK 3611, take I O 19 Sep 56 *725. Thomson. Kj;erllghet fra Gud (Sch6rrlng) (N) (Slgvart Fotland, organ). NRK 3611, take I O 19 Sep 56 ?726. Anonymous. I Jesu navn skall all var gjerning skje (frlderlchsen) (N) (Slgvart Fotland, organ). NRK 3611, take I O 19 Sep 56 *727. Lindeman. Nar mlt ?le, tret av m?ie (Brorson) (N) (Slgvart Fotland, organ). NRK 3612, take 2 0 19 Sep 56 *728. Lindeman. Kirken den er et garrmelt hus (Grundtvlg) (N) (Slgvart Fotland, organ). NRK 3612, take 3 0 19 Sep 56 *729. Kugelmann. Min sjel, min sjel, lov Herren (Landstad) (N) (Slgvart Fotland, organ). NRK 3612, take 2 0 19 Sep 56 ?730. Vulplus. Fagert er landet du ass gav (Hovden) (N) (Slgvart Fotland, organ). NRK 3612, take 2 0 19 Sep 56 ?731. Lindeman. Paskemorgen slukker sorgen (Grundtvlg) (N) (Sigvart Fotland, organ). NRK 3612, take 2 0 19 Sep 56 ?732. Thomson. Kj<11rllghet fra Gud (Schorrlng) (N) (Slgvart Fotland, organ). NRK 3612, take 2 0 19 Sep 56 N \J1 *733. Anonymous. I Jesu navn skall all var gjerning skje (Friderichsenl (Nl (Slgvart Fotland, organ>. NRK 3612, take 2 0 19 Sep 56 *734. Folksong. Eg veit himmerik el borg (St~lyen) (N) (Slgvart Fotland, organ). NRK 3612 0 19 Sep 56 *735. Krieger. Etter n~dig, dette ene (Schr5der/Brorsonl (Nl (Slgvart Fotland, organ). NRK 3612 0 19 Sep 56 *736. Anonymous. I denne verdens sorger senkt (Petri/Wal I ln/Landstad) (Nl (Slgvart Foti and, organ). NRK 3612, take I 0 19 Sep 56 *737. Huguenot Melody. Jesus, dine dype vunder (Heennann/Arctanderl (Nl (Sigvart Fotland, organ). NRK 3612, take 3 0 19 Sep 56 *738. Lindeman. Kirken den er et garrvnelt hus (Grundtvlgl (Nl (Sigvart Fotland, organ). NRK 3620, take 4 0 20 Sep 56 *739. Folksong. Del Ilg er jorden (Nl (Slgvart Fotland, organ). NRK 3620, take 5 0 20 Sep 56 *740. Slnding. Jesus, det eneste (Moel (N) (Slgvart Fotland, organ). NRK 3620, take I 0 20 Sep 56 *741. Folksong. Jesus, nar eg ma fa fylgja med deg (Nffiss) (Nl (Slgvart Fotland, organ). NRK 3620, take I 0 20 Sep 56 *742. Folksong. Mitt hjerte alltld vanker (Brorson) (N) (Slgvart Fotland, organ). NRK 3620, take I 0 20 Sep 56 *743. Folksong. Kvardagskrlsten vi I eg vera (0rheim) (N) (Slgvart Fotland, organ). NRK 3620, take I 0 20 Sep 56 *744. Anonymous. I denne verdens sorger senkt (Petri/Wal I ln/Landstad) (N) (Sigvart Fotland, organ>. NRK 3620, t ake 2 0 20 Sep 56 *745. Folksong. Mitt hjerte alltid vanker (Brorson) (N) (Slgvart Fotland, organ). NRK 3619, take 2 0 20 Sep 56 *746. Sinding . Jesus, det eneste: last verse (Moel (Nl (Sigvart Fotl and, organ). NRK 3619, take 2 0 20 Sep 56 N O'I ,.747. Folksong. Kvardagskristen vi I eg vera: first verse COrheiml (N) (Sigvart Fotland, organ). NRK 3619, take 2 0 20 Sep 56 *748. Lindeman. Hvor sallg er den II lie flokk (Holm) (N) (Sigvart Fotland, organ). NRK 3619, take 2 0 20 Sep 56 *749. CrUger. Nu la oss takke Gud (Rlnkartl (N) (Sigvart Fotland, organ). NRK 3619 0 20 Sep 56 *750. Folksong. Jesus, nar eg ma fa fylgja med deg (N. NRK 52377/3, take 3 0 23 Oct 56 *776, Lindeman (arch. Andersen). Kjillrl lghet er lysets kl Ide (Grundtvlg) (N) (Fl lharmonlsk Sel. 0,, Oslo; !1l. Fjeldstad, c.). NRK 52377/3, take 4 0 23 Oct 56 *111. Folksong (arch. Andersen>. lngen vlnner frem ti I den evlge ro (Llnderot/Jensen) (N) (Fl I. Sel. 0,, Oslo; Fjeldstad, c.). NRK 52377/3, take 3 0 23 Oct 56 *778. Lindeman (arch. Andersen). Klrken den er et gammelt hus (Grundtvlg) (N) (Fl lharmonlsk Sel. 0., Oslo; 0. Fjeldstad, c.). NRK 52377/3, take 3 0 23 Oct 56 *779. Lie. Nykelln (N) (Fllharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c,). NRK 3659 0 30 Oct 56 *780. Lie. Sklnnvengbrev (N) (Fllharmonlsk Selskaps 0., Oslo; 01vln Fjeldstad, c.). NRK 3659 0 30 Oct 56 *781. Anonymous (arch. Andersen). Lover den Herre (Neander) (N) (Fllhannonlsk Selskaps O., Oslo; 01vln Fjeldstad, c.). NRK 3659, take 4 0 30 Oct 56 *782, Lindeman (arch. Andersen). Klrkendener et ga[llllelt hus (Grundtvig) (N) (Fl lh. Sel. 0., Oslo; 01vln Fjeldstad, c.). NRK 3659, take 4 0 30 Oct 56 783, Folksong (arch. Andersen). Jeg ser deg, o Guds Lam (Brorson) (N) (Fl lhannonlsk Sel. O., Oslo; 01vln Fjeldstad, c.). NRK 3659, take 3 0 30 Oct 56 *784, Anonymous (arch. Andersen). Lover den Herre: first verse (Neander) (N) (Fllh. Sel. O., Oslo; 01vln Fjeldstad, c.). NRK 3659, take 5 0 30 Oct 56 DECCA 785. Wolf. Gesang Weylas (1-'arlke) (G) (Edwin McArthur, p.). AR 23055 ? Nov 56 LL 1680 LXT 5329 5292 786. Wolf. Gebet (Morlke) (G) (Edwin McArthur, p.). AR 23056 ? Nov 56 LL 1680 LXT 5329 5292 N '? 787. Wolf. Uber Nacht (Sturm) (G) (Edwin McArthur, p.). AR 23057 ? Nov 56 LL 1680 LXT 5329 5292 788, Wolf. Der Freund (Elchendorff) CG) (Edwin McArthur, p. ). AR 23058 ? Nov 56 LL 1680 LXT 5329 5292 789. Wolf. Itatieniachea Liederbuch: Heb' auf deln blondes Haupt (Heyse) CG) (Edwin McArthur, p.). AR 23059 ? Nov 56 LL 1680 LXT 5329 5292 790. Wolf. Anakreons Grab (Goethe) (G) (Edwin McArthur, p.). AR 23060 ? Nov 56 LL 1680 LXT 5329 5292 791. Wolf. Morgenstlmmung (Relnlck) (G) (Edwin McArthur, p.). AR 23061 ? Nov 56 LL 1680 LXT 5329 5292 792. Wolf. Zur Ruh', zur Ruh' (Kerner) CG) (Edwin McArthur, p.). AR 23062 ? Nov 56 LL 1680 LXT 5329 5292 793, Strauss. Befrelt, Op. 39, No. 4 (Oehmel) CG) (Edwin McArthur, p.). AR 23063 ? Nov 56 LL 1680 LXT 5329 5292 BR 3059 794. Strauss. Mlt delnen blauen Augen, Op. 56, No. 4 (Heine) CG) (Edwin McArthur, p.). AR 23064 ? Nov 56 LL 1680 LXT 5329 5292 BR 3059 795. Strauss. Lob des Lei dens, Op. 15, No. 3 (Schack) CG) (Edwin McArthur, p.). AR 23065 ? Nov 56 LL 1680 LXT 5329 5292 796, Strauss. lch trage melne Minne, Op. 32, No. I (Henckel I) CG) (Edwin McArthur, p.). AR 23066 ? Nov 56 LL 1680 LXT 5329 5292 l..,l 0 797. Strauss. Seltdem dein Aug' In melnes Schaute, Op. 17, No. 2 (Schack) CG) (Edwin McArthur, p.). AR 23067 ? Nov 56 ? LL 1680 LXT 5329 5292 798. Strauss. Geduld, Op. 10, No. 5 CGi 1ml CG) (Edwin McArthur, p. l. AR 23068 ? Nov 56 LL 1680 LXT 5329 5292 799. Brahms. Vier er-nate Gealtnge, Op. 121: Denn es gehet dem Menschen (Eccles. 3:19-22) (G) (Edwin McArthur, p. ). AR 23436 ? Nov 56 LL 1727 LXT 5345 5319 800, Brahms. Vier e:rnste Geaange, Op. 121: lch wandte mlch und sahe (Eccles. 4:1-2) CG) (Edwin McArthur, p.). AR 23437 ? Nov 56 LL 1727 LXT 5345 5319 801, Brahms. Vier ernate Geaange, Op. 121: 0 Tod (Eccl us. 41: 1-2) CG) (Edwin McArthur, p.). AR 23438 ? Nov 56 LL 1727 LXT 5345 5319 802. Brahms. Vier e:rnate Geaange, Op. 121: Wenn lch mit Menschen Cl Cor. 13:1-3, 12-13) CG) (Edwin McArthur, p.). AR 23439 ? Nov 56 LL 1727 LXT 5345 5319 803. Bach. Cantata, B. W. V. 208: Schafe konnen sicher welden (Franck) CE) (London Philharmonic; Adrian Boult, c.). (Z)AR 22822 L Dec 56 LL 1641 LXT 5316 5277 CEP 540 OS 25141 804. Bach. Matthaua Passion, B. W. V. 244: Break In Grief (Henrie\) CE) (London Phllharmonlc; Adrian Boult, c.). (Z)AR 22823 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 805. Bach. Cantata, B. W. V. 147: Jesu, Joy of Man's Desiring (Anonymous) CE) (London Phi lharrronlc; Adrian Boult, c.). (Z)AR 22824 L Dec 56 LL 1641 LXT 5316 5277 CEP 540 OS 25141 Vol , 806. Bach. Notenbuah jw> Anna Magdalene Baah: 81st du bel mir (f) (London Philharmonic; Adrian Bault, c.). (Z)AR 22825 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 807. Handel. Radamisto: Gods Al I Powerful (Haym) CE) (London Phi I harmonic; Adrian Bault, c. ). (Z)AR 22826 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 808. Handel. Semele: 0 Sleep, Why Dost Thou Leave Me? (Haml lton?) CE) (London Phi lhannonlc; Adrian Bault, c. ). (Z)AR 22827 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 809. Handel. Messiah: He Shall Peed His Flock (Jennens) CE) (London Philharmonic; Adrian Bault, c.). (Z)AR 22828 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 810. Handel. Messiah: Know That My Redeemer Liveth (Jennens) CE) (London Phi lhannonlc; Adrian Bault, c.). (l)AR 22829 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 *Bil? Ochs. Praise Ye the Lord (E) (London Phllhannonlc; Adrian Bault, c.). (Z)AR 22830 L Dec 56 LL 1641 LXT 5316 5277 OS 25141 *812. Handel. Art Thou Troubled (London Phi lhannonlc; Adrian Bault, c.). (Z)AR 22831 L Dec 56 813. Grieg. Haugtuasa, Op. 67: Det Syng (Garborg) (N) (Edwin McArthur, p.). (E)AR 22947 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 814. Grieg. Haugtussa, Op. 67: Veslem?>y (Garborg) (N) (Edwin McArthur, p. ). (E)AR 22948 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 vl N 815- Grieg. Haugtussa, Op. 67: Blabcerl i (Garborg) (N) (Edwin McArthur, p.). (E)AR 22949 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 816. Grieg. Haugtussa, Op. 67: M?te (Garborg) (N) (Edwin McArthur, p.). (E)AR 22950 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 817. Grieg. Haugtussa, Op. 67: Elsk (Garborg) (N) (Edwin McArthur, p.). (EJAR 22951 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 818. Grieg. Haugtussa, Op. 67: Kl I llngdans (Garborg) {N) (Edwin McArthur, p.). (E)AR 22952 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 819. Grieg. Haugtussa, Op. 67: Vond Dag (Garborg) (N) (Edwin McArthur, p. ). (E)AR 22953 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 820. Grieg. Haugtussa, Op. 67: Ved Gjclltlebekken (Garborg) (N) (Edwin Mc Arthur, p.). ( E)AR 22954 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 821. Slnding. Leit etter llvet og llv det, Op. 55, No. 5 (Eskeland) (N) (Edwin McArthur, p.). (E)AR 22955 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 822. Sinding. Sy Ivel In, Op. 55, No. I (Vlsl lel (N) (Edwin McArthur, p.). ( E) AR 22956 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 BR 3059 vJ vJ 823. Slnding. Der Skreg en fugl, Op. 18, No. 5 (Krag) (N) (Edwin McArthur, p.). ( El AR 22957 ? Dec 56 LL 1669 LXT 5327 5290 ECS 623 R 23242 824. Sinding. Den jomfru glk I valmu-vang, Op. 50, No. 5 (Ewald) . (Z)AR 23424 L 24-26 Apr 57 LL 1766 LXT 5392 5335 SXL 2049 OS 25038 CEP 517 SEC 5002 833. Anonymous. Jubilate (E) (Choir; London Philharmonic; Adrian Boult, c.). (Z)AR 23425 L 24-26 Apr 57 LL 1766 LXT 5392 5335 SXL 2049 OS 25038 SEC 5002 834. Gruber. SI lent Night (E) (Choir; London Philharmonic; Adrian Boult, c.). (Z)AR 23426 L 24-26 Apr 57 LL 1766 LXT 5392 5335 SXL 2049 OS 25038 CEP 517 SEC 5002 835. Mendelssohn. Jerusalem (E) (Choir; London Philharmonic; Adrian Boult, c.). (Z)AR 23427 L 24-26 Apr 57 LL 1766 LXT 5392 5335 SXL 2049 OS 25038 SEC 5002 v,j U1 836. Mendelssohn. Hear My Prayer CE) (Choir; London Phlfhanoonlc; Adrian Bou It, c.). CZJAR 23428 L 24-26 Apr 57 LL 1766 LXT 5392 5335 SXL 2049 OS 25038 SOD 207 cs 6028 837. Mah I er. Kindel'totenlieder: Nun will die Sonn' (Ruckert) (G) (Vienna Phi I harmonic; Adrian Bou It, c.). VAR 983 V May 57 LL 1758 LXT 5395 5330 SXL 2224 OS 25039 SDD 215 ECS 780 BR 3031 KO 11 041/1-2 842. Mahler. Lieder eines fahrenden Gesell.en: Wenn meln Schatz 1-\ochzelt macht (Mahler) (Vienna Phil.; Adrian Bault, c.). CZ)VAR 984 V May 57 LL 1758 LXT 5395 5330 SXL 2224 OS 25039 SOD 215 ECS 780 SEC 5079 CEP 680 KO II 041/1-2 843. Mahler. Lieder eines fahrenden Gesellen: Ging heut' tbrgen (Mahler) CG) (Vienna Phi !harmonic; Adrian Bault, c.). (Z)VAR 985 V May 57 LL 1758 LXT 5395 5330 SXL 2224 OS 25039 SDO 215 ECS 780 SEC 5079 CEP 680 KD 11 041/1-2 844. Mahler. Lieder eines fahrenden GeseUen: lch hab' eln (Mahler) CG) (Vienna Phi !harmonic; Adrian Bault, c.). (Z)VAR 986 V May 57 LL 1758 LXT 5395 5330 SXL 2224 OS 25039 SDO 215 ECS 780 SEC 5079 CEP 680 KO II 041/ 1-2 845. Mahler. Lieder eines faJutenden Gesellen: Die zwel blauen (Mahler) (G) (Vienna Philharmonic; Adrian Bault, c.). CZ)VAR 987 V May 57 LL 1758 LXT 5395 5330 SXL 2224 OS 25039 SOD 2 15 ECS 780 SEC 5079 CEP 680 vi -i KD 11 041/1-2 - - ------=---"~-=- =--~- :--=-_--_- -----...-.. *846. Wagner. Die Walku:re: Act Ill ["Ho-yo-to-ho"] CG) (Vienna Philharmonic; George Solti, c.). (Z)VAR 1000 V May 57 complete: LL 1753-1754 LXT 5389-5390 OS 25006-25007 SXL 2031-2032 GOS 577-578 excerpts: 5535 LXT 5586 OS 25126 LXT 6042 5778 SXL 2230 OS 25778 SXL 6042 SEC 5020 CEP 598 Brunnhllde Kirsten Flagstad Slegllnde Marianne Schech Wotan Otto Edelmann Gerhllde Oda Balborg Ortllnde I Iona Steingruber Waltraute Grace Hoffmann Schwertlelte Margaret Bence Helmwige Claire Watson Slegrune Anny Oelorle Grlmgerde Frieda Roesler Rosswelsse Hetty PI umac her *847. Wagner. Die Walkure: Act 111 ["Hier bin lch, Vater"] (G) (Vienna Phi I harmonic; George Sol ti, C ?) ? (Z)VAR 1001 V May 57 complete: LL 1753-1754 LXT 5389-5390 OS 25006-25007 SXL 2031-2032 GOS 577-578 Cast as for no. 846 above. excerpts: 5535 LXT 5586 OS 25126 LXT 6042 5778 SXL 2230 OS 25778 SXL 6042 SEC 5020 CEP 598 I.;. co *848. Wagner. Die Walkfh>e: Act I I I ["Delnen lefchten Sinn"] (G) (Vienna Phi I harmonic; George Sol ti, c.). (ZJVAR 1002 V May 57 complete: LL 1753-1754 LXT 5389-5390 OS 25006-25007 SXL 2031-2032 GOS 577-578 Cast as for no. 846 above. excerpts: 5535 LXT 5586 OS 25126 LXT 6042 5778 SXL 2230 OS 25778 SXL 6042 SEC 5020 CEP 598 *849, Wagner. Die Walkure: Act II, scene Iv ["Siegmund! Sleh 1 auf mlch!"] CG) (Vienna Phi !harmonic; George Soitl, c.). CZ)VAR 1003 V May 57 LL 1753-1754 LXT 5389-5390 OS 25006-25007 SXL 2031-2032 GOS 577-578 Briinnhllde Kirsten Flagstad Siegmund Set Svanholm NON-CO~ERCIAL *850. Grieg. Varen, Op. 33, No. 2 (Vlnjel (N) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *851. Grieg. Guten, Op. 33, No. I (VlnJe) CN) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS 11 852. Grieg. Ved Rundarne, Op. 33, No. 9 (Vlnje) (N) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *853. Grieg. Fyremal, Op. 33, No. 12 (Vlnje) (N} (BBC Symphony; Malcolm Sargent, c.l. L 7 Sep 57 UORC 264 BBC CN 1206/SS *854. Grieg. Fra Monte Pinelo, Op. 39, No. I (Bj~rnson) (N} (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *855. Grieg. Det f~rste rr?de, Op. 21, No. I (Bj~rnson) (N) (BBC Symphony; Malcclm Sargent, c.l. L 7 Sep 57 UORC 264 BBC CN 1206/SS - vJ \() -- - _ _:_---=-_!!_~ ~--=: --- . ""'-"--\? .. *856. Grieg. ft Hab, Op. 26, No. I (Paulsen) CN) CBBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *857. Grieg. En Svane, Op. 25, No. 2 (Paulsen) (N) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *858. Grieg. Eros, Op. 70, No. I (Benzon) (N) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS *859. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (N) (BBC Symphony; Malcolm Sargent, c.). L 7 Sep 57 UORC 264 BBC CN 1206/SS DECCA 860. Wagner. Die Walkfa>e: Act I ["Wess' Herd dies auch sel"] (G) (Vienna Philharmonic; Hans Knappertsbusch, c.). (Z)VAR 1062 V Oct 57 5405-5406 LXT 5429-5430 OS 25008-25009 SXL 2074-2075 GOS 581-582 Slegl lnde Kirsten Flagstad Siegmund Set Svanholm Hundlng Arnold van Ml 11 861. Wagner. Die Walkfa>e: Act I ["Gast, wer du blst wusst' lch gem"] (G) (Vienna Phil.; Hans Knappertsbusch, c.). (Z)VAR 1063 V Oct 57 5405-5406 LXT 5429-5430 OS 25008-25009 SXL 2074-2075 GOS 581-582 Sieg I lnde Kirsten Flagstad Siegmund Set Svanholm Hundlng Arnold van Ml 11 *862- Wagner. Die Walkilre: Act I ["Der Manner Slppe"] (G) (Vienna Phi I harmonic; Hans Knappertsbusch, c.). (Z)VAR 1064 V Oct 57 5405-5406 LXT 5429-5430 OS 25008-25009 SXL 2074-2075 Orpheum 8404 GOS 581-582 ss 2 Sieg I lnde Kirsten Flagstad Siegmund Set Svanholm .i::,. 0 --:'.:"-;.~:.= ~?!:; ;.~~--=e--L~ ,. 863. Sibelius. Om Kvallen, Op. 17, No. 6 (Forsman) CS) (London Symphony; 0ivln Fjeldstad, c.). CZ)AR 24554 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 SEC 5024 CEP 605 864. Slbellus. Var det en dr&n, Op. 37, No. 4 (Wecksel I) CS) (London Symphony; 0l vln Fjeldstad, c. ). CZ)AR 24555 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 BR 3059 865. Sibelius. Pa verandan vld havet, Op. 38, No. 2 (Rydberg) CS) (London Symphony; 0lvln Fjeldstad, c.). CZ)AR 24556 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 866. Sibelius. Det fBrsta kyssen, Op. 37, No. 1 (Runeberg) CS) (London Symphony; 0lvln Fjeldstad, C ?) ? (Z)AR 24557 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 867. Sibelius. Oemantenpa marssnoen, Op. 36, No. 6 CWecksell) CS) (London Symphony; 01vln Fjeldstad, c.). CZ)AR 24558 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 868. Slbellus. Fllckan kom lfran sin alskllngs mBte, Op. 37, No. 5 (Runeberg) CS) (London Symphony; 01vln Fjeldstad, c.). (Z)AR 24559 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 869. Sibelius. Arloso, Op. 3 (Runeberg) CS) (London Symphony; 0ivln Fjeldstad, c.). (Z)AR 24560 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 BR 3059 +:>, ~--~==~ , 870. Sibelius. Varen flyktar hastigt, Op. 13, No. 4 (Runeberg) (Sl (London Symphony; 0ivin Fjeldstad, c. ) . (Z)AR 24561 L Feb 58 5436 LXT 5444 OS 25005 SXL 2030 SOD 248 SEC 5024 CEP 605 871. Sibelius. Se'n har jag, fragat mera, Op. 17, No. I . (Z)AR 25694" L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 919. Grieg. Jeg giver mit dlgt tJI varen, Op. 21, No. 3 (Bj~rnson) (Nl (London Symphony; 0lvin FJeldstad, c. l. (Z)AR 25695 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 BR 3059 ~ --...I - - -- _;;::,___-_- -----..... .. ,.. 920. Grieg. T/1 'en No. I, Op. 59, No ?. 3 (Paulsen) (N) (London Symphony; 0ivln Fjeldstad, c.). (Z)AR 25696 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 921. Grieg. Ti I 1en No. 2, Op. 59, No. 4 (Paulsen) (N) (London Symphony; 0ivin FJeldstad, c.). (Z)AR 25697 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 922. Eggen. IE.re det evlge forar I llvet (N) (London Symphony; 0ivln Fjeldstad, c.). (Z)AR 25698 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 923. Alnces. De hundrede viol Iner (N) (London Symphony; 01vin Fjeldstad, c.). (Z)AR 25699 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 BR 3059 924. Alnces. Vaarlcengsler (N) (London Symphony; 01vln Fjeldstad, c.). (Z)AR 25700 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 925. Alnces. Nu brlstor I alle de Kl~ster, Op. 26, No. 2 (Stuckenberg) (N) (London Symphony; 01vln FJ eldstad, c.). (Z)AR 25701 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 926. Alnces. Februannorgen ved golfen, Op. 28, No. 3 (Vogt & WI ldenwez) (N) (London Symphony; 01vln Fjeldstad, c.>. (Z)AR 25702 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 927. Lie. Nykelln (N) (London Symphony; 01vln Fjeldstad, c.). (Z)AR 25703 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 +>- co 928. Lie. Sklnnvengbrev (N) (London Symphony; 0ivin Fjeldstad, c.). (Z)AR 25704 L 5-8 Jan 59 5525 LXT 5558 OS 25103 SXL 2145 SOD 209 NON-COf'JMERCIAL 929, Interview with Thorstein Diesen telling about the Norwegian Opera (N). NRK 54363/1 0 18 Jan 59 930. Flagstad's greeting to audience at first performance of Norwegian Opera's production of d1 Albert 1 s Tiefl,and (N). NRK 2123-2128 0 16 Feb 59 931, Interview with Knud de Hegermann-Llndencrone (N? or D?). 0 16 Feb 59 932. Interview with Torsteln Gunnarson. Flagstad reads Gunnarson's translation of Kinde1'totenliede~ text (N). NRK 448/3-48/1 & 52121/4 0 4 Oct 61 *933. Interview with Torsteln Gunnarson, reviewing her lite and career (N). NRK 435/2 0 29 Dec 61 COMPOSITE *934. Wagner. Siegfned: "Hel I dlr, Sonne" to end of opera (G). EJS 238 Siegfried Lauritz Melchior Brunnhl I de Kirsten Flagstad NON-COf'JMERCIAL *935, Strauss. Al lerseelen, Op. 10, No. 8 (GI Im) (G) (with piano [Edwin McArthur?]). ? ? StARS 560218 Ml *936. Grieg. Jeg elsker dig, Op. 5, No. 3 (Andersen) (N) (with piano [Edwin McArthur? ] ). 7 ? StARS 560218 Ml .;:, '? NOTES (Numbers refer to discography numbers) 3-4. IRCC 3040 Is a dub and not pressed from the original matrices. 21-26. The "AL" catalogue numbers were probably Issued only In Norway; the "X" numbers usually Indicate discs pressed for export. It Is therefore likely that "AL" numbers exist for all records made during the January 19, 1929, session, although, owing to the extreme scarcity of Norwegian record catalogues and of the discs themselves, none has been traced. It Is also possible that such numbers exist for the four sides made In 1923 (discography numbers 17-20), but again, no such numbers have been traced. 27-30. Date from Knud Hegermann-Llndencrone. The earl lest Col umbla records made by the electrical process bore "W" as the first element of the matrix code. This Indicated Western Electric cutter heads, which were soon replaced by Columbia's own cutters, marked "C" Instead of "W." Because Western Electric cutters are Indicated and the matrix numbers are extremely low, I suspect the recording date may be four to five years earlier than that Indicated. Ole and Lasse Flagstad were Kirsten's brothers. Both professional musicians, Ole played violoncello and Lasse was a pianist. It has been Impossible to audition these discs and ascertain what parts Flagstad's brothers play, though It Is certain that they appear on them. 31. No copies are known to exist and the excerpt Is not further Identified. It must be this recording to which Peter G. Davis refers In "Piracy on the High C's," Musio and Musicians, vol. 21, no. 9 (May 1973), 39. 36. The following segments, all Issued on EJS 444, are known to exist: rrm. 1229-1459: "Hlnweg! Hinweg! flleh die Entwelhte!" to "Schwester! Gellebte!" mm. 1878-1923: "Kehrte der Vater nun Helm" to "Wehwalt! Wehwalt! Steh mlr zum Streit, sollen dlch Hunden -nlcht halten!" In addition, Flagstad had her portions of the third act, but this was stolen from her home. \.J1 0 38. From the Ford Sunday Evening Hour. Apr// 21, 1935, was Easter, and the date on both EJS 338 and LR 120 Is Incorrect. 39. This recording came to lfght In the Stanford Archive of Recorded Sound Just as the final draft of this discography was being prepared. It has been Impossible to hear the tape, and the listing Is a transcription of the Information suppl led to me by Stanford's archivist, Barbara Eick, letter to the author, November 14, 1980. 40-44. Recorded 1:00-3:50 p.m. EST. 45-46. Recorded 3:50-4:40 p.m. EST. 47. Recorded 4:40-5: 15 p.m. EST. 49-52. Recorded 1:30-3:30 p.m. EST. 53. Recorded 3:30-3:50 p.m. EST. 54. Recorded 3:50-4:20 p.m. EST. 55-58. Recorded 4:20-5:20 p.m. EST. 57. Take one exists with the notation In Norwegian on the label, "We both think this not good." 58. Take one exists. It ls not known which take ls on StARS 610000 Ml. 59, 92-97. A GENERAL NOTE ON HMV's RECORDINGS AT COVENT GARDEN. HMV began to record during actual performances at the Royal Opera House, Covent Garden, London, on May 31, 1926, a performance of MefiatofeLe that served as the dry run for recording Nellie Melba's farewell appearance there on June 8, 1926. Recording continued sporadically till sometime around June 16, 1939, when Covent Garden closed for the duration of the war. Only a handful of discs (and no complete performances) were issued by the various bran- ches of EMI. See Walter Legge, "Piracy on the High C's," About the House, vol. 4, no. 2 (Spring 1973), and A. A. G. Dellcata, "Actual Performance Recordings, Covent Garden, 1926-1928," The Reool'd CoHeotoI', vol. 14, nos. 7-8. As best as can be determined, It was HMV's custom to assign a number to each performance recorded, appending 78 r.p.m. side numbers after a hyphen. The beginnings and ends of sides probably overlapped, as was also usual with 41 cm transcription discs, though It has been Impossible to hear any HMV tests to be sure. These discs were then apparently transferred to other 78 r.p.m. matrices having the usual "2EA" matrix prefixes. Presumably during these transfers the breaks between sides were rearranged to flt the sense of the music better. for example, discography number 93, Die GDtteI'danrner-ung, was assigned number 6543. Side 5 of the performance (6543-5) was then transferred to matrix 2EA 5623-1. The notes for the Individual Flagstad recordings from Covent Garden perfonnances wl II set forth, as accurately as can now be determined, al I the matrix and transfer Information. 59. Recorded by HMV during actual performances at Covent Garden. Performance dates were May 18, 22 (Act II broadcast, BBC National}, June 2 (Act Ill broadcast, BBC Regional), and June I I. HMV also recorded TPiatan at Covent Garden on June 18 and 22, 1937 (discography numbers 96-97). l-f.1V 1 s copies of these performances are, at the moment, not In their archives, but a copy In private hands bears the fol lowing matrix numbers Call take one): 2EA 3357-2EA 3358, 2EA 3296-2EA 3345. Though there is no date or further Identification on these records, Interpolating the numbers with those of other matrices whose recording dates are known strongly suggests they stem from 1936; note also that there appears to be two different performances involved: If 2EA 3345 represents the end of one performance, 2EA 3357 and 2EA 3358, the first two sides listed, are probably from the performance Immediately fol lowing. Cl sus- pect 2EA 3357 and 2EA 3358 are a recording of the prelude from the performance following that from which the rest of the opera was taken.) Vl 63. It Is Impossible to determine which take Is on StARS 610000 M3. 66-67. Take 2 exists. Though It Is Impossible to be certain which take Is on StARS 610000 M4, ft Is probably take 2. 68-70. ft Is lmpossfble to determine which take is on StARS 610000 M4. 80-81. Both takes exist. It is impossible to determine which take Is on StARS 610000 M4. 82. A short excerpt from the Rhine Journey, consisting of mm. 684-878, and, of course, not containing singing by Flagstad, was also recorded during this performance. 83. Only this portion broadcast. 84. EJS 157 lacks the prelude but Is otherwise complete as performed. 86. EJS 557: Act I: rrrn. 1-117: "Hort! Grafen, Edie, Freie von Brabant" to "Jetzt rede, dass der Drangsal Grund lch welss" (without Flagstad) mm. 307-515: "Mein armer Bruder" to bar before "Wer hler Im Gotteskampf" rrrn. 644-827: "Wunder, eln Wunder" to bar before "Nun hart! Euch Volk und Edlen" imt. 903-end of act: starts "Nun hOrt mlch und achtet wohl" Act 11: mm. 424-474: scene 2, "Euch LOften, d I e me In KI agen" to "In LI ebe11 mm. 561-833: "Entwelhte G6tter" to after "durch ihren Hochmuth ward' 1hr Reu"' Act 111: rrrn. 305-766: scene 2, "Das sUsse Lied verhal It" to "Dein Schwart! Dain Schwart!" rrrn. 1222-1584: "In fernem Land" to "noth thust du uns an!" I.X)RC 308: Complete as performed, except the section of Act II, mm. 1087-1399 ("Und welter kundet euch der K8nlg an" to "Ste naht, sle naht, die Engeigleiche") Is replaced from the Metropolitan Opera broadcast of February 19, 1938 (discography number 135). 87-89. from the General Motors Hour. All known copies of "Night" ( 110 Lovely Night," number 89) are Incomplete. 91. from the rootlon picture The Big Broadcast of 1938. 92. HMV matrices 2EA 5237-2EA 5252, all take one. 2EA 5253 may also be from this performance, but It Is impossible to be certain. Flagstad also had the broken test 2EA 4800, marked Die Walkure, but It is not certain If It Is from this performance or what portion of the opera It is. Vl N 93. HMV test number 6543, sides 1-28, transferred as follows: Matl'ix Pa:t't of Opera Transfer from Transfer Date 2EA 5619-1 [I] [?] [?] 2EA 5620-1 [2] [?] [?] 2?A 5621-1 [3] [?] [?] 2EA 5622-1 [4] [?] [?] 2EA 5623-1 5 6543-5 11 Aug 37 2EA 5624-1 6 6543-6 11 Aug 37 2EA 5625-1 7 6543-6 & 7 11 Aug 37 2?A 5626-1 8 6543-7 & 8 I I Aug 37 2EA 5627-1 9 6543-8 & 9 11 Aug 37 2?A 5628-1 10 6543-9 & 10 11 Aug 37 2?A 5629-1 11 6543-10 & II 11 Aug 37 2?A 5630-1, 2 12 6543-11 ?& 12 I I Aug 37 2?A 5631-1 13 6543-12 & 13 12 Aug 37 2EA 5632-1 14 6543-14 & 15 12 Aug 37 2?A 5633-1 15 6543-15 12 Aug 37 2?A 5634-1 16 6543-16 12 Aug 37 2?A 5635-1 17 6543-17 12 Aug 37 2?A 5636-1 18 6543-17 & 18 12 Aug 37 2?A 5637-1 19 6543-18 & 19 12 Aug 37 2?A 5638-1 20 6543-19 & 20 12 Aug 37 2?A 5639-1 21 6543-20 & 21 12 Aug 37 2EA 5640-1 22 6543-21-23 [sic] 13 Aug 37 2EA 5641-1 23 6543-23 [sic] 13 Aug 37 2?A 5642-1 24 6543-23 & 24 13 Aug 37 2EA 5643-1 25 6543-25 13 Aug 37 2?A 5644-1 26 6543-26 13 Aug 37 2?A 5645-1 27 6543-26 & 27 13 Aug 37 2?A 5646-1 28 Finale [?] N. B. The label of 2?A 5619-1 ls marked Der fl,iegende HoLUinder, though It bears a Gung number. See also note 93. The following excerpts are known to exist: Act I: no. 3, mm. 298-end of no. 5: starts "Ole Frist 1st um" no. 4, nm. 50-496: "Welt komm' lch her" to "So glelch die Anker llchten wir." Act II: beginning of no. 5-no. 7, m. 160: ends "Hllf Himmel! Senta!" no. 9, m. 20-end of Act II Act Ill: beginning of no. 12-m. 362: ends "So nehmt! Der Nachbar" no. 14-end of opera Orpheum 8404 and LR 120: Senta's Ballad ["Traft 1hr das Schiff] 96. HMV test 6547. No transfers have been traced, but see also note 59. The complete performance exists In a handful of private collections, but all copies In general circulation have the end of Act I ("Treuloser holde" to the end of the act) replaced with the corresponding section of the June 22, 1937, performance (number 97). In addition, It Is widely thought that Act Ill Issued on ANNA 1050 Is actually from the performance of June 22; to many ears (mine in- cluded), the Kurvenal In this act sounds unmistakably like Paul SchBffler. On the side of those who clalm It to be the third act of June 18, however, It should be noted that the collector who transferred the original 78 r.p.m. tests to tape told me he was given only the second act of the June 22 performance and that the end of the Llebestod In the June 18 performance was cracked. There are heavy clicks In the Llebestod Issued on ANNA 1050. It should also be noted that, among some glaring typographical errors, the label of ANNA 1050 lists SchBffler and Thorborg for the roles of Kurvenal and BrangSne, respectively. EJS 258: Highlights from Act UORC 302: Act I complete Rococo RR 5382: Act I, "Weh! Ach Wehe! dies zu schulden" 97. HMV test 6548. No transfers have been traced, but see also note 59. The complete performance exists, though only Act II (If one may believe record labels, cf. note 96) ls In circulation. 108. Take 2 exists. 110-13. From the Ford Sunday Evening Hour. 114-17. John Pfeiffer, letter to the author, June 17, 1980, says the following takes were used for the VIC 1517 and 26.41399AG Issues: CS 013069-3, CS 013070-2, CS 013071-1, and CS 013072-1. It has been Impossible to determine V1 V1 which takes were used for EJS 432. The takes llsted below, along with the comments on their labels, exist In a pri- vate collectlon: CS 013069-1 ("Inferior") 2 ("Superior" "Starke S"l 3 CS O 13070-1 ( "We I sst du was I ch war [sic]") 2 CS 13071-1 ("Mel n Erbe") CS 013072-1 ("Finale") Recorded 12 m.-1:15 p.m. EST with an orchestra of 105. 118-27. Recorded 2:15-4: 15 p.m. EST with an orchestra of 65. 127. The Victor flies say take IA was Issued, but the copy In the Stanford Archive of Recorded Sound shows take I for this side, a pedantic point since they are both the same performance. 128. Recorded during the San Francisco Opera's annual tour to Los Angeles. Only Act II was broadcast, and though the coll'rnElntators were Hedda Hopper and John McCormack, none of the known copies contains their talk. 129-31. From the Chesterfield Hour. 132. The following bits of Act I are known to exist: ITVll. 1-161: ends at "Wer kam Ins Haus und 11 egt dort am Herd?" nm. 325-774: beginning of scene 2 to "Wie glelcht er dem Weibel Der glelssende Wurm [gl!inzt auch Ihm aus dem Auge.]" This Is the performance In which Marjorie Lawrence began to sing BrUnnhl lde's Battle Cry In French. See Marjorie Lawrence, IntePPUpted Melody (Carbondale and Edwardsvll le, llllnols: Southern I I llnols University Press, 1949), 139-40. The conductor's and prompter's dlspleasure Is audible In the extant recording. 133. The StARS tape bears the date December 25, 1938, though It Is unquestionably the same recording as EJS 432 and LR 120. According to the New Yo'l'k Times, Flagstad broadcast "Silent Night" on Christmas Eve In both 1937 and 1938. Because Flagstad, In a short speech before she begins to sing, mentions Ernestine Schumann-Helnk, who had a long-standing tradition of singing "Si lent Night" on Christmas Eve and ?who had died the year before, the 1937 date seems more probable. V1 O'I 135. This was orlglnally recorded on 30 cm 78 r.p.m. alumlnum discs, using two turntables; thus no music Is missing at the disc changes. But sides I and 3 of the set have become lost (corresponding to mm. 1-61 and mm. 184-266) and these portions were replaced on the UORC 194 Issue with the March 27, 1937, Metropolitan Opera broadcast (see disco- graphy number 86 and notes). None of the missing music affects Flagstad 1s part. 136-39. From the Ford Sunday Evening Hour. 140. Broadcast on Good Friday. Artur Bodanzky suffered a heart seizure during Act I and was obliged to rest whl le Erich Lelnsdort conducted Act 11; apparently Bodanzky was suttlclently recovered to conduct the last act. 142-43. From the Kratt Music Hall. 144. Complete as broadcast: there Is talk over the prelude till m. 26; the announcements begin again at m. 1103 and the music cuts out entirely In m. 1115. 145. Excerpts, without Flagstad, from Acts II and Ill are also known to exist. 146. Performed with Bodanzky's recitatives Instead of the spoken dialogue. The "Goldarle" was not performed. 148. The tollowlng ? excerpts are known to exist (Flagstad does not appear In any excerpts from Act Ill): Act II: mm. 520-707: before scene 3 to mid-march mm. 734-782: "Landgraf Hermann, Hell!" to "du trohe Rut erschalle." mm. 962-1 I 10: "Hell! ThUrlngens Filrsten, Hell!" to "Verglessen troh meln letztes Herzensblut!" mm. 1121-1490: "[wle lch erkenn' der Liebe relnstes] Wesen" to "Elisabeth, was muss lch" mm. 1507-1544: "Hel I lhn rauben?" to "Vernehmt durch mlch was Got-[es wl I le 1st!]" mm. 1584-1646: "[Er]-IOser I itt" to "Du Glaube sel Ihm neu gegeben dass auch" Act Ill: mm. 325-441: "El lsabeth, dtlrtt' lch dlch nlcht gel el ten?" to "vom Herzen, das sel nle verrelth" mm. 463-629: after "Engel dort zu werden" to "Verschloss'nen [Aug's, 1hr Wunder]" mm. 920-end of opera: starts "Eln Engel bat ttlr dlch" 150. The first broadcast, according to the announcements, of this act uncut. According to David Hamilton, "Tl'istan In the Thirties," part II, Musical, Nel,)s1,ette1', vol. 7, no. 2 (Spring 1977), 9n, "a passage of 37 measures Is patched In from the Metropolitan Opera broadcast of December 27, 1939 [sic]." There was no Metropolitan Opera broadcast of Tl'istan on December 27, 1939, but there was one on December 27, 1949, so it Is assumed that this Is the broadcast Haml lton means. He does not say which 37 measures are spurious. 151. One of the Metropolltan 1 s World's Fair broadcasts in 1939. Only this portion was broadcast. \J1 ....... 152-54. From the Ford Sunday Evening Hour. 155-56. Only this portion broadcast. 157-70. With an orchestra of 62. 157-60, DB 5771-DB 5772 were assigned but never Issued; the DB 6016-DB 6017 Issue was made Instead. 157, 163, 166, 168, 170. Take numbers so listed In Victor's fl les, with no mention of any others having been made. 171. EJS 258: Dlch, teure Hal le EJS 145: Apparition of Venus, Act II (without Flagstad) 172. Recorded from a broadcast of a Finnish Relief concert by Melo Tone records; Issued without matrix or record numbers. 173. The performance was uncut. StARS 400217 Ml-3 contains Acts II and II I only. 175. From the NBC Civic Concert tenth anniversary program. 176. UORC 182 Is mis-labeled. The date and cast on the label are for the February 8, 1941, Metropolitan Opera broad- cast, but the performance Issued Is actually that of March 23, 1940. Cf. number 198. 186-96. WCT 1105 contained record numbers 449-0020 through 449-0024. 186-91. Recorded 1:00-3:00 p.m. EST. 192-96. Recorded 2:00-4:05 p.m. EST. 197. The GAW Issue Is taken from home acetates, recorded using one turntable and with the lacunidiae: Ballet Music Beethoven Fidelio, Op. 72: Abscheulicher! Wagner I,oheng!'in: Prelude Tannhauser: Elisabeth's Aria [sia ] Rienzi: Overture 174 1935 2 Feb W~gner. Die wai-kia'e (Metropolitan Opera). Discography numbers 35, 36, ? Kirsten Flagstad Sieg I inde Gertrude Kappe I Brunnhilde Paul Althouse Siegmund Emanuel List Hunding Friedrich Schorr Wotan Marla 0lszewska Fri cka Dorothee Manskl Helmwige Phradie Wei Is Gerhi Ide Pearl Besuner Ortlinde Ina Bourskaya Rossweisse Phi I i ne Fa Ic o Grimgerde Doris Doe Waltraute Elda Vettori Siegrune I rra Peti na Schwertleite Artur Bodanzky Conductor Wagner. Tristan und Isolde (Metropolitan Opera). 9 Mar Discography number 37, 21 Apr Ford Sunday Evening Hour (Easter)~ WABC 9-10 p.m. Detroit Symphony; Frederick Stock, conductor. Discography number 38, Symphony No, 4: Last movement Tchaikovsky Tristan ur,,d Isolde: Mi Id und I ei se Wagner TAagnnnuhsl J:0ei Bizet uSer: Pilgrims' Chorus Wagner Sc~nes de Baiiet: Pas d'action Glazunov stabat Mater: lnflammatus Rossini Messiah: Hal leluia Chorus Handel Christ the Lord Is Risen Today 175 1935 (cont.) 6 Oct General Motors Hour, WEAF 10-1 I p.m. New York Phi I harmonic; Ern8'Rapee, conductor. Don Giovanni, K. V. 527: Overture Mozart Geschichte aus dem Wienerwald Strauss Tristan urui IsoZde: Mi Id und leise Wagner Zlgeunerweisen Sara sate La. Tra:Viata: Prelude to Act I Verdi I GioeZZi deZZa Madonna: Act I I I inter- Wo If-Ferrari mezzo Ave Maria, D. 839 Schubert Jeg elsker dig, Op. 5, No. 3 Grieg At Parting Rogers Bolero Ravel 24 Nov Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; Victor Kolar, conductor. Song of the Vikings Fanning Don Giovanni, K. V. 527: Overture Mozart Die WaZkia'e: Du bist der Lenz Wagner The Erl-King, D. 328 ( in English). Schubert Hungarian Rhapsody No. 2 Liszt PDeaenrs e GMynatc: abre Saint-Saens Solveig's Song, Op. 23, No. I Grieg When I Have Sung My Songs Charles Midsummer Worth Finiandia Si be Ii us Home, Sweet Home Bishop 176 1936 5 Jan RNCBAC MSyamgipch oKnye;y , FWraEnAkF 2B-l3a ckp.,m c. onductor. Lombardo Orchestra J. Edgar Hoover, Lawson Little (golf champion), Joe Louis' Ma~ Gordon (producer), Captain A. W. Stevens (stratospher; fl 1er), Captain Edwin Musick (of the China Clipper), Edgar Anser Mowrer (a writer, from Paris). 18 Jan Wagner. TannhiJ;user (Metropolitan Opera). Discography number 48. TI'istan und IsoZde (Metropolitan Opera). 8 Feb Wagner. Lauritz Melchior Tristan Kirsten Flagstad Isolde Karin Branze I I Brang~ne Ludwig Hofmann King Mark Ju I i us Huehn Kurvenal Arno Id Gabor Melot Hans Clemens Shepherd Hans Clemens Sai !or's voice James Wo I fe Steersman Artur sodanzkY Conductor Mar Beethoven. FideZio, Op. 72 (Metropolitan Opera, performed with 7 Bodanzky's recitatives). Kirsten Flagstad Leonore Rene Mai son Florestan Emanue I Li st Rocco Editha Fleischer Marze 11 i ne Hans Clemens Jaquino Ludwig Hofmann Don Pizarro Julius Huehn Don Fernando Max Altglass First Prisoner Arnold Gabor Second Prisoner Artur BodanzkY Conductor 177 1936 (cont.) Act 11 (Covent Garden Opera via BBC 22 May Wagner. Tristan un.d Isolde: National). Lauritz Melchior Tristan Kirsten Flagstad Isolde Sabine Kalter Brangane Herbert Janssen Kurvenal Emanuel List King Mark Frank Sa le Melot Fritz Reiner Conductor Jun Wagner. Tristan und IsoU/B: Act 111 (Covent Garden Opera via 2 BBC Regional). Lauritz Melchior Tristan Kirsten Flagstad Isolde Sabine Kalter Brangane Herbert Janssen Kurvena I Emanue I Li st King Mark Frank Sa le Melot octave Dua Shepherd -Les I i e Horsman Steersman Fritz Reiner Conductor 20 Sep RRCeAm oMtea gsihc orKtweya, vWe EAbFr o2a-d3c aps.tm o. f Flagstad singing in Stuttgart. 11 Oct Ford Sunday Evening Hour, WABC 9 p.m. Detroit Symphony; Fritz Reiner, conductor. u,hengrin: Prelude to Act I I I Einsam in tr0ben Tagen -Wagner ? Siegfried: Waldweben Tannhauser: Dich, teure Halle Die Meistersinger: Dance of Apprentices Der fliegende Hoizander: Spinning Chorus Senta 's Ba I lad TJie Meistersinger: Act I II finale Ein feste Burg ist unser Gott Luther RCA Magic Key, KGO ii a.m.-12 m. PST; WJS 2-3 p.m. EST. 8 Nov Wagner Die M:tkiJre: Act 111 excerpt (with Friedrich Schorr) Nov Wagner. Die wat/dll'e: Act 11 through Siegmund's death (San 13 Francisco Opera). Discography number 93. 178 1936 (cont.) 27 Dec RCA Magic Key Unconfirmed in the New YoPk Times radio logs. According to her artist card at NBC, she "Introduced her number as wel I as sing- ing it." 179 1937 2 Jan Wagner. Tristan und JsoZde. (Metropolitan Opera). Discography number 84, 28 Jan Interview with Lowe I I Thomas 30 Jan W~gner. Siegfried (Metropolitan Opera). Discography number 85. 31 Jan General Motors Hour, WEAF 10-1 I p.m. Rochester Phi (harmonic; Jose fturbi, conductor. Die Meistersinger: Prelude Wagner Der Freisahutz: Leise, leise Weber La Traviata: Act I Prelude Verdi Sc/hwanda: Po I ka Weinberger Goyesaas: Intermezzo Albeniz Ta:nn'fuiuser: Dich, teure Hal le Wagner When I Have Sung My Songs Char I es EMZ orsnoimngb Speaks rero de tres piaos : excerpts Fa I la 27 Mar Wagner. Lohengrin (Metropolitan Opera). Discography number 86, 28 Mar General Motors Hour (Easter), WEAF 10-1 I p.m. JDoissecpohg raSpchhyu sntuemr bevrsi o8lo7n-8c9e,l lo; New York Philharmonic; Erno~ Rapee, conducto~; Edwin McArthur, piano, ]?uSsZan and LudmiZZa: Overture GI inka Omnipotence [Die Al fmacht, D. 852] Schubert A Dream [En Dr?m, Op. 48, No. 6] Tannhliuser: 0 du mein holder Abendstern Grieg Wagner Die WaZkfa'e: Walkurenritt Wagner Claire de Lune Debussy Ein Sorrmernaahtstrawn: Scherzo weserzdonck Lieder: Traume (McArthur, p.) Mendelssohn Wagner Die Foret le, D. 550 (McArthur, p.) SUlf'D'Tlertvne: Night [O Lovely Night] Schubert Ronald samson et DaZiZa: Bacchanale Saint-Saens ,I jl9 180 1937 (cont.) 25 Apr Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; Eugene ormandy, conductor. Prelude and Fugue in F minor Bach-Cai I I et Tristan und Isolde: Liebestod Wagner Die Meistersinger: excerpts Wagner The Last Spring [Varen, Op. 33, No. 2?] Grieg Jeg elsker dig, Op. 5, No. 3 Grieg The Last Rose of Summer rvbore Ander schBnen, blauen Donau Strauss Hear, Hear, 0 Ye Nations Haydn eethoven. Missa Solemn.is, Op, 123: Kyrie, Gloria, and Credo. 5 May B Discography number 90, Wagner. Die G;JttercJjj]mleru;rt,g: Act I 11 (Covent Garden Opera). 1 Jun BBC National. See also discography number 93. Kirsten Flagstad Brtinnh i Id e Lauritz Melchior Siegfried Kerstin Thorborg Waltraute Ludwig Weber Hagen Herbert Janssen Gunther Maria Nezedal Gutrune Eugen Fuchs Alberich MarY Jarred First Norn Constance Wi I lis Second Norn Mae Craven Third Norn Ste I Ia Andreva Wogl inde Jos~ [sia] Malone We 11 gunde Linda Seymour Flosshi Ide Wi I helm Furtwangler Conductor Act I I I (Covent Garden Opera). 3o Jun Wagner. Tristan und JsoZde: Walter Widdop Tristan Kirsten Flagstad Isolde Karin Branzel I Brangane Ludwig Weber King Mark Pau I Schoff Ie r Kurvenal Booth Hitchen Melot octave oua Shepherd Les I i e Horsman Steersman Thomas Beecham Conductor I 8 I 1937 (cont.) 3 Oct Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; Jos~ tturbi, conductor and pianist. Discography numbers I 10-113. Die 'l,aW)erf!?te, K. V. 622: Overture Mozart Die watkf);t'e: Du bist der Lenz Lohengrin: Prelude to Act I I [sic] Wagner Chitd:l'en's Corner Suite: Serenade for Doi 1 Wagner Go I I I wog ' s Cake- Debussy wa I k Sti I I wie die Nacht Bohm At Parting Rogers Love Went a-Riding Bridge 0 Id Fo I ks at Home Die Meistersinger: Overture Foster Wagner Ein feste Burg ist unser Gott Luther 5 Nov Wagner. r,,hen,Jrin: Act II (San Francisco Opera>, KGD 9-10:15 p.m. PST. Lauritz Melchior Lohengrin Kirsten Flagstad Elsa Kathryn Meis Ie Ortrud Ludwig Hofmann King Henry Ju Ii us Huehn Telramund George CehanovskY Herald Fritz Reiner Conductor 15 Nov Wagner. Tristan und Isolde: Act II (San Francisco Opera In Los Angeles>- commentators: Hedda HOpper, John McCormack (do not appear in any Known copies>. Discography number 128- 8 Dec CAnhde rset eKrofsi eteld I a Hneotuzr , conductor; Deems Tay Io r, commentator. Discography numbers 129-131 (the Llbrar/ of Congress's copy inc I udes the whole program). Le Nozze di Figaro, K. V. 492: Overture Mozart En Dr?m, Op. 48, No. 6 Grieg Spring Came Die Watkilre: Walkurenritt McArthur Tristan und Isotde: Liebestod Wagner Wagner 182 1937 (cont.) 13 Dec Wagner. Tristan und Isolde [Act I I I only?] (Chicago Opera). WMAQ 10:30-11:45 CST. Tristan Lauritz Me Ic h ior Isolde Kirsten Flagstad Brangane Gertrud Wettergren King Mark Emanuel List Kurvenal George Czap I i ck i Melot Schmidt Conductor Henry Weber 18 Dec Wagner. Die WaZkure (Metropolitan Opera, broadcast complete). For two excerpts from Act I and Acts I I & I I I complete, see discography number 132. 24 Dec Gruber. Si lent Night and speech, WEAF & WJZ I 1:57 p.m. Discography number 133 and note. Cf. 24 Dec 38. 183 1938 2 Jan RCA Magic Key Karen Marie Flagstad (from Oslo); Frank Black, conductor. (N. B. McArthur, op. dt., 84, describes the efforts to have Kirsten and Karen Marie Flagstad perform a duet with Karen Marie's part being transmitted from Oslo to New York via shortwave. He also says it did not work the first time owing to a technical breakdown but was rescheduled for the next week, when it worked perfectly. This may account for the discrepancy between NBC's fi !es and the New York Times described for the broadcast of 9 Jan be low.) Pol lock Bolero Wagner Tannhiiuser: Dich, teure Hal le Backer-Gr?ndah I Mot Kveld Brahms Academic Festival Overture Beethoven Die Ehre Gottes, Op. 48, No. 4 Grieg En Dr?m, Op. 48, No. 6 Rogers The Star Coates Tarante 11 e 9 Jan RCA Magic Key Unconfirmed in the New YoPk Times radio logs. According to her artist card at NBC, she "Sang in New York, and her sister Karen in Oslo, Norway sang," and "Spoke, from New York, in two-way con- versation with her sister in Oslo, Norway. Also sang." 29 Jan Wagner. Tristan und IsoZde (Metropolitan Opera). Discography number 134. 19 Feb Wagner. L:Jhengrin (Metropolitan Opera, broadcast complete). See discography number 135 and notes for Act I I. 27 Feb Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; Sir Ernest MacMi I Ian, conductor. Discography numbers 136-39. Ri msky-Korsakov May Night: Overture Weber DeP Freischutz: Lei se, le.i se Tchaikovsky Symphony No. 5: Third Movement Bui l Solitude on the Mountains Grieg Tak for tit rad, Op. 21, No. 4 Ronald SummePtime: Night [O Lovely Night] Smetana Ma Vl.ast: The Mo I dau Mann On Our Way Rejoicing 184 1938 (cont.) 10 Apr RCA Magic Key With Karen Marie Flagstad, Marie Flagstad, and Alexander Woolcott. 15 Apr Wagner. Paz>sifaZ (Metropolitan Opera). Discography number /40. 16 Apr Wagner. T:Pi,sten und Isolde (Metropolitan Opera). Discography number 141. 25 Aug Kraft Music Ha 11 With Bob Burns. Discography numbers /42, 143. It has been impossible to deter- mine further details about the music performed on this program. 6 Nov Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; Jos~ /turbi, conductor. Beethoven Corio/anus Ove rture Wagner Tannhauser: Dich, teure Ha/le O'Hara There Is No Deat h (men's cho. & brass choir) Grieg Fra Monte Pincio, Op. 39, No. I Sinding Sylvelin (Flagstad & women's chorus) OOhm Sti / I wie die Nacht Speaks florning Smetana Ma Vlast: The Moldau De Koven Recessional (Chorus, audience, & orch.) 2/ Nov Wagner. Loherzgri,n: Act/ (incomplete) (Chi cago Opera). Discography number 144. 25 Nov Wagner. Tr>istan und Isolde: Act /II (Chicago Opera). WENR and network 10:45-midnight CST. Tristan Paul Althouse Isolde Kirsten Flagstad Brangane Hertha G/az King Mark Douglas Beattie Kurvenal George Czaplicki Melot Schmidt Conductor Henry Weber 185 1938 (cont.) 10 Dec Wagner. Siegfried (Metropolitan Opera, broadcast complete). Final duet: discography number 145. Excerpts also exist from acts I I & I I I . Siegfried Car I Hartmann Brunnh i I de Kirsten Flagstad Mime Erich Witte Wanderer Friedrich Schorr Alberich Adolf Vogel Fafner Norman Cordon Erda Anna Kaskas Forest Bird Nata I i e Bodanya Conductor Artur Bodanzky 24 Dec Gruber. Si lent Night and speech, WEAF & WJZ I 1:57 p.m. Cf. 24 Dec 37, discography number 133 and note. 31 Dec Beethoven. Fidelio, Op. 72 (Metropolitan Opera, performed with Bodanzky's recitatives). Discography number 146. 186 1939 I Jan RCA Magic Key With Ezio Pinza. 18 Feb Wagner. Tristan u.nd Isolde (Metropolitan Opera, broadcast com- plete). Excerpt from act I: discography number 147. 25 Mar Wagner. Tannhauser (Metropolitan Opera on tour in Boston, broad- cast complete). Excerpts from acts I I & I I I: discography number 148. 8 Apr Wagner. Tristan und Isolde (Metropolitan Opera). Discography number 149 16 Apr Wagner. Tristan und Isolde: Act I I (New York Phi I harmonic). Discography number 150. 12 May Wagner. Die m:,tterdammeru:ng: Prologue (Metropolitan Opera). Discography number 151. 21 May Ford Sunday Evening Hour, WABC 9-10 p.m. Detroit Symphony; John Barbirol Ii, conductor. Discography numbers 152-154. Wagner Lohengrin: Prelude to Act I I I Der fliegende Holland.er: Spinning chorus & Santa's Ballad (w/Heidt) Die Walkure: Ou bist der Lenz Troistan und Isolde: Liebestod Die Meistersinger: Act I I I Prelude, chorale, and finale 14 Oct Wagner. Die Walkure: Act I I excerpt (San Francisco Opera). Discography number 155. 20 Oct Wagner. Tristan und Isolde: Act I excerpt (San Francisco Opera). Discography number 156. 26 Oct Kraft Music Hal I. Unconfirmed. 187 1939 (cont.) 27 Nov Wagner. Tcmnha:user: Act I I I (Chicago Opera). WMAQ 10:25 p.m. CST. Excerpt from Act I I I Cm. 715 to end): EJS 169. N. B. This excerpt begins after Elisabeth's role ends and, contrary to what is printed on the label, does not contain singing by Flagstad. Tannhauser Paul Althouse Elisabeth Kirsten Flagstad Venus Elen Langone Landgrave Douglas Beattie Wo I tram George Czap I icki Conductor Edwin McArthur 16 Dec Wagner. Tan:nhauser (Metropolitan Opera). Discography number 171. 27 Dec Finnish Relief Rally, WJZ 9-10:45 p.m. With Karin Branzel I, Lauritz Melchior, Lawrence Tibbett; Stewart Wi I le, Edwin McArthur, and Ignace Strasfogel, pianos; NBC Sym- phony; Eugene Goossens, conductor. Discography number 172; Melchior's portions are also known to exist. Malotte The Lord's Prayer (Tibbett) Si be Ii us En Saga Si be I i us 2 (or 3?) songs (Branzel I) La Forge Hi I I s CT i b bett; Wi I I e ) Handel Theodora: Defend Her, Heaven (Tibbett; Wi I le) Henriques Foraarssang (Melchior; Strasfoge l) Heise Jomfu du mMckke save (Melchior; Strasfogel) Rygaard Flaget (Melchior; Strasfogel) Sinding Mainat (Flagstad; McArthur) Grieg En Dr?m (Flagstad; McArthur) Kjerulf (arr. Black) Suomi's Song (Flagstad, Branzel I, Melchior, Tibbett) Sibelius Finlandia 188 1940 17 Feb Wagner. Die Walkure (Metropolitan Opera). Discography numbers 173, 174. 25 Feb NBC Civic Concert, tenth anniversary program. NBC Blue Network, 3-4 p.m. EST. NBC Symphony; Frank Black and Edwin McArthur, conductors. Host: Milton Cross. Guests: Erica Morini, Elisabeth Rethberg, Ezio Pinza, Emanuel Feuennann, Dusolina Giannini, Lucrezia Bori (talk), Ania Dorfmann. GI i nka Russum and LudmiHa: Overture (Black, c.) Wieniawski Concerto, viol in, no. 2, D minor, Op. 22: Romance (Morini & Black) Gounod Faust: Waltz (Black, conductor) Mozart Le Nozze di Figa:Po, K. V. 492: Crudel, perche finora (Rethberg, Pinza, McArthur) Milton Cross reads message from Linnox Ri I ey Law., pres i.dent of NBC. Dvorak Concerto, B minor, eel lo, Op. 104: Adagio (Feuermann & Black) Verdi Atda: Ritorna Vincitor (Giannini & McArthur) Ta I k by Luc rez i a Bor i Saint-Saens Concerto, piano, no. 2, G minor, Op. 22: second mvt. (Dorfmann & Black) Wagner Tristan und Isolde: Li ebestod (Flagstad & McArthur) 23 Mar Wagner. Tristan. imd Iso7.,de( (Metropol ltan Opera). Discography number 176. 20 Jun Kraft Music Hal I 31 Jul Watergate Concert, WMAL (Washington, D. C.) 9:30-10:00 p.m. EST; WJZ 10:30-11:00 p.m. EST. National Symphony; Edwin McArthur, conductor. The National Symphony does not possess a recording or detai Is about which selections were broadcast. Wagner Ta:n:nhl1user: Overture Lohengrin: Elsas Traum Tannhauser: Dich, teure Hal le Pa:PsifaZ: Karfreitagszauber Tristan. und Isolde: Prelude & Liebestod Die Meistersinger: Prelude Die Walk:u.re: Walkurenritt Die Gotterdarrmerung: Immolation Scene !89 1940 (cont.) 8 Aug Chicago Opera Concert Chicago Opera Orchestra; Edwin McArthur, conductor. 26 Sep Kratt Music Hal I 190 1941 4 Jan Wagner. Tannha.user (Metropolitan Opera). Discography number 197. 8 Wagner. Tristan un.d IsoZde (Metropolitan Opera). Discography number 198. 22 Feb Beethoven. Fideiio, Op. 72 (Metropolitan Opera, with spoken dialogue). Discography number 199. 191 1947 6 Feb Concert with London Symphony; Karl Rankl, conductor (BBC I I I). Discography number 200. Wagner 'I'ristan. wu:1 Isold.e: Narration and Curse Liebestod Die Gotterd?ormePUng: Immolation Scene Feb/Mar Wagner. Tristan und Isolde (La Scala Opera). Discography number 201. 5 Mar Rec i ta I ( BBC I 11). Ernest Lush, piano. Further deta i Is not avai I able. British printers were on strike this week; thus the issue of Radio Times, the BBC pub I ication I isting al I their pro- grams, did not appear. 29 May Wagner. Die Walku.re: Act 1 I 1 (BBC I 1 I). London Phi I harmonic; Karl Rankl, conductor. Brunnh i I de Kirsten Flagstad Sieg I i nde Joan Cross Wotan Nonnan Wa Iker No further cast information avai I able. 5 Jun Wagner. Tristan und Isold.e: Acts I & I I (Swiss Radio from Zurich relayed to BBC I I I). Zurich Tonhal le Orchestra; Hans Knappertsbusch, conductor. Discography numbers 202, 203. Tristan Max Lorenz Isolde Kirsten Flagstad Brangane Elsa Cavelti King Mark Ljubomir Vichegonov Kurvenal Andreas Bohm Melot Alexander Kolazio Shepherd Ro If Sander Steersmann Wi I helm Felden Sa i Io r I s vo i ce ? 8 Jun Wagner. Tristan und Isolde: Act I I I (Swiss Radio from Zurich relayed to BBC I I I). Cast, Orchestra, and conductor as for 5 Jun 47 perfonnance. 192 1948 28 Mar Recital (BBC I I I). Ernest Lush, piano. Grieg Fra Monte Pincio, Op. 39, No. Margaretes Vuggesang Med en Vandli lje, Op. 25, No. 4 Et Hab, Op. 26, No. I Forarsregen Der gynger en bat pa b?1ge, Op. 69, No. I Dr?mme Lys Natt, Op. 70, No. 3 Mens jeg ti I venter, Op. 60, No. 3 Der skreg en fugl Og j eg vi I ha meg en hj ertenskj~r, Op. 60, No. 5 14 Apr Wagner. Tristan und Isolde excerpts (La Scala Opera). Discography number 223. 5 Jul Recital (BBC I I I, rebroadcast 7 Jul 48). Ernest Lush, piano. Discography numbers 246-52. 24 Oct Concert Havana Symphony; Clemens Krauss, conductor. Discography numbers 254-60; complete program exists. Beethoven Coriolan Overture Beethoven Ah, Perfido, Op. 65 Mozart Don Giovanni, K. V. 527: Overture Wagner Der fliegende HoZUin.der: Senta' s Ba I lad Wagner Wesendonck Lieder 193 1949 26 Feb Concert (BBC I I I). BBC Symphony; Adrian Soult, conductor. Ber I ioz Le Cor-sair Overture Wagner Wesendonak LiedeP Brahms Variations on a Theme of Haydn, Op. 56a 2 Jun Wagner. Siegfried: Act I I I (Covent Garden Opera via BBC I). Final duet: discography number 261. Siegfried Set Svanholm Brunnh i I de Kirsten Flagstad Wanderer Kenneth Schon Erda Edith Furmedge Conductor Kar I Rank I 3 Aug Beethoven. Fidelio, Op. 72 (Salzburg Festival). Discography number 276. 9 Oct Standard [Oi I] Hour Set Svanholm; San Francisco Opera Orchestra; Gaetano Merola, con- ductor. Discography numbers 277-79. Wagner DeP fl,iegende Hollander: Overture Spinning Chorus & Senta I s Ba I Ia d Lohengr>i,n: In fernem Land (Svanholm) Tristan wu1 Isoide: 0 sink' hernieder (Flagstad & Svanholm) TannhauseP: Venusberg Mus i?c Die MeiatePsingeP: Preislied (Svanholm) Tristan wu1 Isolde: Li ebestod 194 1950 9 Mar Wagner. Die wai'l<:ure (La Scala Opera). Discography number 280. 22 Mar Wagner. Siegfried (La Scala Opera). Discography number 281. 2 Apr Wagner. Die G3tterdamneru:ng (La Scala Opera). Discography number 282. 22 May Concert (BBC I II). Discography numbers 292-95. Further details unavailable. 21 Jun Wagner. Die waiku.re (Covent Garden Opera via BBC I I I ) . Brtlnnh i I de Kirsten Flagstad Sieg Ii nde Sylvia Fisher Siegmund Set Svanholm Wotan Andreas B~hm Hund Ing Ludwig Weber Fr I cka Constance Shacklock Conductor Kar I Rankl Further cast deta i Is unavai I able. 23 Jun Wagner. Siegfried (Covent Garden Opera via BBC I l I). Siegfried Set Svanholm Brtlnnh i I de Kirsten Flagstad Wanderer Andreas Bohm Mime Peter Klein Alberich Grahame Cl i fford Fafner Norman Wa Iker Erda Jean Watson Forest Bi rd Audrey Bowman Conductor Karl Rank I 195 1950 (cont.) 26 Jun Wagner. Die G~tterdlimmerung (Covent Garden Opera via BBC I I I). Act I I excerpt: discography number 298. Br? nnhi Ide Kirsten Flagstad Siegfried Set Svanholm Hagen Ludwig Weber Gunther Paul Scheffler Gutrune Doris Doree Alberich Grahame Clifford Waltraute Edith Coates Conductor Karl Rank! Further cast detai Is unavai !able. 28 Jun "On Singing Wagner" (BBC 111) .. Discography number 299. 29 Jun Wagner. Tristan und IsoZde (Covent Garden Opera via BBC I I I). Act I less prelude: discography number 300. See also notes to this discography number and cf. I Jul 50. Tristan Set Svanholm Isolde Kirsten Flagstad Brangane Constance Shacklock Kurvenal Paul Scheffler Melot [Edgar Evans?] Conductor Kar I Rank I Further cast detai Is unavai I able. I Jul Wagner. Tristan und IsoZde (Covent Garden Opera via BBC I I I). Cast and conductor as for 29 Jun 50. Cf. 29 Jun 50, discography number 300, and pertinent notes. 22 Aug Beethoven. FideZio, Op. 72 (Salzburg Festival). Discography number 319. 8 Oct Standard [Oi I] Hour. Discography numbers 320-23. 16 Nov Concert Los Angeles Phi I harmonic; Alfred Wallenstein, conductor. Discography numbers 324-27; complete program exists. Beethoven Die Gesahopfe des Prometheus: Overture Beethoven Symphony No. 7, A major, Op. 92 Beethoven Ah, Perfido, Op. 65 Wagner Die Gotterdamnerung: Siegfried's Funera I March Immolation Scene Tristan und IsoZde: Prelude & Liebestod 196 1951 3 Feb Wagner. Die Walkure (Metropolitan Opera). Discography number 328. 10 Mar Beethoven. Fidelio, Op. 72 (Metropolitan Opera, performed with spoken dialogue). Discography number 329. 21 May Beethoven. Fidelio, Op. 72: Act I (Covent Garden Opera). Excerpts: discography number 330. Leonore Kirsten Flagstad Rocco Howe I I GI ynne Marze I I ine Elisabeth Schwarzkopf Jaquino Dennis Stephenson Don Pizarro Tom Wi 11 iams Conductor Kar I Rank I Further cast detai Is unavai I able. 29 May Wagner. Tristan und Isolde (Covent Garden Opera via BBC I I I). Tristan Set Svanholm I so Ide Kirsten Flagstad Brangt:!ne Constance Shacklock King Mark Norman Wa Iker Kurvenal Sigurd Bjc5rl ing Melot Geraint Evans Sai I or's voice Edgar Evans Conductor Clemens Krauss Further cast detai Is unavailable. 31 May Wagner. Die Walkure: Act I I (Covent Garden Opera via BBC I). Sieg Ii nde Kirsten Flagstad Brtinnhi Ide Astrid Va rnay Siegmund Set Svanholm Wotan Sigurd Bjc5rl ing Fricka Edith Coates Hunding Gottlob Frick Conductor Kar I Rank I 197 1951 (cont.) 22 Jun Wagner. Parsifal (Covent Garden Opera via BBC I I I). Acts I & I I (both incomplete): discography number 342. Parsifal Franz Lechleitner Kundry Kirsten Flagstad Amfortas Sigurd Bjorl ing Gurnemanz Ludwig Weber Titurel Mi chae I Langdon KI i ngsor Otakar Kraus Conductor Karl Rankl Further cast detai Is unavailable. 5 Sep Concert. Discography numbers 346-50. Oct Purce I I . Dido and ?neas, Z. 626 (Mermaid Theatre vi a BBC I I I ) . Discography number 351. 10 Dec Flagstad, talking, singing, and accompanying herself on a Nor- wegian Radio children's program. Discography numbers 353, 354. 16 Dec Concert Fi lharmonisk Selskaps Orkester, Oslo; 0ivin Fjeldstad, conductor. Discography numbers 355-61; complete program exists. Brustad Ouverture ti I en festl ig anledning Wagner Wesendon.ck Lieder Ha I vorsen Norsk rapsodi no. 2 Wagner Tr-istan und Isolde: Prelude & Liebestod Die naordia RymnaZ. Mfnneapo/ls: Augsburg Publishfng House, 1932. Gr-ie g, t Edvar-d. Seahs Lieder> fla' eine Singstinme nrit Pianofor>tebegZei- ung, Op. 48. Leipzig: c. F. Peters, n.d. ~ Gediahte von WiZheZm Krog j'Ul" eine Singstumre nrit Pianoforte- egZeitung, Op. 60. Lefpzig: C. F. Peters, n.d. ~ F?'wif Gediahte von Otto Benzon fur' eine Singstimne nrit Piano- ortebegZeitung, Op. 69. Leipzig: C. F. Peters, n.d. ----? PfQzf Gediahte von Otto Benzon fth' eine Singsturme nrit Piano- fortebegZeitung, Op. 70 . Leipzig: C. F. Peters, n.d. ----? Same/de Sange. Copenhagen: Wilhelm Hansen, n.d. p Ur-c:e I I , Henry. Dido and ?:neas, z. 626. New York: Edwin F. Kalmus, n.d. Fu 11 score. Se.. --v.i.. ce n ? ? ? . aook and BymnaZ of the Lutheran Chu.Z'ah ,z,n AmeN,aa, music edftion. w Mrnneapo/ is: Augsburg Pub/ ishing House, 1958. agne,-. . ' Richard Der> fZienende HoZUlnder. New York: Edwin F. Kalmus, n. d. ? .,, ----? Di.e CRJtterdamnePl,01,{J. New York: Edwin F. Kalmus, n.d. ----? Lohengpin. New York: Edwfn F. Kalmus, n.d. ----? PCXPsifaZ. New York: Edwin F. Kalmus, n.d. 208 Das R1ieingoZd. New York: Edwin F. Kalmus, n.d. Siegfried. New York: Edwin F. Kalmus, n.d. Ta:nnhii:u.ser. New York: Edwin F. Kalmus, n.d. Tristan und Isolde. Leipzig: C. F. Peters, n.d. Reprint, New York: Dover Pub I ications, 1973. Fu I I score. Die Walk!Jre. Leipzig: C. F. Peters, n.d. Reprint, New York: Dover Publications, 1978. Fu 11 score. Weber, Carl Maria von. Oberon. Berlin: Robert Lenau, n.d. Reprint, Farnborough, Hants., England: Gregg International Pub I ishers, 1969. Fu 11 score. Books, Articles, Correspondence, Archival and Corporate Files Anderson, L. E. "Hows and Whys of Scandinavian Singing," The NATS Bul- letin, vol. 26, no. I ( 1961). Angus, Robert. "Pirates, Prima Donnas, and Plain White Wrappers," High Fid.elity, vol. 26, no. 12 (December 1976). Barlow, Harold and Sam Morgenstern. A Dictionary of Vocal Themes. New York: Crown Publishers, 1950. Bebb, Richard. Conversation with the author, November 7, 1977. Bel I, A. Craig. Bandel ChPonological T1iematic Catalogue. Darby, Eng- land: The Grian-Aig Press, 1972. Bennett, John R. and Eric Hughes. The International Red Label Catalogue of "DB" & "DA" Bis Master's Voice Recordings, 1924-1956, 2 vols. [Surrey, England]: The Oakwood Press, n.d. Bianco! Ii, Louis. The Flagstad Manuscript. New York: Putnam, 1952. Bloomfield, Arthur. 50 Years of the San FI'Clncisco Opera. San Francisco: San Francisco Book Company, 1972. T1ie San Francisco Opera, 1923-1961. New York: Appleton-Century- Crofts, 1961. 209 Botsford, Ward. Correspondence with the author, 1980. "The Furtw~ngler Ring," The Ameriaan Reaord Guide ? VO I. 39, no. 4 (December 1972). Burghauser, Jarrrti I. Antonin Dvorak: Thematiaky KataZog. Prague? Statne Nakladatelstvf Krasne Literatury, Hudby a Umeni, 1960. . Caamano, Roberto. La Bistoria deZ Teat;ro CoZ6n, 3 vols. Buenos Aires: Editor i a I Ci neta, S. R. I ? , 1969. Capell, Richard and Desmond Shawe-Taylor. "Kirsten Flagstad," The New Grove Diationary of Musia and Musiaians, 6th ed., 20 vo Is. , ed. Stanley Sadie. London: Macmi I Ian, 1980, vol. 6, pp. 624-25. Cel letti, Rodolfo. Le Grandi Vocn. Rome: lstituto per la Col labor- azione Cult~rale, 1964. Clough, F. F. and G. J. Cuming. "Di skography," Gramophone Reaord Review , no. 53 (March 1958). Co I Ii ns, Bi I I. "Mining the Musi ca I Underground," High Fidelit:y, vo I. 2 I, no. 11 (November 1971). Culshaw, John. "The Flagstad Saga," High Fidelity, vol. 9, no. 6 (June 1959) ? ? "Kirsten Flagstad, b. 12 July, 1895-d. 8 [sia] December, 1962," -The Gramophone, vo I , 40, no? 4 77 ? Reprint, The Gr>CJ1'f}ophone Jubi Zee Book. Middlesex, England: General Gramophone Publications, 1973 , --? Ring Resounding. New York: The Viking Press, 1967. Davis Pet G "The Musical Underground: A Brief Look at the Tape 'scenee,r " M? us . aZ Ner.vsZetter, vol. 6, no. I (Winter 1976). i.a the High e's," Musia and Musiaians, vol. 21, no. 9 --? "Pi racy on CM ay 1973) ? Dean wi t "G Fri deri c Han de I,'' The New Gr>ove Diationary of 'Mn .on. d eo~g: ....... a 6th ed., 20 vols., ed. Stanley Sadie Lon- usi.a an !1us1,a1,I.A,,..,, 8 ? . 0 vol, , pp. 83-140. do n: Ma cm1 11 an, 198 ' De I M d Strauss 3 Vo Is. London: Barrie and Rock- ar, Norman. Riahar ' I iff, 1962;..73. Delicata "Actual performance Recordings, Covent Garden 1926- 1928~~ ~eGReaord coZZeator, vol. 14, nos. 7-8. Dennis "K',rsten Flagstad," The ReaordCoUeator, vol. 7, , James F. E. no. 8 (August 1952), 210 Deutsch, Otto Erich. Sahu.bert: Thematia CataZogue of AZZ His Works in ChI>onoZogiaaZ Ozoder. New York: W. W. Norton, n.d. D?rumsgaard, Arne. Correspondence with the author, 1977-78. "Kirsten Flagstad: A Personal Kaleidoscope," notes for Rococo Records 5380. Downes, o I in. 11 Ki rs ten FI agstad Greeted at Debut," New York Times Feb- ruary 3, 1935, sec. 11, p. 4, c. 8. ' Eick, Barbara. Letter to the author, November 14, 1980. Evans, David. "Flagstad," The Gramophone, vol. 46, no. 543 (August 1968), 296. "Kirsten Flagstad," The Gramophone, vol. 46, no. 545 (October. 1968), 483. Fagan, Ted and Wi 11 iam R. Moran. EneyaZopedia of Reaordings, Part I: Victor. Westport, Connecticut: Greenwood Press, In press. Flagstad, Kirsten. "Approaching an Operatic Role," Etude, vol. 59, no. 5 (May 1941). ---? " I , d Rather Keep House Than Sing'" Good Housekeeping, vo I ? I 02' no. 6 (June 1936). Help Yourself," Etu.de, vol. 57, no. 6 (June --? "Learning How t o 1939). --? "On Singing Wagner," 0pera News, vol. 15, no. 15 (January 29, R19e5p1r)in. t of the BBC broadcast of J une 28, 1950, discography number 299. . " gt;ude, vo I. 53, no. 11 (November 1935). ---? "The Wagnerian S' nger, Fla . Gunnarson. Remember Me: utsyn over en gstad, Kirsten and Torste I ~ G 1dendal, 1975. kunstn ergJ?e Pn~?n g ? Os Rlo'k, skriYn gkast1?n g broadcast of December 29, Reprint of the Norsk 1 933, 1961, discography number For ? graPhy. Hamden, Connecticut: Linnet ernan, Lewis. Systematic 0[)1,SC Books, 1974. Gatti ~~A scaZa, 2 vols. Mi Ian: Ricord!, 1964. ? Carlo. TL Teatro a1,i,u. . on BibZiograaphy of Disaographies, vol. 1. Gray, Michael and Gerald Gib5 j977. New York: R. R. Bowker, 211 Hami Ito (Jna, nDuaarvyid i9 72" 8/ e t hoven , s F,,.d .e zw. ?" Musica z N6"S Zettel'? vo I ? 2 ? no. Part 0 ? , I," Musical, NewsZ.etter, v 1 6 - -?n o ''Tri 8 tan in the Thirties: ? 4 (Fal I 1976), , VO. 3, Pa rt I I , " Mu.Bica 7,, Ne?Js 7,,e tter 1 ---?n o. ''Tr(i; t<21: .i n the Thirties: H 2 pr1ng, 1977). anse Correspondence with the author, 1980-81, n, Hans. Nationa Id i sko- t k 1, MeZ.Chior: A Discogra:()h.!f. Copenhagen: 2 ---? e Leatu, :r-1"9t 65. -NatLaurita Melchior: A J;iscography, 2d, revised ed. Copenhagen: H ,onaldiskoteket, 1972- ;/? Hugh. "Kirsten Flagstad," f/ze ~hon?, vo I. 31, no- 366 arvey H ovember 1953). correspondence with th? author, 1976-80, egerman n-Lindencrone, Knud. H i mpse of Kl rsten-" Author's unpub Ii shed typescript, n. d. ---' ?N ? E"Au gGeIn e. A 'fherrrl.tie cataZO!I"" of the Works of c. P. E. Badh. elm Ee w Haven Connecticut: Yale University Press, in press, The Art of sinlJ1,1'1ff? New York: The Dial Press, 1938- Henderson, W. J.' '~ on Y ? "George Fri der I c Hand? I : works , " fhe N6" Grev? Diction- Hi cks Lon of Music and Mi,siciaJ'IS? 6th ed-, 20 vols-, ed- Stanley Sadie. th 36 don: Macmi I I an, 1980, vol - 8, PP? I 14- Residenz Verlag, 1965. Kaut , Josef. FestspieZ.e in saZ.zbu:t'0? -j FestspieZe in sazzb,.,rg, 2d, rev- ed- Salzburg: Residenz Ver- Salz- ag, 1969. -bu Die satzbw:'get' restspieZe: 1Ji7,d8r eine? WeZtthea:W'?? K rg: Res i denz Ver I ag, I 973. 1980 Ke 1 ly, Alan. Correspondence with th? author, ? and John ward- ?'Th? aerl ;ner (Gramophone fhe R?"?rd cottector, vol- 21, nos- ii & 12 el I Y, CAomla n, John Perkins, 0,1a pany) Cata I ogue," ----? "rOch 1974). . b 1898-1921," '!he Reaord C n Gramophone eompanY Matrix Num ers, oZZeotor, vol. 23, nos- 3 & 4 (MaY 1976)- 212 "The Recordings Made by Frederick Wi 11 iam Gaisberg for the Gramophone," The Reaord CoZZeator, vol. 24, nos. 11 & 12 (Decem- ber 1978). Kingston, Claude. It Don't Seem a Day Too Mu.ch. London~ Robert Hale, 1971-72. Kinsky, Georg. Da.s Werk Beethovens. Munchen: G. Henle Verlag, 1955. "Kirsten Flagstad Discographie," Die MusikhandeZ, vol. 14, no. I (Janu- ary 1963). Kovach, John. Conversation with the author, November 14, 1980. Conversation with the author, November 19, 1980. Correspondence with the author, 1980. Kutsch, K. J. and Leo Riemens. A Concise BiographiaaZ Diationa:ry of Singers, trans. Henry Earl Jones. New York: Chi I ton, 1969. unverga:ngtiahe Stirrmen: Sltngertezikon. Bern: Francke Verlag, 1975. Lawrence Marjorie. Interrupted Me"lody. Carbondale and Edwardsville, 11iinois: Illinois University Press, 1949. Legge, Walter. "Piracy on the High C's," About the House, vol. 4, no. 2 (Spring 1973) ? Leinsdorf, Erich, Cadenza. Boston: Hougton Mifflin Company, 1976. Levine, Marks. "In Defense of Kirsten Flagstad," Etude, vol. 68, no. II (November 1950). McArthur, Edwin. Ftagstad.: A PersonaZ Memoir. New York: Alfred A. Knopf, 1964. . "Ki rs ten FI agstad, Ju Iy 12, 189 5-December 7, 1962," Opera News, ---vol. 27, no. 10 (January 12, 1963). Melchior Lauritz. "Kirsten Flagstad, 1895-1962," Opera, vol. 14, no. 2 (F~bruary 1963). . One part of a three-section obituary; the other parts are by Karl Rankl and set Svanholm. Miles, Bernard. 11 Kirsten Flagstad," Opera, vol. I, no. 3 (June 1950). Letter to the author, February I, 1980. Moran, Wi 11 iam R. Correspondence with the author, 1975-81. 213 Mu I I er von As ow, E. H. Richard Strauss Thematisches Verzeichnis 2 vo s. Wien: Verlag L. Doblinger, 1955-62. ' I "The Musical Underground: A Comparison of Pirate Recordings," Musical, Newsletter, vol. 2, no. I (January 1972). Newton, Ivor. At t1ie Piano. Boston: Crescendo Publishing Company, 1966 . O'Connel I, Charles. The Other Side of the Record. New York: Alfred A. Knopf, 1947. Olsen, Henning Smidth. Letter to the author, March 14, 1979 . . Wilhelm Fu.rt;,,,x1,ngler: A Discography. Copenhagen: Nationaldis- ---koteket, 1970. . Wi 7,'}ie Zm Fzattwa:ng7-er: A Discography, 2d ed. San Francisco: ----Panjandrum Press, 1972. Osborne, Conrad L. "Melchior as Tristan," High Fidelity, vol. 26, no. 10 (October 1976). "The Met Tristan: Postscript," High Fidelity, vol. 26, no. 11 (November 1976). "The Tape Underground," High Fidelity, vol. 16, no. 8 (August 1966). ? "Voices from the Festsp i e I haus," Opera News, vo I. 41 , no. 2 ---(August 1976). Park, Wi I liam. Correspondence with the author, 1980. Petts, Leonard. Correspondence with the author, 1980. Pfeiffer, John F. Letter to the author, June 17, 1980. Radio Corporation of America. RCA Records Division. Listings Department. Fl le "Kirsten Flagstad." (Typewritten with annotations in several unidentifiable hands.) Fi le ''Kirsten Flagstad and Lauritz Melchior." (Typewritten with annotations in several unidentifiable hands.) Master file of issued recordings. (Variously typewritten and handwritten.) Rankl, Karl. "Kirsten Flagstad, 1895-1962," Opera, vol. 14, no. 2 (Feb- ruary 1963) . One part of a three-section obituary; the other parts are by Lauritz Melchior and Set Svanholm. 214 Rein, Aslaug. Kirsten Flagstad. Oslo: Mortensen, 1967. Robertson, Alec. "Kirsten Flagstad, b. 12 July, 1895-d. 8 [sia] Decem- ber, 1962," The Gramophone, vo I . 40, no. 4 77. Rep rl nt, The Gramo- phone Jubilee Book. Middlesex, England: General Gramophone Pub- I ications, 1973. Rosenthal, David. "Cracking the Vaults at Columbia and RCA," High Fidelity, vo I . 29, no. 12 (December I 979) . Sa1za.Uaufnahmen d.e!' Reiahs-Rundfunk G.m.b.H. von Ende 1929 bis Anfang 1936, 2 vols. in 3. n.p., n.d. Schmieder, Wolfgang. Thematisah-Systematisah Ver2eiahnis de!' musikalisahen We!'ke von Johann Selxlstian Ba.ah. Leipzig: Breitkopf und Hartel, 1950. Seltsam, Wi I I iam H. Met!'opolitan Opera. Annals. H. W. WI Ison, 1947. Sheean, Vincent. First and La.st Love. New York: Random House, 1956. Smith, Edward J. Letter to the author, 1976. Conversation with the author, New York, February 27, 1979. Smith, Wi II i am C. "Han de I : Cata Ia gue of Works," Grove's Diationary of Musia and Musiaicms, 5th ed., 10 vols., ed. Eric Blom. New York: St. Martin's Press, 1954, vol. 4, pp. 50-60. Steane, John B. The Grand Tradition. New York: Charles Scribner's Sons., 1974. Svanholm, Set. "Kirsten Flagstad, 1895-1962," Opera, vol. 14, no. 2 (February 1963). One part of a three-section obituary; the other parts are by Lauritz Melchior and Karl Rank!. Thompson, Oscar. "Music of Home Composers Fostered in Norway," Musiaal Ame!'iaa, vol. 52, no. 16 (October 25, 1932). Turnbul I, G. J. Letter to the author, November 19, 1975. Letter to the author, September 21, 1976. Varnay, Astrid. "Kirsten Flagstad," Opera., vol. 14, no. 3 (March 1963). Voss, Egon. "Wagners Stricke im T!'istan," Neue Zeitsahr>i,,ft fur Musik, vol. 132, no. 12 (December 1971). Watson, John. Letter to the author, February 4, 1976. 215 Wilkinson, Edward. Correspondence with the author, 1976-80. "Flagstad's Known Broadcasts." Author's typescript. Reproduced as the appendix to this discography. Worth, Paul. Correspondence with the author, 1976-80. Wotquenne, Alfred. Thematisches Verzeichnis der Werke von Cari PhiZipp Emanuel Bach. (Leipzig, 1905), reprint, Wiesbaden: Breitkopf und H~rte I, I 964. Zimmerman, Frankl in 8. Henry Pu.I'ceii 1659-1695: An Ana.Zyticai Cataiogue of His Music. London: Macmi I Ian, 1963. 216 ART I ST I NDEX (Numbers refer to discography numbers) A Bayreuth Festival Chorus, 31 Aabye, Li I I iana, 454 Bayreuth Festival Orchestra, 31 Abravanel, Maurice de, 86, 135 BBC Symphony, 493-98, 850-59 Alme, Waldemar, 508-99, 878-910 Beattie, Douglas, 176 AI ncBs, Eyv ind, 21-22 Beecham, Thomas, 96-97, 448-53 Altglass, Max, 148 Bence, Margaret, 846-48 Althouse, Paul, 35-36 Beyron, Ejnar, 201 Amara, Lucine, 390 Bjoner, Ingrid, 610-21 Anday, Rosette, 223 Bj~rl ing, Sigurd, 342 Andreva, Ste I la, 85 Bockelmann, Rudolf, 31, 92 Arden, Evelyn, 92 Bodanya, Nata I i e, 140 Asserson, Seate, 610-21 Bodanzky, Artur, 35-37, 48, 84-85, I 32, I 34, I 40-41 , Astrup, Johannes, 828 145-47, 149, 151 Atkins, James, 659 Bohm, Andreas, 203 OOhm, Karl, 262-71? B Behme, Kurt, 911-16 Bacciato, V., 253 Sol linger, Ann, 390 Balborg, Oda: Gerhi Ide, 846-48; Wogl lnde (RheingoZd), 911-16 Soult, Adrian, 803-12, 829-45 Bal I, G. Thalben, 243-45 Braithwaite, Warwick, 204-5, 219-22, 235-38, 243-45 Barbirol Ii, John, 150, 152-54 Branze I I, Karin, 172; Brang~ne, Bardsley, Thelma, 92 3 7 , 9 7 , I 4 I , I 4 7 ; Fr i c ka (WaZkure), 173; Ortrud, 86, Bat i c, Po I Iy , 2 80 135 217 Braun, Hans, 276, 319 Czaplicki, George, 144 Brown, Anne, 454 D Browning, Lucie I le, 132, 151, 173, 328 D1Angelo, Louis, 140-41, 148-49 Bugge-Hanssen, Unni, 454, 610-21 Danish Radio Orchestra, 32-34, 828 Buntz, Bjarne, 454 Darcy, Emery, 197-99, 390 Burke, Hi Ida, 140 Davies, Rhoderick, 416 C Delorie, Anny, 846-48 Carter, John, 171 Dermota, Anton, 319 Cassidy, Thomas, 327 Destal, Fred, 155 Cavel ti, Elsa, 201-3 Detroit Symphony: Stock, cond., 38; Jturbi, cond., I 12-13?, Cehanovsky, George, 128, 135, Macm i I Ia n, cond . , I 36-39; 140, 176, 329 Barbirolli, cond., .152-54; Cerkall, Karen Marie. See Flag- Devereux, Roy, 59 stad, Karen Marie Dickie, Murray, 351 Chicago Opera Orchestra, 144 Diesen, Thorstein, 929 Cincinnati May Festival Chorus, 90 Di Iw orth, Gordon, I 96 Cincinnati Symphony, 90 Dobrowen, lssay, 212-18 Clark, Joan, 659 Doe, Doris, 132, 140, 151, 173 Clark, Rosemary, 659 Dench, Karl, 276 Clemens, Hans, 37, 48, 84, 134 Doree, Doris, 298 Coates, Edith, 92, 351 Dowda I I, Ann, 351 Conner, Nadine, 329 Downes, Herbert, 273-75 Cordon, Norman, 140, 155 Dua, Octave, 59, 96-97 Covent Garden Orchestra, 261, Dud I ey, John, 197 298, 300, 330, 342 Craven, Mae, 92 218 E Flagstad, Kirsten (continued) 343-45, 350, 361, 384, 415, Edelmann, Otto, 846-48 417, 421, 609-21; Brunnhi Ide (Siegfz-ied), 85, 145, 261, Edlers, El I en-Margarethe, 828 281, 331-39, 934; Brunnhilde (WaZk~e), 43, 83, 92, 155, Engkeb? I I, Arne, 828 173, 262-65, 280, 328, 846- 49; Dido, 237, 351-52, 454- Erede, Alberto, 390 55, 467; Elektra, 418; Elisabeth, 34, 40, 45-46, Ernster, Dez so~ 329 48, 142, 148, 171 , 197, 217- 18; Elsa, 44, 53, 86, 119, Evans, Edgar, 416 135, 144, 186-89, 655; Fricka lRheingold), 91 1-16; I so I de, 37, 41-42, 59, 84, 96-97, F 128, I 34, I 4 I , I 4 7, I 49-50, 154, 156-64, 175-76, 198, Fare I I, Marita, 146, 148, 199 200-203, 212-16, 223, 253, 266-71, 278-79, 300, 326, Fi lharmonisk Selskaps Orkester, 349, 360, 416, 419-20, 448, Oslo: Fjeldstad, cond., 498, 608; Kun dry, 140, I 90- 355-61, 454, 610-21, 700-703, 96, 342, 656; Leonore 754-84, 825-27; Gruner-Hegge, (FideLw>, 33, 51-52, 120-21, cond., 346-50, 462-66; Kiel- 146,199,276,319, 329-30: land, cond., 500-507; Kramm, piano, 354; recordings of cond., 468-73 speaking voice, 174, 299, 327, 353, 4 I I , 499, 600, Fischer-Dieskau, Dietrich, 416 877, 929-33; Rezia, 49-50, 122-23; Senta, 54, 94-95, Fisher, Susanne, 140 152, 255, 277; Sieglinde, 35-36, 113, 118, 132, 153, Fistoulari, _Anatole, 422-23 657-58, 860-62 Fjeldstad, 0ivin: cond. Fi 1- Flagstad, Lasse, 27-30 harmonisk Selskaps Orkester, Oslo, 355-61, 454, 610-21, Flagstad, Maja, 11-12, 20 700-703, 754-84, 825-27; cond. London Symphony, 863- Flagstad, Ole, 27-30 76, 917-28; cond. Norwegian Opera Orch., 610-21; Norwe- Fleischer, Editha, 48 gian Opera Chorus, 610-21 Fotland, Sigvart, 668-99, 704-53 Flagstad, Karen Marie, I 1-12, 280, 610-21 Frantz, Ferdinand, 201, 280, 328 Flagstad, Ki rsten: Agathe, 32, Frisel I, Kari, 454 137; Alceste, 390, 659, 828; Brangane, 158; Brunnhi Ide FurtwSngler, Wi I helm, 92-93, (Getterdanmerung), 93, I 14-17, 207-1 I, 276, 280-82, 292- 17, I 51 , 165, 166-70, 207- 95, 319, 415-17 10, 282, 298, 325, 340-41, 219 G H Gabor, Arnold: Biterolf, 48, Habich, Eduard, 85 148; Don Fernando (FideZio), 146; Herald (Lohengrin), 86; Harrell, Mack, 171, 197 KI i ngsor, 140; Me Io t, 37, 84, 134, 14 I , I 49; Harris, Danie I, 144, 150 Second Prisoner (FideZio), 146 Hartmann, Carl, 145 Gabory, Magda, 282 Hausleim, Hans Wi I Ii, 474-92 Gagliardo, Tullio, 253 Havana Symphony, 254-60 Gal los, Hermann: First Prisoner Hayward, Thomas, 390 (FideZio), 276, 319 Hegermann-Lindencrone, Knud de, Garside, Gwladys, 92 931 Gauntlett, Ambrose, 351 Heidt, Winnifred, 152 Geraint Jones Orchestra, 659 Hemsley, Thomas, 351-52, 659 Geraint Jones Singers, 659 Hermann, Josef, 281-82, 415 Glaz, Hertha, 155, 328 Hines, Jerome, 329 Glynne, Howel I, 330 Hitchen, Booth, 96-97 Goossens, Eugene, 90, 172 Hoffmann, Grace, 846-48 Greindl, Josef, 276, 319, 415, Hofmann, Ludwig, 37, 84, 86, 416 132, 135 Gr5nneberg, Per, 610-21 Holm, Richard, 276 GrUner-Hegge, Odde, 346-50, Ha I stead, Margaret, 48 462-66 H5ngen, Elisabeth, 212-14, Gui I iksen, Henry, 454 280-82 Gundersen, Randi Brandt, 454 Horsman, Leslie, 59, 96-97 Gunnarson, Torstein, 932-33 Hotter, Hans, 253 Gurney, John, 144, I 50, 171 , Huehn, Julius: Don Pizarro, 197-99 199; Ku rvena I , 84, I 28, I 34, 141, 156, 176, 198; Telra- Gustavson, Eva, 610-21 mund, 86, 135; Wotan (WaZ- kure), 173 Hye-Knudsen, Johann, 828 220 Knappertsbusch, Hans (continued) 860-62; cond. Zurich Ton- lturbi, Jose: cond., 112-13; hat le Orchestra, 202-3 piano, 110-11 Konetzni, Hi Ide, 280-82, 415 J Kostelanetz, Andre, 129-31 Jagel, Frederick, 90 Kramm, Hugo, 468-73 Janssen, Herbert: Don Fernando Kraus, Otakar, 342 (FideZio), 199; Dutchman, 94-95; Gunther, 93; Kurvenal, Krauss, Clemens, 254-60 59, 96, I 47 -49, 171 , 197 Kreppel, Walter, 911-16 Jarred, Mary, 94-95 Kristjansson, Einar, 828 J essner, Irene, 132, 328 Kuen, Paul, 911-16 Jobin, Raoul, 659 Jones, Geraint, 351-52, 455, L 467, 659 Laholm, Eyvind, 150, 171 Jones, Parry, 96-97 LaMance, Eleanor, 144 Johnsen, Waldemar, 610-21 Langdon, Michael, 342 K Lange, Hans, 40-46 Kalter, Sabine, 59 Lange, Kristian, 877 Kaskas, Anna, 132, 173 Laufkoetter, Karl: Fourth Es- quire (ParsifaZ), 140; Kenney, Margherita, 280, 282 Jaquino, 146, 199; Mime (Siegfl"ied), 85; Sailor's Kiel land, Olav, 500-507 voice (Tristan), 84, 134, 141; Shepherd (Tristan), 141 , Kipnis, Alexander, 198-99 149 I 176 I 198 Kleiber, Erich, 253 Lawrence, Marjorie: BrOnnhi Ide (WaZkure), 132; Sieg I inde, Klein, Peter, 329 155, 173 Klose, Marguerite, 96 Lechleitner, Franz, 342 Kmentt, Waldemar, 911-16 Lehmann, Lotte, 83 Knappertsbusch, Hans: cond. Leinsdorf, Erich, 140, 148, 171, Vienna Philharmonic, 650-58, 173, 176, 197-98 221 Lindermeier, Elisabeth, 415 Macmi I Ian, Ernest, 136-39 Linge, Ruth, 454 McNab, Ei lidh, 351-52 Lipton, Martha, 328 Madiera, Jean, 328, 911-16 List, Emanuel: Fafner (Sieg- Maggiolo, R., 253 fried), 85; Gurnemanz, 140; Hunding, 35-36, 83, 173; Mahler, Fritz, 32-34 King Mark, 59, 128, 134, 141, 149, 176; Landgrave, Malson, Rene, 86, 144, 146, 199 48, 148, 171, 197; Rocco, 146 Ma Ia n i u k, I ra , 9 I I - I 6 Lloyd, David, 352 Mandikian, Arda, 351-52 Lloyd, Powel I, 351 Manski, Dorothee, 132, 151, 173 London, George, 911-16 ~rley, Reginald, 351 London Phi I harmonic Orchestra: Markwort, Emi I, 281 Beecham, cond., 96-97; Soult, cond., 803-12, 829- Mar Io we, Anthony, I 76 36; Furtwangler, cond., 92- 93; Reiner, cond., 59, 94-95; Massue, Nicholas, 146 Rank!, cond., 200 Meisle, Kathryn, 83, 90, 128, London Symphony, 863-76, 917-28 156 Lorenz, Max, 94, 203, 223, 282 Melchior, Lauritz, 172; Lohen- grin, 135, 186-89; Parsi- Los Angeles Phi I harmonic, 324-26 fal, 140, 190-96; Siegfried ((lijtteniJ:imrreP1.mg), 93, 15 I , Lowe, Marion, 659 169-70; Siegfried (Siegfried) 85, 934; Siegmund, 83, 132, ' Lush, Ernest, 246-52, 456-61 155, 173; Tannhauser, 48, 148, 197; Tristan, 37, 59, 84, 96-97, 128, I 34, I 41 , M 147,149, 156-60, 176, 198 McArthur, Edwin: cond. Chicago Mermaid Orchestra, 351-52, 455, Opera Orchestra, 144; cond. 467 NBC Symphony, 175; cond. RCA Symphony, 186-96; cond. San Mermaid Singers, 352 Francisco Opera Orchestra, 155-70; cond. Symphony of Merola, Gaetano, 277-79, 320-23 the Air, 601-9; piano, 47, 55-58, 60-81, 88, 98-109, Metropolitan Opera Orchestra: 177-85, 283-91, 362-83, Abravanel, cond., 86, 135; 391-407, 622-49, 660-67, Bodanzky, cond., 35-37, 48, 785-802, 813-23 84-85, I 32, 134, I 40-41 , 222 Metropolitan Opera Orch. (cont.) Ormandy, Eugene, I 14-27 145-47, 149, 151; Erede, cond., 390; Leinsdorf, cond., 140, 148, 171, 173, 176, p 197-98; Stiedry, cond., 328; Walter, cond., 199, 329 Palmer, Jeanne, 328 Michael is, Ruth, 415 Paltrinieri, Giordano, 48 , 140 , 171 Mi I I, Arnold van, 860-61 Pantscheff, Ljubomir, 319 M? I I er, Nie Is, 828 Patzak, Julius, 276, 319 lv1oor, Julia, 281, 415 Pauly, Rose, 171 tvbore, Gerald, 224-31, 239-42, 272-75, 301-18, 408-10, Pelletier, Wilfred, 91 412-14, 424-47 Pernerstorfer, Alois, 281-82, M? I ler, Maria, 92 390 Pet i na, I rra, I 32, I 40, 17 3 N Philadelphia Orchestra, I 14-27 NBC Symphony, 172, 175 Phi lharmonia Orchestra: Braith- Neid I inger, Gustav, 911-16 waite, cond., 204-5, 219-22, 235-38, 243-45; Bohm, cond., Neitzer, Li I ly, 31 262-71; Dobrowen, cond., 212-18; Fistoulari, cond., New York Phi I harmonic, 87, 89, 422-23; Furtwangler, cond, 150, 384 207-1 I, 292-95, 416-17; Sebastian, cond., 331-41 ? Nezedal, Maria, 93 Susskind, cond., 232-34,' 296-97; Weigert, cond., Nielsen, Esk i I Rask, 828 343-45 Nilsson, Sven, 96-97 Plnza, Ezio, 90 Nordsj?, Eg i I, 610-21 Plumacher, Hetty, 846-48, 911- 16 Norwegian Opera Chorus, 610-21 Po 11 ack, Anna, 352 Norwegian Opera Orchestra, 610- 21 R 0 RAI Roma Orchestra, 415 Olheim, Helen, 132, 140, 173 Ralf, Torsten, 95 223 Rankl, Karl, 200, 261, 298, 300 Scheffler, Paul (continued) 330, 342 Kurvenal, 97, 201, 223, 300 Ra pee, Ern8', 87, 89 Schorr, Friedrich, 37, 83, 85, RCA Victor Symphony, 186-96 140, 146 Reiner, Fritz, 59, 83, 94-95, Schwarzkopf, Elisabeth, 319, 128 330, 352 Resnik, Regina, 328 Scott, Norman, 390 Rex, Sheila, 352 Sebastian, Georges: cond. Phi lhannonia Orchestra, RIAS Orchestra, 418-21 331-41; cond., RIAS Orches- tra, 418-21 Ripley, Gladys, 92 Seefried, lnngard, 276 Roesler, Frieda, 846-48 Seymour, Linda, 92 Roggero, Margaret, 390 Shacklock, Constance, 267-68, Royal Phi lhannonic, 448-53 300 Skj~r, Henry, 828 s Smal lens, Alexander, 49-54 Sabata, Victor de, 201, 223 Solti, George, 846-48, 849, Sale, Frank, 59 911-16 San Francisco Opera Orchestra: Steingruber, I Iona, 280, 846-48 McArthur, cond., 155-70; Merola, cond., 277-79, 320- Steinora, ~Isa, 351 23?, Reiner , cond., 83, 128 Ste I Im an, Maxine, I 71 , I 73, 197 Sargent, Malcolm, 493-98, 850-59 Stenning, Elsa, 92 La Scala Orchestra: Sabata, cond., 201, 223; Furtwangler, Stevenson, Dennis, 330 cond., 280-82 Stiedry, Fritz, 328 Schech, Marianne, 846-48 Stock, Frederick, 38 Schmedes, Dagmar, 280 Strauss, Richard, 31 Schock, Rudolf, 416 Sullivan, Brian, 329, 390 Schoff I er, Paul: Don Pizarro, 276, 319, 329; Gunther, 298; Susskind, Walter, 232-34, 296- 97 224 Suthaus, Ludwig, 415-16 Vienna Phi I harmonic: Bou It, cond., 837-45; Furtw~ngler, Svanholm, Set; Florestan, cond., 276, 319; Knapperts- 329; Loge, 911-16; Siegfried busch, cond., 650-58, 860- (GlJtteT', 248 Beethoven, Ludwig van: Ah, Per- At Parting (Rogers), 106, 143, fido, 124-27, 254, 324; Andenken, 574; An die Hoff- 381 nung, 576; Bitten, 567; Auf, auf mein Herz mlt Freude Busslied, 572; Die Ehre (Cruger), 310 Gottes aus der Natur 60 570; Fidetio (complete>,' Auf, auf zu Gottes Lob (J. W. 146, 199, 276, 319, 329? FideZio (Abscheulicher) Franck), 317 33, 51-52, 120-21; Fideiio Auf dem Kirchhofe (Brahms), 663 (excerpts), 330; Gellert Lieder, 567-72; Gottes Macht Aus den ~stlichen Rosen und Vorsehung, 571; lch I I ebe di ch, 61 , 575; Kj
, 665 Baansu I I ( D?rumsgaard), 437 Seim Schlafengehen (Vier Zetzte Bach, Carl Philipp Emanuel, Lieder>, 292 301-4 Bishop, Henry Rowley, 9 Bach, Johann Sebastian: Bist Bist du bei mir (Notenbuch fur du bei mir (Notenbuch fur Anna Magda 7,ene [3aah ) , Anna Magd.a.Zene Bach>, 806 806; Dir, dir Jehova, 305; Jesu, Joy of Man's Desiring (Can- Bitten (Beethoven), 567 tata, B. W. V. 147), 805; 0 finstre Nacht, 307; Korrrn, Bizet, Georges, 243 susser Tod, 314; Liebster Blab~rli (Haugtussa), 179, 285, herr Jesu, 306; MatthaUS Passion, 296-97, 804; $chafe 589, 815 konnen sicher weiden (Canta- Blaa kveld (D?rumsgaard), 426 ta, B. W. V. 208), ,803; Vergiss mein nicht, 308 Blonde N, 105 Backer-Gr!,?Sndah I, Agathe, IO, I7 , Bohm, Georg, 309 56, 564-65 Bal lade (Harald Lie), 701-2, B8hm, Kar I , I I0 826 228 Borgstr?m, Hjalmar, 899-905 C Borte (Grieg), 551 Caci le (Strauss), 70, 109, 322 Bax, Arnold, 577-78 Cantata, B. W. V. 147 (Jesu, Joy of Man's Desiring), 805 Brahms, Johannes: Alte Liebe, 666; Am Sonntag Morgen, 662; Cantata, B. W. V. 208 (Schafe An die Nachtigall, 514; Auf k~nnen sicher weiden), 803 dem Kirchhofe, 663; Bei dir sind meine Gedanken, 665; Carissimi, Giacomo, 316 Dein blaues Auge, 512, 660; Geistl iches Wiegenlied, 274- Carpenter, John Alden, 379-80 75; Gesti I lte Sehnsucht, 585 272-73; Liebestreu, 396; Muss es eine Trennung geben Charles, Ernest, 62, 376 (MageZone), 392, 477, 510; Meine Liebe ist grUn, 100, Cradle Song (Bax), 578 397; O wusst' ich doch den Weg zuruck, 395, 475; Ruhe, Cruger, Johann, 310, 749 Suss I iebchen, im Schatten, (Magel-one), 509; Sind es Schmerzen, sind es Freuden D (Magelone), 391, 476, 508; Therese, 513; Treue Liebe, Da Barnet sov Ind (Kjerulf), 15 66 I ; Viel" ePnSte Gese). See Ho-yo-to-ho (Die Walkia>e) Dein Gest?ndnis (Borgstr?m), 904 Bui I, Ole~ 19, 23, 137 Delius, Frederick, 581 Buss I ied (C. P. E. Bach), 301 Dei seier, naar Tia skrie Buss I ied (Beethoven), 572 (StrengjeZeik), 892 Demanten pa marssnoen (Sibelius), 595, 867 229 Den fErgjerrige (Grieg), 649 Dido and /Eneas ( Purce I I ) , 237, 351-52, 454-55, 467 Den fyrste songen (Kiel land), 561 Di es A1 1 es hab' i ch nun getraumt (Parsifal). See Herzeleide Den jomfru gik I valmu-vang Scene (Parsifal) (Si nd i ng), 824 Dir, dir Jehova (J. S. Bach), Denn es gehet dem Menschen (Vier 305 e'PrUJte Ges/jrzge), 799 0?rumsgaard, Arne: arranger, Den Nordlandske torsk (Johansen), 301-18; Baansul I, 437; Et 881 Barn, 438; Blaa kveld, 426; Det er fjord imi I lorn fredar, Den Scerde (Grieg), 220, 347 439, 555; Gudrid stod ved stoveglas, 427; Hjuring-lokk, Den signede dag som vi nu ser 440; En Hustavle, 441; Konn (Weyse), 670, 678 og guld, 428; Kvelding, 429; Kvitveis I sudrona, 442; Den store hvite flokk, 680, 696, Natt, 430; Regn, 431; Salme, 751, 771 432; So:nger under stjernene, 433-36, 469-72; SnBlyse, 443; Der ~r vackrast nMr skymmer Sovnen, 444; Spinnvettir, (Backer-Gr?ndahl), 564 445; To norske folkviser, 446-47 Der gynger en bat pa b?1ge (Grieg), 74, 461, 552, 639 En Dr?m (Grieg), 58, 72, 129, 221, 464, 492, 505, 645 O'er 1 kje Oraumar som leikar (St;raengjeleik), 894 Du bist der Lenz (Die Walkil:l'e), 602, 658 Der Skreg en fugl (Sinding), 823 Du bist die Ruh' (Schubert), 410 Deter fjord imi I lorn fredar (0?rumsgaard), 439, 555 Du Herre som er sterk og star (Grieg), 709 Det forsta kyssen (Sibelius), 597, 866 Du meines Herzens Kr5nelein (Strauss), 402 Oet f?rsta m?de (Grieg), 641, 855 Du Mor, som einsam heime gjeng (Strengjeleik), 893 Det gule Haare utover Nakken (Strengjeleik), 885 Du pralende sei (Johansen), 883 Oet Syng (Haug-tussa), 177, 283, Du Ring an meinem Finger (Frauen- 587, 813 Ziebe und Leben ) , 36 5 Det tredje fottrinn (Backer- Dvorak, Antonin, 78 Gr?ndah I ) , 565 Dykes, John 8., 710 230 Dype, stil le, sterke, mi Ide Elsk (Haugtussa), 181, 287, (Lindeman), 685-86 591, 817 Endun et streif kun av sol E (Backer-Gr?ndahl), 10 Efteraarsstormen (Grieg), 241, Der Enge I ( Wesendonak Lieder), 547, 917 224, 256, 355, 385, 449, 493, 550, 603 Eggen, Erik, 922 Epi/og (Johansen), 884 Eg /yfter upp ti/ Gud min song, 7/5 Erbarme dich (Matthaus Passion)~ 296-97 Eg ser deg ut f?r glugjen, 12 Er, der Herrl ichste von allen Eg tarv ikkje Ljose aa kvejkje (FrauenZiebe und Leben), (Str>engje Zeik), 898 363 Eg tykkjer deter reint /angsamt Der Erlkonig (Schubert), 546, (Str>engjeZeik), 897 623 Eg veit i hirrmerik ei borg, 734 Eros (Grieg), 204, 502, 637, 858 Eg veit meg a/dri, kor deter Erstes Grun (Schumann), 633 laga (StztengjeZeik), 886 Es ist vol lbracht (Freyling- Eg vi I deg 'kj e e I sker (Streng- hausen Gesangbuch), 3/2 jeZeik), 480, 891 Etter n?dig, dette ene (Krieger), Die Ehre Gottes aus der Natur 735 (Beethoven), 60, 570 Euch Luften, die mein K/agen Einsam in truben Tagen (Lohengrin), (Lohengrin), 53, I /9 44, 655 EZektro (Strauss), 418 F Elementer og veirlig (Johansen), Fagert er landet (Vulpius), 880 723, 730 Elgar, Edward, 579 Fattig er mitt liv (Sorrrnerfeldt), 556 Elisabeth's Prayer (Tannhauser), 45-46, 217-18 Februa rmorgen ved go I fen (AI n~s), 481, 560, 926 EI sas Traum ( Lohengzoin) . See Einsam in truben Tagen Fidelio (Beethoven): compl ete, (Lohengri,n) 146, 199, 276, 319, 329; Abscheul icher, 33, 51-52, 120-21; excerpts, 330 231 F I i c ka n kom i f ran s I n a I s k I i ngs Geist! iches Wiegenl ied (Brahms), rri:3te (Sibelius), 598, 868 274-75 Der fliegende HotUJ:nder (Wagner): Gesang Weylas (Wolf), 536, 785 excerpts, 94-95; Spinning Chorus, 152; Traft ihr das Gesti I lte Sehnsucht (Brahms), Schiff (Senta's Bal lad), 54, 272-73 152, 255, 277 Ging heut' Morgen (Lieder eines Die Fore I le (Schubert), 88, 102 fahrenden Gesetten), 843 Foster, Stephen, I 12 Gitanjati (Carpenter), 379-80, 585 Fra Monte Pincio (Grieg), 206, 235-36, 456, 462, 647, 854 Gjerstr?m, Gunnar Alfred, 562 Franck, Johann Wolfgang, 31 I, Gluck, Christoph Wi I I ibald von, 317-18 234, 390, 659, 828 Franz, Peter, 99 Gods A1 1 Powerfu I (Radamisto), 807 Frauentiebe und Leben (Schumann), 362-69 Gorn mig, blinda marker (Sanger under atjernene), 435, 471 Fred ti I bot for bittert savn (Hartmann), 681-82 Die GlJtterd11mmerung (Wagner): complete, 282, 610-21; Der Freiaohutz (Weber), 32, 136 Act I I excerpt, 298; Act I I I, 415; excerpts, 93; Der Freund (Wolf), 534, 788 Helle Wehr (Oath on the Spear) , 345; I mmo I at ion Fruhling (Vier tetzte Lieder), Scene, 82, 114-17, 165-68, 294 207-1 I, 323, 325, 350, 361, 384, 417, 421, 466, 507, FrOhl ingsglaube (Schubert), 413 609; Prologue, 151, 169-70, 339-41, 343-44 Fyrema I (Grieg), 242, 348, 500, 853 Gottes Macht und Vorsehung (Beethoven), 571 G Gounod, Charles, 829 Ganymed (Schubert), 370 Grieg, Edvard: Barte, 551; Den IE rgj err i ge, 649; Den Gebet (Wolf), 533, 786 Sa:irde, 220, 347; Der gynger en bat pa b?lge, 74, 461, Geduld (Strauss), 516, 798 552, 639; Det f?rste m?de, 641, 855; Du Herre som er Geh' ein, mein Leib, In deine sterk og stor, 709; En Kammer (G. B~hm), 309 Dr?m, 58, 72, 129, 221, 464, 492, 505, 645; Efteraars- 232 Grieg, Edvard (aontinued) H stormen, 241, 547, 917; Eros, 204, 502, 637, 858; Haarklou, Johannes, 906-10 Fra Monte Pincio, 206, 235- 36, 456, 462, 647, 854; Fyre- Et Hab (Grieg), 76, 424, 550, 856 mal, 242, 348, 500, 853; Guten, 238, 501, 851; Et Hageman, Richard, 584 Hab, 76, 424, 550, 856; Haugtussa, 177-85, 283-91, Handel, George Friderlc, 244, 587-94, 813-20; Hytten, 640; 422-23, 807-10, 812. See I Ii den h?it der oppe, 548, atso Ochs, Siegfried 646; Im Kahne, 65; Jeg elsker dig, 55, 71, 491, Hartmann, Johann Peter Emi I ius, 553, 636, 859, 936; Jeg 681-82 giver mit digt ti I varen, 425, 459, 642, 919; Jeg Hassler, Hans Leo, 714, 760, reiste en dei lig sommer- 765, 774 kveld, 460; Langs ei ~. 240; Li den Kl rsten, 648; Lys Natt, Haugtussa (Grieg), 177-85, 73, 458, 463, 503, 549; Med 283-91, 587-94, 813-20 en primulaveris, 103, 643; Med en vandl i lje, 57, 230, Head, Michael, 580 644; Mens jeg ti I vinter, 239; Mi I lorn Rosor, 25, 638; Hear My Prayer (Mendelssohn), Mordersorg, 26; Og jeg vi I 836 ha' mig en Hjertenskjcer, 104, 554, 918; Prinsessin, Heb' auf dein blondes Haupt 231; Ragna, 457; Solvelg's , 18, 24; 484, 539, 789 En Svane, 64, 205, 857; Tak for tit rad, 138, 222, 504; Heimliche Aufforderung (Strauss), Ti I I en , No. I , 920; Ti I 'en, 489 No. 2, 921; Varen, 5, 232-33, 850; Ved Rundarne, 219, 346, Helft mir, ihr Schwestern 852 , 809 Die Gute Gottes CC. P. E. Bach), 302 Her vi I eg kvi le (Aarsnes), 563 Guten (Grieg), 238, 501, 851 Der Himmel hat eine Trane ge- weint (Schumann), 530 233 Hjem, kj~re hjem (Bi shop), 9 denne verdens sorger senkt, 736, 744 Hjuring-lokk (D?rumsgaard), 440 Jesu navn ska I I ai I var Hostkvall (Sibelius), 873 gjerning skje, 726, 733 Ho-yo-to-ho (Die WaZkflre), 43, Know That My Redeemer Liveth 91 eis (Schumann), 634 Lachen und Weinen (Schubert), IOI Li I le-Barnet (Thorrmesen), 29 Langs ei A (Grieg), 240 Li I leguts vugge?vise (Winge), 354 Lebe Wohl (Wolf), 535 Lindeman, Ludwig: Dype, sti I le, sterke, mi Ide, 685-86; Gud Leid mi Ide ljos (Purday), 694-95 ska I I al I ting I age, 683; Hvor salig er den Ii I le Leit etter I ivet og liv det flokk, 719,748; I prektige (Sinding), 479, 821 himler og jorderiks h, 86; Act I, 144; Act I I, 545 135; Bridal Chamber Scene, 186-89; Einsam in trUben Liebeslied (Schumann}, 531, 630 Tagen, 44, 655; Euch Luften, die me in KI a gen, 53, I I 9 236 Lotosblume (Schumann), 631 Med en primulaveris (Grieg), 103, 643 Love Duet (Tristan und Isolde>, 157-60, 266-71, 278 Med en vandli lje (Grieg), 57, 230, 644 Lover den Herre, 668, 764, 768, 773, 781, 784 Med r?de rosor (Haarklou), 908 Love's Philosophy (Delius), 581 Meine Halft ging jah zu RUste (Borgstr?m), 905 Love Went a-Riding (Bridge), 63, I 07, I I I , 582 Meine Liebe ist grun (Brahms), 100, 397 Lui laby (Scott), 79 Meine Rose (Schumann), 529, 629 Luther, Martin, 707, 766-67, 775 Mein Herz 1st stumm, mein Herz ist kalt (Strauss), 398, 486 Lykken Me 11 em to Mennesker (AI nces) , 22, 75 Mendelssohn-Bartholdy, Felix, 835-36 Lys Natt (Grieg), 73, 458, 463, 503, 549 Men min fagel marks dock ikke (Si be I i us), 872 M Mens jeg ti I vinter (Grieg), 239 McArthur, Edwin, 130, 382, 407 Messiah (Handel), 422-23, 809-10 Des MMdchens Klage (Schubert), 625 Meyer-Helmund, Erik, I, 2, 11 Magetone (Brahms); Muss es eine Midsummer (Worth), 81 Trennung geben, 392, 477, 510; Ruhe, Sussliebchen, Mi Id und leise (Tristan und im Schatten, 509; Sind es IsoZ-de >. See Li ebestod Schmerzen, sind es Freuden, (Tristan und IsoZde> 391, 476, 508; Wle froh und frisch, 393, 478, 51 I Mi I lorn Rosor (Grieg), 25, 638 Mahler, Gustav, 837-41, 842-45 Minda (Haarkl ou), 910 Mainat (Haarklou), 909 Minsaas, Lars, 557 Mainat (Sindlng), 20 Min sje l, min s jel, lov He rren (Kuge lmann), 722 , 729 Der MMnner Sippe (Die WaZkure), 657 Mi ssa Solemnis (Beethoven), 90 Matthau.s Passion (J. S. Bach), Mit deinen btauen Augen (Strauss ), 296-97, 804 794 . .. ~ ......... ' ', .. 237 Mitt hjerte al ltid vanker, 742, No maa eg slutte og vera gla 745 (StrengjeZeik), 889 M?te (Haugtussa), 180, 286, 590, NordZands Trompet (Johansen), 816 878-84 Mordersorg (Grieg), 26 Nordraak, Rikard, 30 Morgenstimmung (Wolf), 485, 540, Notenbu.ch fur Anna Magda'l,erze 791 Bach (J. S. Bach), 806 Morning (Speaks), 377 Now Like a Lantern (Kramer) 1 378 ivbt Blasn? H?gdom (Kief land), 468 Nu ar det natt over jorden (Sanger under stjernene), Mot Kveld (Backer-Gr?ndahl), 17, 434, 470 56 Nu bristor i al le de Kl?ster Der Musensohn (Schubert), 251 CAimes), 925 Music I Heard with You (Hageman), Nu la oss takke Gud (Cruger), 584 749 Muss es eine Trennung geben Nun hast du mir den ersten (MageZone), 392, 477, 510 Schmerz getan (Frau.enZiebe und Leben), 369 N Nun seh' ich wohl (Kindertoten- Zieder) , 838 Naar Sola sk'lnne aa Skya blenkjer (StrengjeZeik), 890 Nun wil I die Sonn' (Kindertoten- Zieder) , 837 Nachtgang (Strauss), 521 Der Nussbaum (Schumann), 627 Nar mitt ?ie, tret av m?ie (Lindeman), 720, 727 Nykelin (Harald Lie), 700, 779, 825, 927 Natt (D?rumsgaard), 430 Neumarck, Georg, 687-88 0 Nicolai, Phi llpp, 669, 676, Oberon (Weber), 49-50 , . 122-23 705, 754, 772 Ochs, Siegfried, 245, 81 I Night (McArthur), 407 0 Come Al I Ye Faithful, 832 Night [O Lovely Night] (Ronald), 77, 89, 139 0 Divine Redeemer (Gounod), 829 Nocturne (Gjerstr?m), 562 ??. ? ? ::-?? .. ,., .?, r-~ .,. . -- ~?, .. ?.,????,?? ?. ~-"''?'?? ' ? ~ ??.? , ..... , . .... 238 Paskemorgen s I ukker sorgen 0 Ewigkeit (L~hner), 315 (Lindeman), 724, 731 0 flnstre Nacht (J. S. Bach), Pa verandan vid havet (Sibelius) 307 865 ' Oft denk' lch (KindertotenZieder), Pahlenz, August, 28 840 Parry, Charles Hubert Hastings, Og jeg vi I ha' mig en hjerten- 830 skjcer (Grieg), 104,554, 918 Pa:l'sifaZ (Wagner): complete, 140; Acts I & I I, 342; Og rceven Ia a under bi rkerot Herzeleide Scene, 190-96?, (Kjerulf), 14 lch sah das Kind, 656 Old Folks at Home (Foster), I 12 Passions I i ed ( C. P. E. Bach), 303 0 Lovely Night (Ronald). See Night [O Lovely Night] Peaters, Alf, 7 (Rona Id) Peer Gynt (Grieg), 18, 24 Olsen, Sparre, 559 Die Post (Die Wintezrreise), Om Kv~I ten (Sibelius), 863 372, 542 Orfeo ed Euridiae (GI uck), 234 Praise Ye the Lord (Ochs), 81 I. See aZso Dank sei dir, Herr O sink' hernieder (Tristan. und IsoZde). See Love Duet Preis sei dem Gotte (C. P. E. (Tristan und Isoide) Bach), 304 0 Sleep, Why Dost Thou Leave Me Preludlum (Minsaas), 557 (SemeZe), 808 Prinsessln (Grieg), 231 O Tod (Vier ernste Gesange), 801 Purcell, Henry, 237, 351-52, Overmade ful It av nade, 716 454-55, 467 O wusst' ich doch den Weg zuruck, Purday, Charles, 694-95 395, 475 R p Radcrmisto (Handel), 807 Paa andra Aare eg gjeng og gronar (StrengjeZeik), 888 Ragna (Grieg), 457 Paa Dr?mmevinger fl?j jeg tldt Rain Has Fa 11 en (Barber), 583 (Meyer-Helmund), 2 Regn (D?rumsgaard), 431 Pa Gud alene (Zinck), 717-18 239 Das RheingoU (Wagner), 911-16 Schubert, Franz (aontinued) 252, 408; An die Musik , 371; An Grabe Anselmos , 624?, Ei Rjupa ifraa Vidda (Strengje- Ave Maria, 68, 543-44, 626; 7,eik), 895 Du bist die Ruh', 410; Der Erlkonig, 546, 623; Die Rogers, James H., I 06, 143, 381 Fore 11 e, 88, I 02; Fruh Ii ngs- g Ia ube, 413; Ganymed, 370; Ronald, Landon, 77, 89, 139 Im Abendrot, 98, 414; Die junge Nonne, 250, 375, 541; Rosenfeld, Leopold, 6 Lachen und Weinen, IOI; Die Liebe hat gelogen, 247, Rossini, Gioacchino, 38 374; Des Madchens Klage, 625; Der Musensohn, 251; Ruhe, meine Seele (Strauss), 400 SatQ,Janengeaang, 248, 545; Der Tod und das Madchen, Ruhe, SUssl iebchen, im Schatten 409; Dem Unendlichen, 246, (Mage tone ) , 509 622; Wanderers Nachtl ied, 412; Die Winterreiae, 249, Runde (Jordan), 558 372-73, 542; Schumann, Robert: Der arme s Peter I, 526; Der arme Peter 11, 527; Der arme Peter 111, Saf, saf, susa (Sibelius), 875 528; Aus den ostlichen Rosen , 523; Erstes Gran, 633; Fra:uen- S~terjentens S?ndag (Bui I), 19, 7.,iebe imd Leben, 362-69; Der 23 Himmel hat eine Tr~ne geweint, 530; In der Fremde (Lieder- Salme (D?rumsgaard), 432 kreia), 634; Jasminenstrauch, 525; Liebeslied, 531, 630; Salme (Nord7,,a;nds Trorrrpet), 879 Lotosblume, 631; Meine Rose, 529, 629; Der Nussbaum, Satome I (Borgstr?m), 899 627; Soldatenbraut, 628; Widmung, 632; Zurn Schluss, Satome II (Borgstr?m), 900 524, 635_ Sanger under atjernene (D?rums- SatQ,Janengeaang (Schubert), 248, gaard), 433-36, 469-72 545 Schafe k8nnen sicher weiden Scott, Cyri I, 79 (Cantata, 8. W. V. 208), 803 Sea Moods (Tyson), 383 Schlafst du, Gast (Die Watkure), Se! nur sti 11 (J. W. Franck), 601 318 Schmerzen (Weaendonak Lieder), Seitdem dein Aug' (Strauss), 226, 259, 358, 388, 452, 69, 108, 797 496, 606, 653 Schubert, Franz: Die Al lmacht, 240 Sind es Schmerzen, sind es Seit ich ihn gesehen (Frau.en- Freuden . See Traft I hr jeZeik, 480, 885-98; Sylve- das Schiff (Der f1,iegende Ii n, 822 HoZUtnder) Sfons vekter hever r?sten (Nico- September (Vier ietzte Lieder), l a i ) , 705 293, 517 Skinnvengbrev (Harald Lie), 703, Serse (Handel), 244 780, 827, 928 Sibelius, Jan: Arioso, 596, The Sleep That Flits on Baby's 869; Demanten pa marssoen, Eyes (GitanjaZi>, 380, 585 595, 867; Oet f~rsta kyssen, 597, 866; Flickan kom ifran Sne (Sigurd Lie), 21 sin M!skl ings rocSte, 598, 868; H~stkval I, 873; Korn nu hit, Sn~!yse (D?rumsgaard), 443 d~d, 876; Men min fagel marks dock ikke, 872; Om Soccoritemi ch'io moro (Caris- KvMI len, 863; Pa verandan simi), 316 vid havet, 865; Saf, sMf, susa, 875; Se'n har jag, Soldatenbraut (Schumann), 628 fragat mera, 871; Svarta Rosor, 874; Varen f!yktar So I i tude on the Mountains ( Bu I I ) , hastigt, 870; Var det en 137 dr5m, 599, 864 Solokantate (Kvandal), 473 Sidste reis (Aln~s), 27 Sommerfeldt, ~ystein, 556 Sie wissen's nicht (Strauss), 487, 520 A Song for Lovers (Taylor), 406 Siegfried (Wagner): complete, Songs My Mother Taught Me. 85, 281; He i I di r, Sonne, (Dvorak). See Als die alte 145, 261, 331-38, 934 Mutter (Dvorak) Siegmund! Sieh' auf mich! (Die Sovnen (D?rumsgaard), 444 WaZkfh'e). See Todesver- kundigung Scene S?rg o kj~re Fader du (Linde- man), 704 Signe heiter Gjenta mi (Streng- je Zeik), 896 Speak, Music (Elgar), 579 Si lent Night (Gruber), 133, 834 241 Susser Freund (FrauenZiebe und Speaks, Oley, 377 Leben), 367 Spinnvettir (D?rumsgaard), 445 En Svane (Grieg), 64, 205, 857 Spring Came (McArthur), 130 Svarta Rosor (Sibelius), 874 Stabat Mater (Rossini), 38 Sylvelin (Slnding), 822 Starke Scheite (Die ?a~tter- Symphony No. 9 (Beethoven), 31 diinfflerung) . See Im mo Ia - ti on Scene (Die Gotter- Synn?ves Sang (Kjerulf), 13, 172 d!Jm,nerung) Stehe Sti I I (Wesendorzck Lieder), T 225, 257, 356, 386, 450, 494, 604, 651 Tag mlt sp~nde af smaragder (Borgstr?m), 899 Sti I I wie die Nacht (Karl SBhm), II O Tak for tit rad (Grieg), 138, 222, 504 Storme som afdri briste (Borg- str?m), 90 I Tannhauser (Wagner): complete, 48, 17!, 197; Act I I excerpts, Strauss, Richard: Ach, Lieb, 148; D1ch, teure Hal le; 40, ich muss nun scheiden, 66, 142; Elisabeth's Aria [sic], 401; Al Jerseelen, 47, 321, 34; Elisabeth's Prayer, 45- 403, 935; Befreit, 320, 793, 46, 217-18 Caci le, 70, 109, 322; Du meines Herzens Kranelein, Taylor, Deems, 406 402; Elektra, 418; Geduld, 516, 798; Heimliche Auffor- Therese (Brahms), 513 derung, 489; lch liebe dich, 405; lch trage meine Minne, Thommesen, Reidar, 8, 29 488, 796; Lob des leidens, 795; Mein Herz ist sturrrn, Thomson, ?, 725, 732 mein Herz ist kalt, 398, 486; Mit deinen bfauen Augen, Thrane, Waldemar, 3 794; Nachtgang, 521; Ruhe, meine Seele, 400; Seitdem Ti I 'en No. (Grieg), 920 dein Aug', 69, 108, 797; Sie wissen's nicht, 487, 520; Ti I 'en No. 2 (Grieg), 921 Waldseligkeit, 519; Wiegen- 1 ied, 399, 490, 522; Zueig- Ti I min mor (Borgstr?m), 902 nung, 67, 404 Der Tod und das Madchen (Schu- StrengjeZeik (Slnding), 480, bert), 409 885-98 Todesverkundigung Scene (Die Swrmertime (Ronald), 77, 89, WaZkfa'e), 262-65, 849 139 242 To norske foZkviser (D?rumsgaard), Var det en dram (Sibelius), 599 , 446-47 864 Tora synger (Haarklou), 906 Var inte r?dd for morkret (Sanger under stjernene), Trauma (Wesendonck Lieder), 87, 227, 433, 469 229, 260, 359, 389, 453, 497, 607, 654 Var st! I la, hj!rta (Sanger under stjernene), 436, 472 Traft ihr das Schiff (Der fZiegende Ho ZZ ander) , 5 4, Ved alstadhougs pn:estegaard 152, 255, 277 (Johansen), 882 Treue Liebe, (Brahms), 661 Ved GJ cet I ebekken (Haugtussa), 184-85, 290-91, 594, 820 Tristan und Isolde (Wagner), 37, 59, 84, 96-97, 134, 141, Ved Rundarne (Grieg), 219, 346, 149, 176, 198, 253, 416; 852 Act I, 147, 156, 300; Act I I , 12 8, I 50; Act I I I , 420; Veit alle dine veie (Hassler), excerpts, 201-3, 223; Liebes- 714, 760, 765, 774 tod, 41-42, 131 , 154, 161- 64, 175, 215-16, 279,326, Vergiss mein nicht (J. S. Bach), 349, 360, 448, 465, 498, 308 506, 608; Love Duet, 157-60, 266-71, 278; Narration and Veslem?y (Haugtu.ssa), 178, 284, Curse, 200, 212-14, 419 588, 814 Tyson, Mildred, 383 Vier ernste GesChze i t macht 418 279, 326, 349 , -360, , 465 , 498, 506 , 608; wenn( ~~~der eines faht'erzden Ge-842 ~~ve Duet, 157-60 , 266-71, setten >, ~; Narration and curse, . t'ger Liebe spricht --v? 20MI z2 12- 14 , 419 wer von e ,ns ~e2B Oa kUZ>e : comp lete , 173 , csorgstr?m>, 903 5 . ' 328; Act I, 35, 860- .? A~ ,. Lieder cwagner ), 87 , A2ct Act 11, 36, 83, 132, 155; Wes e,,,uw nc"" b. I I I , 92, 132 846-48; DU ' st der Lenz, I j3, I 18, 244 Wesendonak Lieder (aontirrued) Wolf, Hugo (aontinued> 224-29, 256-60, 355-59, Weylas, 536, 785; ItaZien- 385-89, 449-53, 493-97, isahes Liederbuah, 484, 539, 603-7, 650-54 789; Lebe Wohl, 535; Morgen.; ~timmung, 485, 540, 791; We Two Together (Kernochan), 80 Uber Nacht, 483, 537, 787; { Zur Ruh', zur Ruh', 482, Weyse, Christoph Ernst Friedrich~ 532, 792 Al ltid fridig nar du gar, 675; Den signede dag som vi Wonne der Wehmuth (Beethoven), / nu ser, 670, 678; Gud slgne 573 vart dyre fedreland, 671-72, 679, 697-98 Worth, Amy, 81 When I Bring to You Colored Toys (Gita:njaZi>, 379 z When I Have Sung My Songs Zinck, Hartnack Otto Konrad, (Charles), 62, 376 717-18 The White Peace (Bax), 577 Zuelgnung (Strauss), 67, 404 Widmung (Schumann), 632 Zurn Schluss (Schumann), 524, 635 Wie bist du, meine Konigin (Brahms), 515 Zur Ruh', zur Ruh' (Wolf), 482, ~ 532, 792 WI e f roh und f ri sch , 393, 478, 511 Die zwei blauen (Lieder eines faraoenden GeseZZen >, 845 Wiegenl ied (Strauss), 399, 490, 522 Wie Melodlen zieht es mir (Brahms), 664 Wie seh' ich dich, mein Jesu, bluten CJ. W. Franck), 31 I Winge, Per, 16, 354 Die WinteITeise (Schubert), 249, 372-73, 542 Wir Wandelten (Brahms), 667 With the Tide (Watts), 586 Wolf, Hugo: Anakreons Grab, 538, 790; Der Freund, 534, 788; Gebet, 533, 786; Gesang